| Photos (See all 46 | slideshow) | Videos (see all 2) |
| Karen Black | ... | Fran | |
| Bruce Dern | ... | George Lumley | |
| Barbara Harris | ... | Blanche Tyler | |
| William Devane | ... | Arthur Adamson aka Edward Shoebridge | |
| Ed Lauter | ... | Joseph P. Maloney | |
| Cathleen Nesbitt | ... | Julia Rainbird | |
| Katherine Helmond | ... | Mrs. Maloney | |
| Warren J. Kemmerling | ... | Grandison | |
| Edith Atwater | ... | Mrs. Clay | |
| William Prince | ... | Bishop Wood | |
| Nicholas Colasanto | ... | Constantine | |
| Marge Redmond | ... | Vera Hannagan | |
| John Lehne | ... | Andy Bush | |
| Charles Tyner | ... | Wheeler - Stone Cutter | |
| Alexander Lockwood | ... | Parson at Funeral | |
| Martin West | ... | Floyd Sanger | |
| rest of cast listed alphabetically: | |||
| Elisabeth Brooks | ... | Woman in Cafe with Priest (uncredited) | |
| Dee Carroll | ... | Vera's Supervisor (uncredited) | |
| Alan Fudge | ... | Helicopter Pilot (uncredited) | |
| Richard Hale | ... | A.A. Adamson (uncredited) | |
| Alfred Hitchcock | ... | Silhouette at Office of Vital Statistics (uncredited) | |
| Louise Lorimer | ... | Ida Cookson (uncredited) | |
| Fran Ryan | ... | Registrar Clerk (uncredited) | |
| John Steadman | ... | Old Man in Cemetery (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Ernest Lehman | (screenplay) | |
| Victor Canning | (novel "The Rainbird Pattern") | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Leonard J. South | (director of photography) | ||
Film Editing by | |||
| J. Terry Williams | (as J Terry Williams) | ||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| James W. Payne | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Jack Barron | .... | make-up man | |
Production Management | |||
| Ernest B. Wehmeyer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Wayne A. Farlow | .... | second assistant director | |
| Howard G. Kazanjian | .... | first assistant director | |
| John Slosser | .... | additional second assistant director (uncredited) | |
| Don Zepfel | .... | dga trainee (uncredited) | |
Art Department | |||
| Thomas J. Wright | .... | production illustrator | |
| Douglas Freeman | .... | set dresser (uncredited) | |
Sound Department | |||
| James R. Alexander | .... | sound (as James Alexander) | |
| Robert L. Hoyt | .... | sound | |
| Roger Heman Jr. | .... | sound re-recording mixer (uncredited) | |
| Earl Madery | .... | sound re-recording mixer (uncredited) | |
| Dennis C. Salcedo | .... | optical sound transfer (uncredited) | |
| Roger Sword | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | special visual effects | |
| Syd Dutton | .... | matte artist (uncredited) | |
| Bill Taylor | .... | matte camera (uncredited) | |
Stunts | |||
| Dick Warlock | .... | stunts (uncredited) | |
| Jesse Wayne | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Tim Ryan | .... | dolly grip (uncredited) | |
Transportation Department | |||
| John Tuell | .... | transportation (uncredited) | |
Other crew | |||
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Lois Thurman | .... | script supervisor | |
| Charles Lippincott | .... | publicist (uncredited) | |
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| Bullitt | The Black Widow | Shadow of a Doubt | La corta notte delle bambole di vetro | Lemony Snicket's A Series of Unfortunate Events |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
Get ready for the tricks and suspense you've seen in other films, but be sure to get the commentary on DVD. Barbara Harris looks just like Hitchcock's daughter, as you'll see from the interview, just a younger version. A extra lesson: You will never get a facelift once you see the interviews with Karen Black. If she had allowed herself to age naturally, she would have been so much more attractive than the gargoyle you'll wince at seeing.
Here's a treat: the winding mountain road and no brakes scenario as never you've seen it. I loved the comic touches and the risqué language. It is indeed a unique film. If you happen to love the mountain of California and San Francisco, you'll also love the cinematography. The stills are mostly of Hitchcock in the graveyard, which makes you wonder if he wasn't a little clairvoyant himself. The whole movie centers around a phony psychic and her attempt to cheat an old woman out of her money.
In our cynical world of today, you'll expect them just to dress Dern up as the missing heir, but nope, they play it straight. Having read of Hitchcock's misogyny, you'll appreciate the cuts and slices between the lovers. Both pairs of grifters have their own love thing going. Rather touching to see the fidelity among the crooks. Inspired writing, indeed.
Hitchcock did have a pacemaker installed while this movie was being made, so you have to wonder if his own thoughts of his impending death might have caused as much concentration on the graveyard scenes. Buy the DVD; the added features will make the movies itself 3 times more interesting.