| Lee Van Cleef | ... | Father John / Lewis | |
| Jack Palance | ... | Sam Clayton | |
| Richard Boone | ... | The Sheriff | |
| Sybil Danning | ... | Jenny | |
| Leif Garrett | ... | Johnny | |
| Robert Lipton | ... | Jess Clayton | |
| Cody Palance | ... | Zeke Clayton | |
| Ian Sander | ... | Red Clayton | |
| Pnina Rosenblum | ... | Chesty (as Pnina Golan) | |
| Zila Carni | ... | Juanita Lewis | |
| Heinz Bernard | ... | Judge Barrett | |
| Didi Lukov | ... | Rip | |
| Ricardo David | ... | Angel George | |
| Chin Chin | ... | Willy | |
| Rafi Ben Ami | ... | Mortimer | |
| rest of cast listed alphabetically: | |||
| Franco Pesce | ... | Crooked Gambler (uncredited) | |
| Carolyn Stellar | ... | Woman on Horse (uncredited) | |
Directed by | |||
| Gianfranco Parolini | (as Frank Kramer) | ||
Writing credits | ||
| John Fonseca | (screenplay) | |
| Gianfranco Parolini | (screenplay) (as Frank Kramer) | |
Produced by | |||
| Yoram Globus | .... | associate producer | |
| Menahem Golan | .... | producer | |
Original Music by | |||
| Sante Maria Romitelli | |||
Cinematography by | |||
| Sandro Mancori | (director of photography) | ||
Film Editing by | |||
| Manlio Camastro | |||
Art Direction by | |||
| Claudio De Santis | (as Claudio Desantis) | ||
Makeup Department | |||
| Hanna Chalfon | .... | makeup artist | |
| Blanche Shuler | .... | makeup artist | |
Production Management | |||
| Rafi Adar | .... | production manager | |
| Chaim Manor | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Itschak Ben Zur | .... | assistant director | |
| Leonard Natan | .... | assistant director | |
| Timna Ranon | .... | assistant director | |
Art Department | |||
| Ariel Roshko | .... | assistant art director | |
Sound Department | |||
| Wally Milner | .... | sound | |
| Simcha Silberstein | .... | boom operator | |
Special Effects by | |||
| Gianni D'Andrea | .... | special effects | |
Camera and Electrical Department | |||
| Sami Gratushka | .... | camera loader | |
| Yoni Hamenachem | .... | still photographer (as Joni Hamenachem) | |
| Samuel Levi | .... | chief grip | |
| Aldo Marchiori | .... | focus puller | |
| Mario Sbrenna | .... | camera operator | |
| Eitan Tzur | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Edit Burstein | .... | assistant wardrobe | |
| Sara Weiner | .... | wardrober | |
Editorial Department | |||
| Orlando Signorelli | .... | assistant film editor | |
Other crew | |||
| Melody Greene | .... | script girl | |
| Naomi Mayberg | .... | production secretary | |
| Ovadia Mayberg | .... | location manager | |
| Beni Uzan | .... | wrangler | |
| Mimmo Uzan | .... | wrangler | |
| Ralph Zucker | .... | dialogue coach | |
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| Death Rides a Horse | Pale Rider | High Plains Drifter | For a Few Dollars More | The Quick and the Dead |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Italy section |
I just saw this flick on late-night cable. Never heard of it before, but was stunned at how well-done it was. Then I came here to the IMD and was absolutely stunned by all the bad reviews.
I have a theory: there must be two versions of this movie. Seriously.
A recent American reviewer complained that all three main actors' voices were dubbed by actors 20 years younger. HUH? In the version I just saw, All three spoke in their own voices. In fact, the words seem to be English, so any dubbing would have been for a foreign release. Perhaps a foreign version got RE- dubbed into English?
-That might also account for another reviewer complaining that Van Cleef overacted. In the version I saw, Van Cleef gives a fantastic performance. (Although he was not the best choice, IMO, for the lead.)
Overall, I consider this movie to be at the bottom of the top-tier of spaghetti westerns. (that's a compliment, not a knock.) OK, there's no Clint. However, the story is solid and complex. The acting is fine. The cinematography is as good as any Sergio film. The music sounds exactly like Morricone (could even BE Morricone, there are no scoring credits on the IMD) The editing is crisp.
I believe that some reviewers found out this was shot in Israel, and then viewed it looking for faults. Shame on you people! (no, I'm not Jewish, I'm just offended by the extremely off-base reviews.)
This is a solid, well-made, good-looking film. It's one true fault is that Lee Van Cleef isn't really suited to being a leading-man. With a better lead, this could have been a classic.