A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Picking up three years after the events in Magnum Force, a threatening terrorist group called, The People's Revolutionary Strike Force declare war to the city of San Francisco and demand a ransom to be paid, otherwise they plan to blow the city apart. While Inspector 'Dirty' Harry Callahan is at a limbo following his unorthodox method during a robbery, he's at it to dispatch the terrorist group, by playing their game by being more dirty than ever. But this time, he's got a new partner, which might prove the task to be somewhat more difficult than ever, unless the two can work together. Written by
In 1980 a writer sued Clint Eastwood for plagiarism, accusing him of taking the title of the film from one of his works. Eastwood maintained that he was inspired by the Humphrey Bogart film The Enforcer (1951) (which was also owned by Warner Bros). The case was dismissed. See more »
During the training session with the M72 LAW Rocket, Inspector Moore never would have been allowed to step behind the rocket tube, thus exposing her to the back-blast. Range Safety Officers would have made the area clear before allowing the operator to fire the rocket. See more »
You're not Wanda.
Well, these are the breaks. Needs air. Can't hump a limp dummy, I always say.
[picks up rubber dolly and starts blowing air into it]
Uh, speaking of limp dummies, don't you think you better strip?
Beats the hell out of me, Tom.
[continues blow air in dolly. Harry picks up her cigarette and burns a hole in the dolly]
[grabs lady's throat. Air hisses out of the dolly]
Now, I'm going to ask you just one last time, where's Wanda?
I don't know, man, I don't ...
[...] See more »
Enjoyable on its own. Not quite a Harry movie, but a Clint movie
I think many fans have mixed feelings about THE ENFORCER. It represents both a departure from and an adherence to the familiar Harry tradition. However, despite its many shortcomings, it excludes a great 70s feel.
Fans of the first two installments will still delight in Harry's struggles with bureaucracy in the department, and to this end Bradford Dillman is a valuable addition to the series as the new Chief. Once again, Clint has some killer dialogue but while for the most part he is as stern as in his previous performances, some of his lines are offered just a little too sparingly and nonchalantly.
The villains this time a group of mere misfits who kidnap the Mayor of San Francisco for a ransom of five million dollars just aren't as menacing as the crooks in DIRTY HARRY and MAGNUM FORCE. There's no mystique surrounding their identity and their performances are particularly flat and nondescript (even to the point where their plot points may wash over you and you momentarily lose your place.)
The script begins very promisingly with Harry being assigned a female partner. The relationship that develops between the two - as Harry is forced to deal with his subconscious sexist prejudice leads to some surprising comical moments, and this addition to the dynamic of the usual animosity between Harry and his partners comes across very well.
The soundtrack is overwhelmingly orchestral giving THE ENFORCER a Hollywood music make-over instead of the usual gritty and upbeat Lalo Schrifin score which was used to full effect earlier. The chase scene in which Harry ends up in the Church builds up some tension and only serves thereby to remind the viewer of a hitherto absence of the moody jazz that was so prevalent in the original.
The original Dirty Harry's success was not due to any specific formula but rather was the result of a film full of subtleties. These subtleties included a perfect music score, a balanced tension between Harry and his partners, Harry's contempt for the red tape of police bureaucracy, and the sinister nature of the villain(s). Together, these dynamics made the original two movies stronger than the sum of their parts: THE ENFORCER is simply not as magical. This is a great pity. For the next Harry outing would see an older, greyer, and wrinklier Clint - and the series could only ever descend into some sort of parody.
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