Two hopelessly-out-of-their-class conmen attempt to pull off the largest bank heist of the 19th century. They gain the enmity of the most famous bank robber in the world and the affection ...
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Two hopelessly-out-of-their-class conmen attempt to pull off the largest bank heist of the 19th century. They gain the enmity of the most famous bank robber in the world and the affection of a crusading newspaperwoman. Written by
Don Devlin <firstname.lastname@example.org>
I saw this movie when it was first released, then again on television sometime in the Eighties. Why this film is largely forgotten is beyond me. For that matter, why are some of the most entertaining films of the Seventies collecting dust, while the critics continue to insist that we bow and scrape to pretentious self-absorbed WoodyBogdanovichMazurskyAltman? Anyhoo, this film is funny -- maybe not side-splitting, but certainly a lot more entertaining than many films calling themselves comedies. It's atmospheric, with that yellow/sepia look Coppola first introduced in Godfather II. It's well-acted: James Caan is a great comic actor -- let's face it, a great actor, period. Michael Caine is especially good as the kid glove villain. Almost nothing here to offend anybody, (but kids under age 10 might have trouble following it). And after all these years, I still remember the "owls who" joke.
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