| Dyanne Thorne | ... | Ilsa | |
| Max Thayer | ... | Cmdr. Adam Scott (as Michael Thayer) | |
| Jerry Delony | ... | El Sharif (as Victor Alexander) | |
| Uschi Digard | ... | Inga Lindström (as Elke Von) | |
| Colleen Brennan | ... | Nora Edward (as Sharon Kelly) | |
| Haji | ... | Alina Cordova (as Haji Cat) | |
| Tanya Boyd | ... | Satin | |
| Marilyn Joi | ... | Velvet (as Marilyn Joy) | |
| Su Ling | ... | Katsina | |
| Richard Kennedy | ... | Dr. Kaiser (as Wolfgang Roehm) | |
| George 'Buck' Flower | ... | Beggar (as C.D. Lafleur) | |
| Dea Martensen | |||
| Ivan Roars | |||
| Speed Stearns | ... | Satin and Velvet's Opponent (as S. Stearns) | |
| Bobby Woods | ... | Prince Salim | |
| rest of cast listed alphabetically: | |||
| Don Edmonds | ... | Swordsman in Black / Sniper (uncredited) | |
| John F. Goff | ... | Sheik Kalam (uncredited) | |
| Douglas Gudbye | ... | Amputee (uncredited) | |
| Skip E. Lowe | ... | Doctor (uncredited) | |
| Joyce Mandel | ... | Harem Girl (uncredited) | |
| Howard Maurer | ... | Sheik Ahmed (uncredited) | |
| Ray Myles | ... | Sheik Mahmoud (uncredited) | |
Directed by | |||
| Don Edmonds | |||
Writing credits | ||
| Langston Stafford | (screenplay) | |
Produced by | |||
| Don Edmonds | .... | producer (as William J. Brady) | |
Cinematography by | |||
| Dean Cundey | |||
| Glenn Roland | |||
Film Editing by | |||
| Idi Yanamar | |||
Art Direction by | |||
| J. Michael Riva | (as Mike Riva) | ||
| Michel Levesque | (uncredited) | ||
Makeup Department | |||
| Joe Blasco | .... | special makeup effects artist | |
| David Dittmar | .... | makeup effects assistant | |
| Valerie Touhey | .... | makeup artist | |
Production Management | |||
| Jefferson Richard | .... | production supervisor (as Jef Richard) | |
Art Department | |||
| Erik L. Nelson | .... | properties (as Erik Nelson) | |
Sound Department | |||
| Al Ramirez | .... | sound mixer | |
| Michael Sabo | .... | boom operator (as Mike Sabo) | |
Stunts | |||
| James Winburn | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Bob McVay | .... | key grip (as Robert McVay) | |
| Raymond Stella | .... | assistant camera (as Ray Stella) | |
| Mike Strong | .... | gaffer | |
| Dean Zanetos | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Frances Dennis | .... | wardrobe | |
Editorial Department | |||
| David Block | .... | colorist (uncredited) | |
Other crew | |||
| Don Behrns | .... | production assistant | |
| Lynne Twentyman | .... | script supervisor (as Lynn Ward) | |
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| Wanda, the Wicked Warden | Ilsa the Tigress of Siberia | Venus in Furs | Ilsa: She Wolf of the SS | Delirio caldo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Canada section |
As everyone no doubt knows, this is the follow up to the notorious movie Ilsa She-Wolf of the SS. That flick was a real controversial one, seeing as it was mixing a Nazi concentration camp premise with an extremely exploitative story-line. Despite all of this, it was essentially a very exaggerated movie and really quite hard to take very seriously. In Ilsa, Harem Keeper of the Oil Sheiks Dyanne Thorne returns as the super-bitch Ilsa. In this one she runs a harem for a sleazy sheik. Or more specifically, she is tasked with turning captured women into his sexual slaves. Of course, this involves much elaborate torture and copious amounts of nudity.
If anything, this one is more 'upmarket' than the first film. It has a bigger budget and some decent locations. It's also less controversial subject-wise, although it's still clearly an exploitation movie. The film revolves around sleaze and torture. We have charming things like flesh-eating ants and exploding vaginas after all. So, fear not, this one is still in the same general ball-park as the first. Unfortunately, the sexy Miss Thorne just doesn't get naked enough though, which is somewhat unfortunate and to this movie's detriment. However, we do have a couple of topless female kung-fu experts called Satin and Velvet who rip a poor fool's balls off. And two of the captured slave-girls are played by Russ Meyer regulars Uschi Digard (Supervixens) and Haji (Faster, Pussycat! Kill! Kill!). Both of whom are always a welcome presence in any movie.
Despite all of the atrocities, the Ilsa series is basically cartoonish. You cannot take these movies seriously, nor were you intended to. This one, like the others is another combination of gory violence, sleazy erotica and deranged silliness. For my money this one is neither as good as the original, nor Ilsa the Tigress of Siberia. But it's still an entertaining trash-fest.