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L'innocente (1976)

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

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(novel), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
...
Rina Morelli ...
Tullio's Mother
...
Count Stefano Egano
Didier Haudepin ...
Federico Hermil
...
The Princess
Roberta Paladini ...
Miss Elviretta
Claude Mann ...
The Prince
...
Filippo d'Arborio
Philippe Hersent
Elvira Cortese
Siria Betti
Enzo Musumeci Greco ...
Maestro d'armi
Alessandra Vazzoler
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Storyline

Luchino Visconti's last film based on a novella by Gabrielle d'Annunzio is a haunting account of aristocratic chauvinism and sexual double standards in turn of the century Italy. Giannini as the psichotic husband whose lust cannot be satisfied. Antonelli as his sensitive and tormented wife and O'Neil as cunning possesive mistress. Written by Alex Asp <aspalex@netvision.net.il>

Plot Summary | Add Synopsis

Taglines:

Visconti's Sensual Epic of a Diabolical Marriage See more »

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

11 January 1979 (USA)  »

Also Known As:

The Innocent  »

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Box Office

Gross USA:

$9,500,000, 31 December 1979
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Cosmovision)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Visconti had briefly considered casting Ryan O'Neal in the Giancarlo Giannini role. See more »

Quotes

Giuliana Hermil: It's too luxurious.
Tullio Hermil: [Pontificating] Peasants always like to see their masters well-dressed.
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Connections

Featured in La femme de l'amant (1992) See more »

Soundtracks

Walzer
Music by Frédéric Chopin (as Chopin)
Performed by Franco Mannino, pianoforte
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User Reviews

 
Beautiful and Sad
19 January 2005 | by See all my reviews

Luchino Visconti is one of my favorite directors. I think Death in Venice is one of the most beautiful movies I have ever seen. This film begins with the credits shown over a book with its pages being turned by a hand reminding me of Jeanne Cocteau's beginning for Beauty and the Beast (1946). Tullio (Giancarlo Gianni) is an aristocrat married to Laura Antonelli but he fools around shamelessly with Jennifer O'Neil. He's a bullshit artist at high speed, but one day he gets his come-uppance. He seems not to care about Antonelli's feelings, and one day she cheats on him with a novelist/writer. She is left pregnant, and Tullio is devastated. He cannot accept the child (who all thinks is his own). Visconti's films always have a certain disdain for rich people, and here his contempt is risen to art while telling a very engaging story. Gianni's performance is powerful stuff, while Antonelli is both beautiful and sad in equal measures. Not as good as Death in Venice but excellent nonetheless.


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