A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
The trickster Madam Blanche Tyler lures the elder millionaire Julia Rainbird that believes she is a spiritualist. After a séance, she discovers that Julia is tormented by her past, when she forced her sister and single mother Harriet to deliver her baby for adoption to avoid a family scandal. Julia promises the small fortune of ten thousand-dollar to Blanche if she finds her nephew and heir of her fortune using her phony powers. Blanche asks her boyfriend George Lumley, who is an unemployed actor working as cab driver, to investigate the whereabouts of Julia's nephew. Meanwhile, the greedy jeweler and collector Arthur Adamson kidnaps wealthy people with his girlfriend Fran to increase his collection of diamonds with the ransom. When George concludes that Arthur Adamson might be the heir of Julia Rainbird, the reckless Blanche gets in trouble with the kidnappers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The meaning and relevance of this movie's title is, as explained in John Russell Taylor's book HITCH: The Life and Work of Alfred Hitchcock "a play on words . . . referring back to the complicated plot of family relations [from the film's story] and to the physical plot of ground in the cemetery . . ." See more »
George removes the cap of the ketchup bottle twice between shots when he and Blanche are eating in Blanche's kitchen. See more »
Smells fishy to me.
Well even fish smells good when you're starving to death.
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The Universal logo does not appear anywhere on this film. See more »
Hitchcock was a better director of suspense than comedy.
This is a not altogether successful attempt at a send-up of Hitchcock's classic thrillers. The plot is as convoluted as ever, except that it borders on the silly.
As a stand-alone movie, it's beautifully shot, but too ridiculous to take seriously, without managing to be actually funny.
But if you take the plot as simply a line to hang the parody on, it's nicely amusing. It's a kaleidoscope of scenes from other Hitchcock movies which were scary the first time round, but this time they're caricatures. Relive bits from North By Northwest, Psycho, To Catch A Thief, and many more, grinning as you recognise where they came from.
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