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The Enforcer (1976)

Dirty Harry must foil a terrorist organization made up of disgruntled Vietnam veterans. But this time, he's teamed with a rookie female partner that he's not too excited to be working with.

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(characters), (characters) (as R.M. Fink) | 4 more credits »
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Cast

Cast overview, first billed only:
...
...
Kate Moore
...
...
...
...
Bobby Maxwell
...
The Mayor
Samantha Doane ...
Wanda
Robert F. Hoy ...
Buchinski (as Robert Hoy)
...
Miki
M.G. Kelly ...
Father John
...
Martin
...
Mustapha
...
Mendez
Bill Ackridge ...
Andy
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Storyline

Picking up three years after the events in Magnum Force, a threatening terrorist group called, The People's Revolutionary Strike Force declare war to the city of San Francisco and demand a ransom to be paid, otherwise they plan to blow the city apart. While Inspector 'Dirty' Harry Callahan is at a limbo following his unorthodox method during a robbery, he's at it to dispatch the terrorist group, by playing their game by being more dirty than ever. But this time, he's got a new partner, which might prove the task to be somewhat more difficult than ever, unless the two can work together. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The "dirtiest" Harry of them all! See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 December 1976 (USA)  »

Also Known As:

Moving Target  »

Box Office

Budget:

$9,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

As with other movies in the Dirty Harry series, Callahan makes use of a repeated catchphrase. In Dirty Harry (1971) there was the "Do I feel lucky?" speech, in Magnum Force (1973) there was "A man's got to know his limitations", in Sudden Impact (1983) there was "Go ahead; make my day" and in The Dead Pool (1988) there was "You're shit out of luck". In this film, Callahan repeats the phrase "You can count on that/it" twice and the word "Marvelous" (sarcastically) four times. See more »

Goofs

When Harry and his old partner are driving to the liquor store holdup, in the shot from the rear of the car through the windshield, Harry's partner is hanging on to the light with his left hand. In the very next shot, he is speaking on the radio with the same hand. See more »

Quotes

Harry Callahan: [speaking to the mayor & Capt. McKay] If you're talking about the Mustapha bust, nobody smashed anything. In fact, I made a deal with Mustapha - he was gonna help me find out who the people were!
The Mayor: [stunned] What's he talking about?
Harry Callahan: Doesn't it bother anyone that no weapons were found?
Capt McKay: We'll find them!
Harry Callahan: [to McKay] Meanwhile, the people are still out there and they're going to blow the HELL out of half this city. And meanwhile, you're telling everybody how great we are!
Capt McKay: All right, Callahan, button your...
[...]
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Connections

Referenced in La balance (1982) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Enjoyable on its own. Not quite a Harry movie, but a Clint movie
6 November 2001 | by (Melbourne) – See all my reviews

I think many fans have mixed feelings about THE ENFORCER. It represents both a departure from and an adherence to the familiar Harry tradition. However, despite its many shortcomings, it excludes a great 70s feel.

Fans of the first two installments will still delight in Harry's struggles with bureaucracy in the department, and to this end Bradford Dillman is a valuable addition to the series as the new Chief. Once again, Clint has some killer dialogue but while for the most part he is as stern as in his previous performances, some of his lines are offered just a little too sparingly and nonchalantly.

The villains – this time a group of mere misfits who kidnap the Mayor of San Francisco for a ransom of five million dollars – just aren't as menacing as the crooks in DIRTY HARRY and MAGNUM FORCE. There's no mystique surrounding their identity and their performances are particularly flat and nondescript (even to the point where their plot points may wash over you and you momentarily lose your place.)

The script begins very promisingly with Harry being assigned a female partner. The relationship that develops between the two - as Harry is forced to deal with his subconscious sexist prejudice – leads to some surprising comical moments, and this addition to the dynamic of the usual animosity between Harry and his partners comes across very well.

The soundtrack is overwhelmingly orchestral giving THE ENFORCER a Hollywood music make-over instead of the usual gritty and upbeat Lalo Schrifin score which was used to full effect earlier. The chase scene in which Harry ends up in the Church builds up some tension and only serves thereby to remind the viewer of a hitherto absence of the moody jazz that was so prevalent in the original.

The original Dirty Harry's success was not due to any specific formula but rather was the result of a film full of subtleties. These subtleties included a perfect music score, a balanced tension between Harry and his partners, Harry's contempt for the red tape of police bureaucracy, and the sinister nature of the villain(s). Together, these dynamics made the original two movies stronger than the sum of their parts: THE ENFORCER is simply not as magical. This is a great pity. For the next Harry outing would see an older, greyer, and wrinklier Clint - and the series could only ever descend into some sort of parody.


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