| Photos (See all 41 | slideshow) | Videos (see all 2) |
| Karen Black | ... | Fran | |
| Bruce Dern | ... | George Lumley | |
| Barbara Harris | ... | Blanche Tyler | |
| William Devane | ... | Arthur Adamson | |
| Ed Lauter | ... | Maloney | |
| Cathleen Nesbitt | ... | Julia Rainbird | |
| Katherine Helmond | ... | Mrs. Maloney | |
| Warren J. Kemmerling | ... | Grandison | |
| Edith Atwater | ... | Mrs. Clay | |
| William Prince | ... | Bishop | |
| Nicholas Colasanto | ... | Constantine | |
| Marge Redmond | ... | Vera Hannagan | |
| John Lehne | ... | Andy Bush | |
| Charles Tyner | ... | Wheeler | |
| Alexander Lockwood | ... | Parson | |
| Martin West | ... | Sanger | |
| rest of cast listed alphabetically: | |||
| Elisabeth Brooks | ... | Woman in Cafe with Priest (uncredited) | |
| Dee Carroll | ... | Vera's Supervisor (uncredited) | |
| Alan Fudge | ... | Helicopter Pilot (uncredited) | |
| Richard Hale | ... | A.A. Adamson (uncredited) | |
| Alfred Hitchcock | ... | Silhouette at Office of Vital Statistics (uncredited) | |
| Louise Lorimer | ... | Ida Cookson (uncredited) | |
| Fran Ryan | ... | Registrar Clerk (uncredited) | |
| John Steadman | ... | Old Man in Cemetery (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Ernest Lehman | (screenplay) | |
| Victor Canning | (novel "The Rainbird Pattern") | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Leonard J. South | (director of photography) | ||
Film Editing by | |||
| J. Terry Williams | (film editor) (as J Terry Williams) | ||
Casting by | |||
| William Batliner | (uncredited) | ||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| James W. Payne | (set decorations) | ||
Costume Design by | |||
| Edith Head | (costumes designed by) | ||
Makeup Department | |||
| Jack Barron | .... | makeup man | |
| Doug Kelly | .... | makeup artist (uncredited) | |
| Jo Ann Phillips | .... | hairdresser (uncredited) | |
Production Management | |||
| Ernest B. Wehmeyer | .... | unit production manager | |
| Hilton A. Green | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Wayne A. Farlow | .... | second assistant director | |
| Howard G. Kazanjian | .... | first assistant director | |
| John Slosser | .... | additional second assistant director (uncredited) | |
| Don Zepfel | .... | dga trainee (uncredited) | |
Art Department | |||
| Thomas J. Wright | .... | production illustrator | |
| Michael Dale | .... | assistant property master (uncredited) | |
| Douglas Freeman | .... | set dresser (uncredited) | |
| Ron Jeschke | .... | leadman (uncredited) | |
| Henry Larrecq | .... | assistant art director (uncredited) | |
| Joseph M. LeBaron | .... | construction coordinator (uncredited) | |
| Robert Murdock | .... | property master (uncredited) | |
| Sam Pritchard | .... | stand-by painter (uncredited) | |
Sound Department | |||
| James R. Alexander | .... | sound (as James Alexander) | |
| Robert L. Hoyt | .... | sound | |
| Roger Heman Jr. | .... | sound re-recording mixer (uncredited) | |
| Earl Madery | .... | sound re-recording mixer (uncredited) | |
| Dennis C. Salcedo | .... | optical sound transfer (uncredited) | |
| Edwin J. Somers Jr. | .... | boom operator (uncredited) | |
| Roger Sword | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| Frank Brendel | .... | special effects (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | special visual effects | |
| Syd Dutton | .... | matte artist (uncredited) | |
| Bill Taylor | .... | matte camera (uncredited) | |
| Arthur Widmer | .... | blue screen specialist (uncredited) | |
Stunts | |||
| Everett Creach | .... | stunt coordinator (uncredited) | |
| Dick Warlock | .... | stunts (uncredited) | |
| Jesse Wayne | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Larry Barbier | .... | still photographer (uncredited) | |
| William T. Jones | .... | grip (uncredited) | |
| Earl Kennedy | .... | gaffer (uncredited) | |
| Tom Kessenich | .... | key grip (uncredited) | |
| Rick Neff | .... | camera assistant (uncredited) | |
| Eddie Rio Jr. | .... | camera operator (uncredited) | |
| Tim Ryan | .... | dolly grip (uncredited) | |
| Jack S. Schlosser | .... | best boy (uncredited) | |
| Michael D. Weldon | .... | camera assistant (uncredited) | |
Casting Department | |||
| Karl Brindle | .... | extras casting (uncredited) | |
| Ruth Bruning | .... | casting secretary (uncredited) | |
| Don McElwaine | .... | bit casting (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Chase | .... | costumer: men (uncredited) | |
| Robert Ellsworth | .... | costumer: men (uncredited) | |
| Phyllis Garr | .... | costumer: women (uncredited) | |
Editorial Department | |||
| Eddie Broussard | .... | assistant film editor (uncredited) | |
Transportation Department | |||
| Russ Buckens | .... | driver co-captain (uncredited) | |
| Tony Emerzian | .... | driver: Alfred Hitchcock (uncredited) | |
| Jack Lloyd | .... | transportation captain (uncredited) | |
| John Tuell | .... | transportation (uncredited) | |
Other crew | |||
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Lois Thurman | .... | script supervisor | |
| Sue Gauthier | .... | secretary: Alfred Hitchcock (uncredited) | |
| Chuck House | .... | projectionist (uncredited) | |
| Charles Lippincott | .... | publicist (uncredited) | |
| Charles Lippincott | .... | unit publicist (uncredited) | |
| Dolly Sanzone | .... | production secretary (uncredited) | |
| Ronnie Wicks | .... | craft service (uncredited) | |
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| Bullitt | The Black Widow | Shadow of a Doubt | La corta notte delle bambole di vetro | Lemony Snicket's A Series of Unfortunate Events |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Alfred Hitchcock's final film Family Plot is a story of two male and female criminal partnerships. The first pair is Bruce Dern and Barbara Harris who are a pair of small time grifters and we meet them in the process of fleecing a rich old spinster Cathleen Nesbitt with a phony psychic act.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.