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The Enforcer (1976)

6.7
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Ratings: 6.7/10 from 26,000 users  
Reviews: 89 user | 55 critic

Dirty Harry must foil a terrorist organization made up of disgruntled Vietnam veterans. But this time, he's teamed with a rookie female partner that he's not too excited to be working with.

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Cast

Cast overview, first billed only:
...
...
Kate Moore
...
...
...
DeVeren Bookwalter ...
Bobby Maxwell
John Crawford ...
The Mayor
Samantha Doane ...
Wanda
Robert F. Hoy ...
Buchinski (as Robert Hoy)
...
Miki
M.G. Kelly ...
Father John
...
Martin
Albert Popwell ...
Mustapha
...
Mendez
Bill Ackridge ...
Andy
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Storyline

Picking up three years after the events in Magnum Force, a threatening terrorist group called, The People's Revolutionary Strike Force declare war to the city of San Francisco and demand a ransom to be paid, otherwise they plan to blow the city apart. While Inspector 'Dirty' Harry Callahan is at a limbo following his unorthodox method during a robbery, he's at it to dispatch the terrorist group, by playing their game by being more dirty than ever. But this time, he's got a new partner, which might prove the task to be somewhat more difficult than ever, unless the two can work together. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

First, there was 1971's "Dirty Harry, then "Magnum Force" in 1973. And now on the Bi-centennial year, Harry Calahan is "THE ENFORCER". See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 December 1976 (USA)  »

Also Known As:

Moving Target  »

Box Office

Budget:

$9,000,000 (estimated)

Gross:

SEK 2,665,006 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the later Clint Eastwood film The Rookie (1990), like in this movie, Dirty Harry (Eastwood) is also partnered with a rookie cop, but not a woman like Kate Moore, played by Tyne Daly, but a young buck, Charlie Sheen. See more »

Goofs

The U.S. Army officer demonstrating the M72 Light Anti-Tank Weapon stated that the projectile can penetrate armor plating up to 3/4 of an inch. M72 warheads, in real life, can penetrate up to five inches of armor plating. See more »

Quotes

Frank DiGiorgio: [DiGiorgio is dying] Harry, listen, the punk who cut me. I've seen him before.
Harry Callahan: Where?
Frank DiGiorgio: ...I just can't make the name.
Lt. Al Bressler: Well, where do you know him from, Frank?
Frank DiGiorgio: That homicide, remember, Harry? The old hooker, Filmore district. The summer of '71?
Harry Callahan: Yeah, well, what about it?
Frank DiGiorgio: He was one of the pimps we questioned. We liked him for it, Harry, we liked him real good.
Harry Callahan: As I recall, we liked everybody north of Market Street on that one.
Frank DiGiorgio: He had one of those cutesy-pie, little boy names: Charlie, or something...
[...]
See more »

Connections

Featured in The Business End: Violence in Cinema (2008) See more »

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User Reviews

 
What can Dirty Harry not take on?
5 September 2008 | by (the Mad Hatter's tea party.) – See all my reviews

For me the sequels to "Dirty Harry" never came close topping the original, but I thoroughly enjoyed and think highly of them anyway... well maybe with the exception of "The Dead Pool". Each one seemed to add its own distinguishable touch to the typical formula. The third film (and probably the cheapest, as it looks like it) of the series 'The Enforcer' seemed to have that swinging and carefree vibe of the times, with the biting reality and stark realisations (heavily implemented in the first two) taking a backseat for forceful (if crass) humour. However the violence is still gritty, mean, explosive and openly displayed. Director James Fargo ('Forced Vengeance', 'Every Which Way But Loose', 'Caravans' and 'A Game for Vultures') has appeared in some of Eastwood's early films as assistant director, and here he paces it well-enough and let's the foundation play out more like an expansive low-key action fling filled with the constant buddy routines (as Harry is paired up with a young green-horn female detective fidgety played by Tyne Daly. Who does bring an authentic and potent side to her role) that are credibly developed, long-winded build-ups finishing off with brute force and the quick-witted response. Harry also has got a catch-phrase… just 'marvellous'.

Eastwood laconically pulls it off with dominant ease and certain authority of truly delving into this character (as now there's more to that monomaniacal search for one's own justice), as his hands out punishment (against a bunch of terrorists who call themselves 'The People's Revolutionary') and has time to let fly what he really thinks. Copping the cynical barbs are amusing support performances by Harry Guardino, John Crawford and Bradford Dillman. The bad guys here aren't overly memorable, but the DeVeren Bookwalter bestows a steely glance and has a quietly dangerous psychotic air to him. Showing up again, but in another different character is the wonderful Albert Popwell.

I never tire of the San Francisco locations (where most of the films are shot), and the camera superbly details the on-screen action and striking background features. What I like about the ending of these earlier 'Dirty Harry' films, was how they weren't afraid to end on such an powerful note involving something represented visually to express the mindset, as the camera slowly zooms out and the harrowing score cues in. On the point about the music. I would say I was a little put off by the racy and bouncy jazz score arrangement of composer Jerry Fielding (who by-the-way has done some magnificent scores for films of Sam Peckinpah, Michael Winner and Clint Eastwood) just didn't have the stinging, sombre and self-reflecting quality of Lalo Schifrin's efforts. That's not to say it was bad or felt out of place, because it didn't with the feel that this one opted for. But a darker or more subtle take could've done it wonders since Fielding has chalked up some jarringly bold pieces in other films.

The script has some political context (home-grown terrorism, political correctness and equal-gender opportunity), but always stays true to the story than trying to undermine or overdo it. While it should be predictable, it does keep one step ahead and offers a surprise or two.

An up-to-par sequel.


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