A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.



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Cast overview, first billed only:
Phil Sussman
Alfred Miller
Remak Ramsay ...
Marvin Lichterman ...
Myer Prince
Lloyd Gough ...
Joshua Shelley ...
Norman Rose ...
Howard's Attorney
Committee Counselor
Committee Chairman (as M. Josef Sommer)
Danny LaGattuta
T. V. Interviewer


In the early 1950s Howard Prince, who works in a restaurant, helps out a black-listed writer friend by selling a TV station a script under his own name. The money is useful in paying off gambling debts, so he takes on three more such clients. Howard is politically pretty innocent, but involvement with Florence - who quits TV in disgust over things - and friendship with the show's ex-star - now himself blacklisted - make him start to think about what is really going on. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis


America's Most Unlikely Hero.


Comedy | Drama


PG | See all certifications »

Parents Guide:





Release Date:

17 September 1976 (USA)  »

Also Known As:

El testaferro  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


| (Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?


The movie was made and released about fifteen years before Irwin Winkler's Guilty by Suspicion (1991) starring Robert De Niro which covered the same subject matter of the McCarthy era, blacklisting, and the House Un-American Activities Committee (HUAC). See more »


Investigator Hennessey, as his name is spelled in the credits, is shown sitting at his desk on which there is a nameplate which reads Francis K. Hennessy. See more »


Hecky Brown: [Parting words to Howard] Take care of yourself. The water is full of sharks.
See more »

Crazy Credits

During the credits the people involved with the movie who were blacklisted are listed along with the year they were blacklisted. See more »


Featured in Hollywood contra Franco (2008) See more »


Come On Daisy
Music by Carrie Hoffman
Lyrics by Ira Gassman
See more »

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User Reviews

Classic drama, rife with paranoia
29 June 2006 | by (Beverley Hills, England) – See all my reviews

I don't profess to know anything more about 'the McCarthy era' than any other non-American that wasn't around in the fifties, but this film serves as both a great slice of entertainment; and something of a history lesson. The film is said to be a comedy, although it would seem to be played out more for the drama side as aside from Woody Allen's usual neurotic quips; there aren't actually any jokes in the film. That certainly doesn't harm it, however, as Martin Ritt's film has more than enough in reserve, as the story is interesting enough on it's own; and themes of 'the witch-hunt', as well as the idea of being guilty until proved innocent shine through. The story follows Howard Prince (Woody Allen) a cashier who, when asked by his friend who is on the 'blacklist', poses as a TV writer so the blacklisted writer can still work. The film takes place in the time when paranoia over communism was rife in America, and anyone that is suspected of associating with communists was no longer allowed to work. The scam goes on, but the more Prince is dragged into it, the harder it is for him to get out.

Like I say, I didn't know much about the era before going into the film; but I'm sure it's an important part of American history; if only for the fact that it's inspired a lot of great films, including the great original version of 'Invasion of the Body Snatchers'. I've been a big fan of Woody Allen ever since I first saw one of his films, and his performance here takes in all the best elements of his persona. The character; a talentless man garnering praise for someone else's work, suits Allen's personality like a glove, as the paranoid actor gets to show us how neurotic he can be. Support comes by way of the likes of Zero Mostel, Michael Murphy and Andrea Marcovicci; and all give nice supporting performances. Director Michael Ritt ensures that the themes of the story are always rife, as the film presents a great sense of foreboding, and scenes such as the one that see an innocent writer told that he can't be got off the hook because he hasn't done anything help to ensure this. On the whole, The Front is a great classic film, and sees Allen in one of his best roles.

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