| Dan McCann | ... | Kenny | |
| A. Michael Baldwin | ... | Doug (as Michael Baldwin) | |
| Jeff Roth | ... | Sherman | |
| Ralph Richmond | ... | Big Doug | |
| Reggie Bannister | ... | Mr. Donovan | |
| Clay Foster | ... | Mr. Brink | |
| Kenneth V. Jones | ... | Mr. Soupy (as Ken Jones) | |
| Willy Masterson | ... | Johnny Hoffman | |
| David Newton | ... | Pudwell | |
| James E. dePriest | ... | Dad | |
| Kate Coscarelli | ... | Mom (as S.T. Coscarelli) | |
| Terrie Kalbus | ... | Marcy (as Terri Kalbus) | |
| Margaret Alexander | ... | Kenny's Sister | |
| Starla Dotson | ... | Sister's Friend | |
| Eswin Cajas | ... | Paco | |
| Kraig Metzinger | ... | Doug's Friend | |
| Bradley Ackerman | ... | Gra-Y Boy | |
| Doug Lance | ... | Sherman's Dad | |
| Glen Tenove | ... | Little Roy | |
| George W. Singer Jr. | ... | Driver, Corvette | |
| Gregg Perrie | ... | Passenger, Corvette | |
| Shirley Nisbet | ... | First Trick or Treat | |
| Robin Wyant | ... | Popcorn Ball Man | |
| Mary Ellen Shaw | ... | Last Trick or Treat | |
| Darrell Kitchell | ... | First Officer | |
| James Catti | ... | Second Officer | |
| Frani Ridder | ... | Office Clerk | |
| Veronica Snelson | ... | Nurse |
Directed by | |||
| Don Coscarelli | |||
Writing credits(in alphabetical order) | ||
| Don Coscarelli | ||
Produced by | |||
| Dac Coscarelli | .... | executive producer (as D.A. Coscarelli) | |
| Don Coscarelli | .... | producer | |
| Kate Coscarelli | .... | executive producer (as S.T. Coscarelli) | |
| Paul Pepperman | .... | associate producer | |
Original Music by | |||
| Fred Myrow | |||
Cinematography by | |||
| Don Coscarelli | |||
Film Editing by | |||
| Don Coscarelli | |||
Art Direction by | |||
| Kate Coscarelli | (as S.T. Coscarelli) | ||
Set Decoration by | |||
| Shirley Nisbet | |||
Costume Design by | |||
| Cyndie Coscarelli | |||
Production Management | |||
| Paul Pepperman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Darrell Kitchell | .... | second assistant director | |
| Paul Pepperman | .... | assistant director | |
Art Department | |||
| David Goldstein | .... | assistant set decorator | |
Sound Department | |||
| W. Frank Bell | .... | boom operator | |
| Don Booth | .... | sound recordist | |
| Gene Corso | .... | sound effects | |
| Lorane Mitchell | .... | sound effects (as Lorane E. Mitchell) | |
| Paul Ratajczak | .... | sound engineer | |
| Michael J. Rose | .... | sound recordist | |
| Ross Taylor | .... | sound effects | |
Camera and Electrical Department | |||
| Gary Griest | .... | grip | |
| Corey Leedom | .... | best boy | |
| Steve McKenzie | .... | second assistant camera | |
| George W. Singer Jr. | .... | key grip | |
Editorial Department | |||
| Dan Manson | .... | editorial assistant | |
Music Department | |||
| Reggie Bannister | .... | music associate | |
Transportation Department | |||
| Stephen Elders | .... | transportation captain | |
Other crew | |||
| Dennis Kitchell | .... | production assistant | |
| Laura Stam | .... | script supervisor | |
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| Bridge to Terabithia | That's What I Am | Art School Confidential | Machuca | Night Fliers |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
The Genre of movies intended for viewers age 10-14 tend to be either crass exploitation or idiotic morality tales. Kenny and Co. is that rare gem of a film that transcends the limitations of it's genre.
There must have been a window in the mid '70's where it was possible to produce a "kid" movie with both heart and brain intact. The Bad News Bears (first film) is another example. In the era of Mortal Kombat and the latest Star Wars regurgitation, this well-written, fully realized, (and delightfully 'dated') work is a joy. Don Coscarelli, who went on to notoriety with the Phantasm B-Horror series, should be noted for this sensitive, aware, and charmingly non-condescending look at young malehood.
I am very interested in finding a copy of Kenny & CO. on tape, and I notice that one of the other posters on this board mentions having a copy. If you are willing to share, please contact
thanks and keep watching. jm