After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Is it a nightmare or an actual view of a post-apocalyptic world? Set in an industrial town in which giant machines are constantly working, spewing smoke, and making noise that is inescapable, Henry Spencer lives in a building that, like all the others, appears to be abandoned. The lights flicker on and off, he has bowls of water in his dresser drawers, and for his only diversion he watches and listens to the Lady in the Radiator sing about finding happiness in heaven. Henry has a girlfriend, Mary X, who has frequent spastic fits. Mary gives birth to Henry's child, a frightening looking mutant, which leads to the injection of all sorts of sexual imagery into the depressive and chaotic mix. Written by
Rick Gregory <firstname.lastname@example.org>
You have to dissect it, watch it more than once, eat, breathe it and live it before you can get it. There are lots of explanations for all of the things that "make no sense"... it's art in it's purest form - you take away from it what you want! You can see Henry struggling with suddenly being thrust into the role of father and husband, his sin, his temptation, his life, his death, his dreams... too much symbolism to even get into here... anyone who dismisses this film as "junk that makes no sense" will never get it, and that's OK. But for the rest of us, it's on our "Top Ten Films of All Time" list. Brilliant and beautiful and horrifying! Makes you think for weeks... YEARS. I love it. Highly recommended to those who are open-minded! AMAZING FILM!!
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