| Woody Allen | ... | Howard Prince | |
| Zero Mostel | ... | Hecky Brown | |
| Herschel Bernardi | ... | Phil Sussman | |
| Michael Murphy | ... | Alfred Miller | |
| Andrea Marcovicci | ... | Florence Barrett | |
| Remak Ramsay | ... | Hennessey | |
| Marvin Lichterman | ... | Myer Prince | |
| Lloyd Gough | ... | Delaney | |
| David Margulies | ... | Phelps | |
| Joshua Shelley | ... | Sam | |
| Norman Rose | ... | Howard's Attorney | |
| Charles Kimbrough | ... | Committee Counselor | |
| Josef Sommer | ... | Committee Chairman (as M. Josef Sommer) | |
| Danny Aiello | ... | Danny LaGattuta | |
| Georgann Johnson | ... | T. V. Interviewer | |
| Scott McKay | ... | Hampton | |
| David Clarke | ... | Hubert Jackson | |
| I.W. Klein | ... | Bank Teller | |
| John Eric Bentley | ... | Bartender (as John Bentley) | |
| Julie Garfield | ... | Margo | |
| Murray Moston | ... | Boss | |
| MacIntyre Dixon | ... | Harry Stone (as McIntyre Dixon) | |
| Rudolph Willrich | ... | Tailman (as Rudolph Wilrich) | |
| Burt Britton | ... | Bookseller | |
| Albert Ottenheimer | ... | School Principal (as Albert M. Ottenheimer) | |
| William Bogert | ... | Parks | |
| Joey Faye | ... | Waiter | |
| Marilyn Sokol | ... | Sandy | |
| John J. Slater | ... | T. V. Director | |
| Renee Paris | ... | Girl In Hotel Lobby (as Renée Paris) | |
| Gino Gennaro | ... | Stage Hand | |
| Joan Porter | ... | Myer's Wife | |
| Andrew Bernstein | ... | Alfred's Child | |
| Jacob Bernstein | ... | Alfred's Child | |
| Matthew Tobin | ... | Man At Party | |
| Marilyn Persky | ... | His Date | |
| Sam McMurray | ... | Young Man At Party | |
| Joe Jamrog | ... | F B I Man | |
| Michael B. Miller | ... | F B I Man (as Michael Miller) | |
| Lucy Lee Flippin | ... | Nurse | |
| Jack Davidson | ... | Congressman | |
| Donald Symington | ... | Congressman | |
| Pat McNamara | ... | Federal Marshal (as Patrick McNamara) | |
| rest of cast listed alphabetically: | |||
| Mamie Eisenhower | ... | Herself (archive footage) | |
| Ethel Rosenberg | ... | Herself (archive footage) | |
| Joseph Bergmann | ... | Demonstrator (uncredited) | |
| Carson Grant | ... | Eddy Waiter (uncredited) | |
| Stephen Hayes | ... | Alfred's child (uncredited) | |
| Lauren Simon | ... | Train Passenger (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Walter Bernstein | (written by) | |
Produced by | |||
| Robert Greenhut | .... | associate producer | |
| Charles H. Joffe | .... | executive producer | |
| Martin Ritt | .... | producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Sidney Levin | |||
Casting by | |||
| Juliet Taylor | |||
Art Direction by | |||
| Charles Bailey | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Robert Jiras | .... | makeup artist | |
| Philip Leto | .... | hair stylist (as Phil Leto) | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | dga trainee | |
| Howard Himmelstein | .... | dga trainee | |
| Peter R. Scoppa | .... | assistant director (as Peter Scoppa) | |
| Ralph S. Singleton | .... | second assistant director (as Ralph Singleton) | |
Art Department | |||
| Joseph M. Caracciolo | .... | property master (as Joseph Caracciolo) | |
| Marjorie Kellogg | .... | assistant art director | |
| Bruno Robotti | .... | master scenic artist | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Vito L. Ilardi | .... | boom operator (as Vito Ilardi) | |
| John H. Newman | .... | sound editor | |
| James Sabat | .... | sound mixer | |
| James G. Stewart | .... | sound re-recording mixer (as Jim Stewart) | |
| Roger Pietschmann | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | matte effects | |
Costume and Wardrobe Department | |||
| Peggy Farrell | .... | wardrober: ladies | |
| George Newman | .... | wardrober: men | |
Editorial Department | |||
| Hy Friedman | .... | assistant editor | |
| Bruce Pearson | .... | color timer (uncredited) | |
Music Department | |||
| Else Blangsted | .... | music editor | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Peter Burrell | .... | location manager | |
| Christopher Cronyn | .... | location manager (as Chris Cronyn) | |
| Patricia Crown | .... | production assistant | |
| Golda David | .... | assistant to producer | |
| David Garfield | .... | production assistant | |
| Sam Goldrich | .... | production auditor (as Samuel Goldrich) | |
| Lois Kramer Hartwick | .... | production office coordinator (as Lois Kramer) | |
| Scott MacDonough | .... | unit publicist (as Scott Mac Donough) | |
| Susan McMahon | .... | payroll | |
| Beth Rudin | .... | production assistant | |
| Dennis Kear | .... | stand-in: Woody Allen (uncredited) | |
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| Good Night, and Good Luck. | The Way We Were | The Majestic | The Manchurian Candidate | Frost/Nixon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The Front tells the story of an average Joe Loser whose friend, a blacklisted television writer asks for his identity so he can continue working. Thus begins not only an acceptable scam, but a personal odyssey for this man, played by Woody Allen. He begins to be become a `front' for other blacklisted writers as well, presenting their material as his own. His evolution is such that while he began to do this mainly for his own profit, he ends up taking a stand on behalf of the blacklisted artists he knows and along the way, finding his own relevance in life.
While starring Woody Allen, the film was directed by Martin Ritt, a blacklisted artist himself. Additionally, it featured a blacklisted writer and several blacklisted actors, including Zero Mostel. There are definite comedic moments in the film, but they are generally limited to a line or the facial expression of a character, therefore I consider this to be a largely dramatic film. (Albeit light drama). Making a comedy about HUAC (House Un-American Activities Committee) and the Hollywood Blacklist is like offering a comedy about the Salem Witch Trails. Both events involved the destruction of the lives of the victims due to the paranoia and hysteria of their contemporary societies and neither subject is comic fodder.
Of the films centering on HUAC that I have seen, The Front is by far the most representative and most meaningful I have seen to date. The Front is a very important chronicle of a dark period in 20th century history and deserves the many accolades it has received.
--Shelly