The Human Tornado (1976)

Director:

Cliff Roquemore

Writers:

Jerry Jones (screenplay)
Rudy Ray Moore (character)
(more)

Release Date:

2 October 1976 (USA)

Genre:

Action | Comedy

Tagline:

Nerve-shattering ...Brain-battering ...Mind-splattering ...A ONE MAN DISASTER!

Plot:

One of several Rudy Ray Moore films, THE HUMAN TORNADO is part of the on-going adventures of Dolemite: a signifying' super-hero...

Plot Keywords:

Sequel | Campy | Spoof | Martial Arts | Gay Stereotype

Cast

Rudy Ray Moore	...	Dolemite
Lady Reed	...	Queen Bee
Jimmy Lynch	...	Mr. Motion
Howard Jackson	...	Himself
Gloria Delaney	...	Hurricane Annie (as Glorya De Lani)
Jerry Jones	...	Det. Pete 'Pistol Pete' Blakeley
Lord Java	...	Java (as Java)
J.B. Baron	...	Sheriff Beatty
Jack Kelly	...	Captain Ryan
Herb Graham	...	Cavaletti
Barbara Gerl	...	Mrs. Cavaletti
James Cromartie	...	Jimmy
Ernie Hudson	...	Bo (as Louis Hudson)
Ed Montgomery	...	Dough
Peaches Jones	...	T.C.
Freddie DeFox	...	Maitre d' No. 1 (as Freddie De Fox)
Billy Nighten Gale	...	Maitre d' No. II
Kathyn Hayes	...	Madam
Greg Colbrook
Javier Ambrez
Anne Gaybis		(as Annie Gaybis)
Billy Watkins
Laura Welcome		(as Laurel Welcome)
Robert Huerta		(as Robert Huereta)
Louis Jaurez
Fred Saunders
Bob Rosenbaum
Mikie Gist
Manuel DePina		(as Manuel De'Pina)
Cora Lee Day
Tyomo Tey
Ron Trice
Leland Smith
Hollie Sands
Pat Thomas
William Morgan
Sharon Lee
Napoleon Wright
Nathaniel Sullivan
O.C. Wilson
Stephen Kosworth
Ruth Sitton
John Alda
Valade
Ceaser January		(as Ceasar January)
Cardella Di Milo
Doug Senior
John Di Fusco		(as John De Fuso)
Anna Marie Nicolas		(as Anna Marie Nico)
Stephen Louis
Robert Factor
Sir George
Toney Watkins		(as Toney Davis)
Carol Bell
Lorrie Marlow		(as Lorri Marlow)
Sonny Romero
Arnie Graffer
Sammy Green
Gwendolyn Westbrook
Mark Toepfer
Iola Henry
Steve Fisher
Gary Williams
Tim Packett
Claudia Macone
Sarita Caress
Wendy Cavanaugh
James Fouratt
Rama
Xavier Chatman	...	Xavier Chatman Dancer
Bryan Holman
Roy Romious
Raymond Johnson		(as Ray Johnson)
Tony Lancaster
Wilbert Terry

Directed by
Cliff Roquemore

Writing credits
Jerry Jones		(screenplay)
Rudy Ray Moore		(character)
Jimmy Lynch		(special dialogue)

Produced by
Rudy Ray Moore	....	producer

Original Music by
Arthur Wright

Cinematography by
Gene Condie
Bob Wilson

Makeup Department
Marie Carter	....	makeup artist

Production Management
Guy Nicholas	....	production manager

Second Unit Director or Assistant Director
Ayanna DuLaney	....	second assistant director
Cassius Weathersby	....	first assistant director

Art Department
Jimmy Lynch	....	set designer
Rudy Ray Moore	....	set designer

Sound Department
Marvin Kerner	....	sound effects
Sandy Luber	....	sound effects
Steve Rogers	....	boom operator

Special Effects by
Harry Woolman	....	special effects

Camera and Electrical Department
Chuck Dawson	....	key grip
Lowell Peterson	....	electrician (as Lowell Nick Peterson)
Bob Purcello	....	assistant camera
Nicholas Josef von Sternberg	....	camera operator: second unit (as Nickholas Von Sternberg)
Robert Vose	....	still photographer (as Bob Vose)
Oshana Walker	....	best boy
Lowell Peterson	....	first assistant camera (uncredited)

Costume and Wardrobe Department
Charlene Fulton	....	special wardrobe
Ira Imani	....	wardrobe: Rudy Ray Moore
Ni Ronji	....	wardrobe (as Ni Rondji)

Editorial Department
Hugo Grimaldi	....	editorial supervisor
J.F. Kinyon	....	archival editorial services (uncredited)

Other crew
Freddie DeFox	....	production assistant (as Freddie De Fox)
Heather Evergates	....	production assistant
Jill Freeman	....	script girl
Jean Kizzee	....	executive secretary
Rodney McMickin	....	production assistant
Nathaniel Sullivan	....	production assistant

Production Companies

• Comedian International

Distributors

• Dimension Pictures (1976) (USA) (theatrical)
• DV1 (2008) (Australia) (DVD)
• Xenon Entertainment Group (2002) (USA) (DVD)
• Xenon Pictures (1988) (USA) (DVD)

Other Companies

• Laff Records  Jimmy Lynch appears through courtesy of
• Ryder Sound Services  sound by (as Ryder Sound)
• Brinson's Studio  recordings
• Westheimer Company  titles and opticals (as Westheimer Co.)

Also Known As:

Runtime:

85 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Mono

Certification:

France:-16 | USA:R | Canada:16+ (Quebec) | Australia:R

Filming Locations:

Baldwin Hills, Los Angeles, California, USA

Company:

Comedian International

Goofs:

Errors in geography: About 15 minutes or so into the film, as Dolemite is being chased by the Sheriff (because he got caught in bed with said Sheriff's wife), you can see the Hollywood sign as they drive through the upper roads of Griffith Park... and then they talk about how they have to get moving out to California.

Quotes:

Gay driver:You need a ride, honey? Well, I'll tell you what I'll do... I'll give you a ride... for a ride! Hee! Hee! Hee!

Movie Connections:

Featured in Starz Inside: Sex and the Cinema (2009) (TV)

Pure Blaxploitation Gold

The bad, bad Dolemite returns in a new adventure that drops any semblance of serious tone and goes right to the proof that, at this point, Rudy Ray Moore had lost his mind. The first movie was a prime example of the "so bad, its good" genre as it walked the erratic line between parody and poorly executed drama. Moore's second film as his iconic character, THE HUMAN TORNADO, is just downright insane. Moore isolated the craziest elements of his first movie, jacked the WTF meter up to 11, and created one of the most absurdly awesome movies of the 70s. The movie finds Dolemite living in the South. I guess. It never really establishes where he is, or why, but all of the white people are hillbillies. When he's caught in bed with the crazy, racist sheriff's wife, Dolemite and his posse hightail it out of town and head to Los Angeles where mob boss Cavaletti has shut down Queen Bee's club and taken two of her girls as prisoners. With the law hot on his trail, Dolemite arrives on the west coast and undertakes his own investigation into Cavaletti and plotting how to rescue the girls and end the gangster's stranglehold over Queen Bee and her girls. Having written that quick summation, I'm pretty sure I've already put more thought into the plot of THE HUMAN TORNADO than screenwriter Jerry Jones (who also returns as Detective Blakely) was ever required to. This is easily Moore's best film ever.

As if to warn the audience what they've wandered into, it opens with Rudy Ray Moore in various colorful get-ups and "karate" poses as the opening credits roll. The movie has also acquired a new director, Cliff Roquemore, who seems to have a better grasp on how to shoot a movie than D'Urville Martin. It's still low on production value, but at least you aren't spotting boom microphones in every scene and he tries to move the camera around a bit more. The acting is still horrible, but it aspires for all-new levels of horrible. J.B. Baron is near legendary as Sheriff Beatty, the racist hillbilly with a grudge against Dolemite. Baron is beyond over-the-top, bug-eyed and screeching racial slurs. The filmmakers obviously had a pretty low opinion of the South (although, considering the time this film was release…could you blame 'em?) and it's populated in the film by hate-spewing rednecks ready to drop what they're doing and form a lynch mob. The filmmakers' view on homosexuals isn't much better, with a gay man named Charlie becoming the victim of Dolemite's carjacking. He spends the trip squealing in delight at his captors and spouting entendres. Everything is taken to the extreme here. It more than makes up for the actual low quality of the movie itself with it's usual poor pacing, botched choreography, and failure to understand story structure. THE HUMAN TORNADO can't figure out which plot line is more important: Cavaletti's dirty business or the Sheriff's vendetta. So it crams in both. Also, quick note… Ernie Hudson is in this!

There is just so much in this movie that will leave the audience scratching their head in confusion, but in a fun sense. When I first saw this movie, I knew immediately that I had to share the wealth with everyone I could convince to watch it. There are just so many WTF moments. What was the deal with the old woman who loved to torture girls? Why did Dolemite's sex scene with Hurricane Annie cut away to a shot of them eating watermelon? Why did Jimmy get such an unnecessarily long death scene, seeing as how his character was so unimportant that I didn't even know his name until he died? Was the beard on the henchman running the torture chamber painted on with shoe polish? Was Java really a man? How many drugs were consumed when coming up with the dream sequence representing Mrs. Cavaletti's nymphomania? The movie is titled THE HUMAN TORNADO and the cover art depicts Rudy Ray Moore delivering a flurry of punches, but we come to discover that Dolemite's nickname as the Human Tornado has nothing to do with his ability to kick butt. No, no, no…even better. This movie is just so crazy that I can't describe how amazingly bizarre it is. All I can do is recommend that you watch it. I really hope you'll enjoy it as much as I did, but I know the humor might be lost on some. Give it a chance and it'll all be worth it by the time you arrive at the ten minute kung-fu action sequence with Rudy Ray Moore's closest approximation of martial arts as he waves his arms around and grunts as he battles his way into Cavaletti's home. Pure gold. THE HUMAN TORNADO, just as with DOLEMITE before it, is far from a "good" movie, but there is so much wrong with it that it works perfectly.