Lighthearted suspense film about a phony psychic/con artist and her taxi driver/private investigator boyfriend who encounter a pair of serial kidnappers while trailing a missing heir in California.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Director:
Alfred Hitchcock
Stars:
Frederick Stafford,
Dany Robin,
John Vernon
Five diverse oddball criminal types planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.
An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord: a sharp old woman.
The trickster Madam Blanche Tyler lures the elder millionaire Julia Rainbird that believes she is a spiritualist. After a séance, she discovers that Julia is tormented by her past, when she forced her sister and single mother Harriet to deliver her baby for adoption to avoid a family scandal. Julia promises the small fortune of ten thousand-dollar to Blanche if she finds her nephew and heir of her fortune using her phony powers. Blanche asks her boyfriend George Lumley, who is an unemployed actor working as cab driver, to investigate the whereabouts of Julia's nephew. Meanwhile, the greedy jeweler and collector Arthur Adamson kidnaps wealthy people with his girlfriend Fran to increase his collection of diamonds with the ransom. When George concludes that Arthur Adamson might be the heir of Julia Rainbird, the reckless Blanche gets in trouble with the kidnappers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The meaning and relevance of this movie's title is, as explained in John Russell Taylor's book HITCH: The Life and Work of Alfred Hitchcock "a play on words . . . referring back to the complicated plot of family relations [from the film's story] and to the physical plot of ground in the cemetery . . ." See more »
Goofs
Towards the end when George is in the basement, he passes a window that shows it is day outside, though the scene takes place at night. See more »
Quotes
Arthur Adamson:
Isn't it touching how a perfect murder has kept our friendship alive all these years.
See more »
Crazy Credits
The Universal logo does not appear anywhere on this film. See more »
Alfred Hitchcock's final film Family Plot is a story of two male and female criminal partnerships. The first pair is Bruce Dern and Barbara Harris who are a pair of small time grifters and we meet them in the process of fleecing a rich old spinster Cathleen Nesbitt with a phony psychic act.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.
16 of 17 people found this review helpful.
Was this review helpful to you?
Alfred Hitchcock's final film Family Plot is a story of two male and female criminal partnerships. The first pair is Bruce Dern and Barbara Harris who are a pair of small time grifters and we meet them in the process of fleecing a rich old spinster Cathleen Nesbitt with a phony psychic act.
The second pair are William Devane and Karen Black who have a lovely line in ransom kidnappings. They've really got it worked out to a science, including a soundproof hidden room in Devane's basement where the victims can be stashed until the ransom is paid.
Nesbitt confesses that she had her late sister give up an out of wedlock child during a séance and now she'd like to make amends by finding him and making him her heir. So with a finder's fee in mind Dern and Harris start digging.
Their paths cross Devane and Black as the police are hunting them so it becomes quite an interesting set of circumstances as Devane and Black suspect the others of being police operatives.
Hitchcock cleverly interweaves the stories of the two couples into a very cohesive plot. The players all hit the mark with their roles,] especially Devane, a smooth talking killer in the Hitchcock tradition of Otto Kruger in Saboteur, Tom Helmore in Vertigo, and James Mason in North By Northwest.
The ending is a bit of a surprise though, it comes rather abruptly. I have to confess I didn't like it at first, but it does kind of grow on you with repeated viewings.
Family Plot is a good for the master of suspense to go out on.