| Christopher Lee | ... | The Keeper | |
| Tell Schreiber | ... | Dick Driver | |
| Sally Gray | ... | Mae B. Jones | |
| Ross Vezarian | ... | Inspector Clarke | |
| Ian Tracey | ... | The Kid | |
| Bing Jensen | ... | Danny | |
| Jack Leavy | ... | The Biggs Twins (as Jack) | |
| Leo Leavy | ... | The Biggs Twins | |
| Malcolm Britton | ... | The Homicide Squad | |
| Michael Meade | ... | The Homicide Squad | |
| Burke Lundy | ... | The Homicide Squad | |
| David Engleman | ... | The Inmates | |
| Wendy Who | ... | The Inmates | |
| Victor Mallia | ... | The Inmates | |
| Laura Thaw | ... | The Inmates | |
| Alex Kliner | ... | The Inmates | |
| Vikki Vogel | ... | The Inmates | |
| Paddy White | ... | The Inmates | |
| Edith Powell | ... | The Inmates | |
| Christian Bruyère | ... | The Cops (as Christian Bruyere) | |
| Denton Coates | ... | The Cops | |
| Rod Padmos | ... | The Cops (as Rod Padmus) | |
| Tom Jesse | ... | The Cops / Ambulance Attendants | |
| Anthony Roy McKinley | ... | The Cops / Glazier | |
| Margee Bruyere | ... | The Ladies | |
| Jeanie McKinnon | ... | The Ladies | |
| Linda Grabler White | ... | The Ladies | |
| Joyce Williams | ... | The Ladies | |
| Peggy Hart | ... | The Ladies | |
| Ian Newby | ... | Ambulance Attendants | |
| Bob Hetherington | ... | Newspaper Vendor | |
| Phillipa Malczewska | ... | Hotel Guests | |
| Richard Keymer | ... | Hotel Guests | |
| Victor Dela Lux | ... | Off Screen Voices (voice) |
Directed by | |||
| T.Y. Drake | |||
Writing credits | ||
| David Curnick | (based on a story by) and | |
| Donald Wilson | (based on a story by) | |
| T.Y. Drake | (written by) | |
Produced by | |||
| Pattie Robertson | .... | associate producer | |
| Donald Wilson | .... | producer | |
Original Music by | |||
| Erich Hoyt | |||
Cinematography by | |||
| Doug McKay | |||
Film Editing by | |||
| George Johnson | |||
| Sally Paterson | |||
Art Direction by | |||
| Keith Pepper | |||
Costume Design by | |||
| Edna Bratt | |||
Makeup Department | |||
| Margee Bruyere | .... | hairstyles: women | |
| Pentti Taivainen | .... | makeup artist (as Penti Taivainen) | |
Production Management | |||
| Martin Walters | .... | production manager (as R. Martin Walters) | |
Second Unit Director or Assistant Director | |||
| Martin Walters | .... | assistant director (as R. Martin Walters) | |
Art Department | |||
| Elinor Barg | .... | assistant to art director | |
| Penny Jackson | .... | assistant to art director | |
| Tom Jesse | .... | special set construction | |
| Mark King | .... | props assistant | |
| Jim Skerl | .... | special set construction | |
| Reg Tunnicliffe | .... | property master | |
| Bill Venable | .... | key carpenter | |
| Peter Young | .... | set dresser | |
Sound Department | |||
| John Bennest | .... | sound mixer | |
| B.J. Clayden | .... | boom operator (as B. J. Claydon) | |
| Zale Dalen | .... | sound | |
Special Effects by | |||
| Al Razutis | .... | special effects | |
Stunts | |||
| Sean Gorman | .... | stunts | |
| Michael Meade | .... | stunts | |
| John Wardlow | .... | stunt coordinator (as John) | |
| John Wardlow | .... | stunts | |
| Keith Wardlow | .... | stunt coordinator (as Kieth Wardlow) | |
Camera and Electrical Department | |||
| Cyrus Block | .... | first assistant camera | |
| Adam Drake | .... | assistant grip | |
| Roger Huyghe | .... | best boy | |
| Jan Martell | .... | second assistant camera | |
| Christopher McKay | .... | additional still photographer | |
| Bill Newbery | .... | gaffer (as Bill Newbury) | |
| Fred Ransom | .... | key grip | |
| Gayle Scott | .... | production still photographer | |
Editorial Department | |||
| Victoria Plummer | .... | assistant film editor (as Victoria Plummer Duggan) | |
Music Department | |||
| Steven Drake | .... | music assistant | |
Other crew | |||
| Carol Fisher | .... | caterer | |
| Erich Hoyt | .... | production assistant | |
| Peggy Kennan | .... | publicist | |
| Sally Paterson | .... | continuity | |
| Sally Paterson | .... | script supervisor | |
| Elizabeth Pontsa | .... | production secretary | |
| Claudia Stone | .... | caterer | |
| Bob Strazicich | .... | production assistant | |
Thanks | |||
| Graeme Valde | .... | special thanks | |
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| Sisters | Sisters | Single White Female | Mildred Pierce | Exposed |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section |
Christopher Lee, who proved he would take any acting part in the
1970's, fails again in this really dumb Canadian suspenser.
Lee is the title character, who runs an insane asylum. He likes to
hypnotize his patients, and he is making sure their families all
meet tragic ends so he will be the guardian of their money. Enter
our hero (and I use the term loosely), private investigator Dick
Driver. He is hired by an anonymous client and puts his female
partner undercover at the mental home. Driver has many run ins
with the local "funny" (I use the term loosely) police inspector. A
local shoeshine boy is Driver's eyes and ears, feeding him
information, and overbuffing his loafers. It seems the police also
have someone undercover in the asylum. The anonymous client, a
Mr. Biggs, also has a twin brother in the asylum. With all these
planted people in the asylum, it is surprising that Lee has anyone
left to hypnotize out of their money.
The police always seem to have a cop on the grounds, but they
never seem to see anything that would warrant an arrest. Lee
uses a small locked room for his experiments on his patients,
complete with disco lights, a two way mirror, and an electroshock
chair, much like Hugh Hefner's boudoir. The film takes place
sometime in the 1940's or 1950's, but you only know that when old
cars suddenly appear. I have, however, seen better special effects
in the 1940's and 1950's, as here all we have to indicate hypnosis
are psychedelic images and silly twirling animation.
Tell Schreiber, as Dick, is awful. His idea of acting is to point at
whoever he is talking to. Lee looks completely lost here, the film
makers give him a cane to lean on, yet there is no explanation for
his character's handicap. His final look into the camera is
supposed to be scary, it comes off as pleading and helpless.
This is amateur film making at its worst. I have seen better pacing
and production values on "America's Funniest Home Videos"
entries. Drake's direction is awful. His cowritten screenplay has no
idea how to proceed forward in time, giving us long boring
dialogue scenes that do nothing but pad the film.
This is terrible stuff, as if the film's cast and crew did not care. This
translates into a stiff, boring, cheap film that features a respected
actor slumming in a role that was probably written on a napkin.
Very sad. This ain't a Keeper.
This is unrated but probably equivalent to a (PG), and contains
some physical violence and some gun violence.