Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced ... See full summary »
After American scientist is severely injured and scarred in a car crash along the border with East Germany, he is captured by East German military. The scientists use metal implants to save him. Once back in the States no one can tell if it's really him so an intelligence specialist must determine who is under the "mask".
Based on the book Crossed Over: A Murder/A Memoir by Beverly Lowry, Crossed Over tells the true story of a woman, Beverly Lowry, who after the tragic hit-and-run death of her teenage son, ... See full summary »
Reece McHenry is a used-clothing store owner and Carol Fitzsimmons is a seamstress working in that store. The film follows the story of their relationships from 1960s till present time (as ... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.
Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced after 10 years of marriage, Les Bingham (Gould) finally convinces his ex-wife Katie (Keaton) to give him another shot. Reluctantly agreeing to a legal arrangement instead of a wedding vow, Les signs a six-month contract, unaware his lawyer (Sorvino) also loves Katie and plans to use the wiles of their sexy neighbor (Principal) to bust up the Binghams for good. Cowritten and directed by Norman Panama (How to Commit Marriage), I Will... I Will... For Now was produced by George Barrie, CEO of Fabergé. A musician-turned-businessman, Barrie would produce over a dozen films, earning Oscar nominations for "All That Love Went to Waste" (A Touch of Class, 1973) and "Now That We're in Love" (Whiffs, 1975), two songs he wrote with Sammy Cahn.
This 70's cheeseball features Elliott Gould at his smarmiest, Paul Sorvino at his hammiest, and poor Diane Keaton at her most embarrassed. Plays like an extended episode of "Love, American Style." A snarky embarrassment.
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