| Giancarlo Giannini | ... | Tullio Hermil | |
| Laura Antonelli | ... | Giuliana Hermil | |
| Jennifer O'Neill | ... | Teresa Raffo | |
| Rina Morelli | ... | Tullio's Mother | |
| Massimo Girotti | ... | Count Stefano Egano | |
| Didier Haudepin | ... | Federico Hermil | |
| Marie Dubois | ... | The Princess | |
| Roberta Paladini | ... | Miss Elviretta | |
| Claude Mann | ... | The Prince | |
| Marc Porel | ... | Filippo d'Arborio | |
| Philippe Hersent | |||
| Elvira Cortese | |||
| Siria Betti | |||
| Enzo Musumeci Greco | |||
| Alessandra Vazzoler | |||
| Marina Pierro | |||
| Vittorio Zarfati | |||
| Alessandro Consorti | |||
| Filippo Perego | |||
| Margherita Horowitz | |||
| Riccardo Satta |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Gabriele D'Annunzio | (novel) | |
| Suso Cecchi D'Amico | (screenplay) and | |
| Enrico Medioli | (screenplay) and | |
| Luchino Visconti | (screenplay) | |
Produced by | |||
| Giovanni Bertolucci | .... | producer: Rizzoli Film S.p.A. | |
| Lucio Trentini | .... | line producer | |
Original Music by | |||
| Franco Mannino | |||
Cinematography by | |||
| Pasqualino De Santis | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Mario Garbuglia | |||
Set Decoration by | |||
| Carlo Gervasi | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Maria Teresa Corridoni | .... | key hair stylist | |
| Aldo Signoretti | .... | hair stylist | |
Production Management | |||
| Rossella Angeletti | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Albino Cocco | .... | first assistant director | |
| Giorgio Treves | .... | second assistant director | |
| Alessio Girotti | .... | assistant director (uncredited) | |
Costume and Wardrobe Department | |||
| Alberto Verso | .... | assistant costume designer | |
Editorial Department | |||
| Andrea Gargano | .... | final colorist | |
Music Department | |||
| Franco Mannino | .... | conductor | |
| Orchestra dell'Accademia Nazionale di Santa Cecilia | .... | music performed by (as Orchestra Stabile della Gestione Autonoma dei Concerti dell'Accademia Nazionale di S. Cecilia) | |
Other crew | |||
| Renata Franceschi | .... | script supervisor | |
| Recent Posts (updated daily) | User |
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| Who is turning the pages? | Trelili |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
love often used misspelled abused love taken for a selfish game manipulating shame
he loved himself apart from that a selfish search for someone to confirm he is what he only pretends to be
was she crazy or insane was her love so true she bared the pain for her it was no game and yet she lost...
beautiful movie, timeless! delightfull to see how this movie takes his time to tell a story, the script is strong, the music emotional, the actors impressive, I can only write down positive aspects, thanks to visconti's perfectionism and talent this movie became more than a traditional story about love and hate. the thin line between the beauty of the movie and the manipulating selfish desire of the story creates a strong emotional masterpiece that will no one left untouched