The Keeper of Underwood Asylum has the mental patients of the wealthiest families in British Columbia. The rest of the family members have been dying under mysterious circumstances, so ... See full summary »
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The Keeper of Underwood Asylum has the mental patients of the wealthiest families in British Columbia. The rest of the family members have been dying under mysterious circumstances, so Biggs hires private investigator Richard Driver, who puts his assistant, Maybelline, in the asylum pretending she is his cousin and that they came from a family where the parents were all first cousins to each other and they decided to keep their love platonic for genetic reasons. Then he tries to get Inspector Clarke to check him in as a narcoleptic who didn't wake up with his body. They all know what the keeper has been doing, but it is a matter of proving it, and avoiding the hypnotized Biggs twins and Danny, who he is able to keep catatonic with his machine. Inspector Clarke gives driver a lot of trouble, and the kid giving shoe shines looks down on everybody, knowing more. Written by
Scott Hutchins <scottandrewh@home.com>
Christopher Lee, who proved he would take any acting part in the
1970's, fails again in this really dumb Canadian suspenser.
Lee is the title character, who runs an insane asylum. He likes to
hypnotize his patients, and he is making sure their families all
meet tragic ends so he will be the guardian of their money. Enter
our hero (and I use the term loosely), private investigator Dick
Driver. He is hired by an anonymous client and puts his female
partner undercover at the mental home. Driver has many run ins
with the local "funny" (I use the term loosely) police inspector. A
local shoeshine boy is Driver's eyes and ears, feeding him
information, and overbuffing his loafers. It seems the police also
have someone undercover in the asylum. The anonymous client, a
Mr. Biggs, also has a twin brother in the asylum. With all these
planted people in the asylum, it is surprising that Lee has anyone
left to hypnotize out of their money.
The police always seem to have a cop on the grounds, but they
never seem to see anything that would warrant an arrest. Lee
uses a small locked room for his experiments on his patients,
complete with disco lights, a two way mirror, and an electroshock
chair, much like Hugh Hefner's boudoir. The film takes place
sometime in the 1940's or 1950's, but you only know that when old
cars suddenly appear. I have, however, seen better special effects
in the 1940's and 1950's, as here all we have to indicate hypnosis
are psychedelic images and silly twirling animation.
Tell Schreiber, as Dick, is awful. His idea of acting is to point at
whoever he is talking to. Lee looks completely lost here, the film
makers give him a cane to lean on, yet there is no explanation for
his character's handicap. His final look into the camera is
supposed to be scary, it comes off as pleading and helpless.
This is amateur film making at its worst. I have seen better pacing
and production values on "America's Funniest Home Videos"
entries. Drake's direction is awful. His cowritten screenplay has no
idea how to proceed forward in time, giving us long boring
dialogue scenes that do nothing but pad the film.
This is terrible stuff, as if the film's cast and crew did not care. This
translates into a stiff, boring, cheap film that features a respected
actor slumming in a role that was probably written on a napkin.
Very sad. This ain't a Keeper.
This is unrated but probably equivalent to a (PG), and contains
some physical violence and some gun violence.