| Laura Gemser | ... | Emanuelle | |
| Gabriele Tinti | ... | Roberto | |
| Ely Galleani | ... | Frances | |
| Ivan Rassimov | ... | Prince Sanit | |
| Venantino Venantini | ... | David | |
| Giacomo Rossi-Stuart | ... | Jimmy | |
| Koike Mahoco | ... | Gee | |
| Fausto Di Bella | |||
| Gaby Bourgois | |||
| Chris Avram | ... | Thomas Quizet | |
| Attilio Duse | |||
| Debra Berger | ... | Debra | |
| rest of cast listed alphabetically: | |||
| Giuseppe Marrocco | ... | Uomo al ristorante (uncredited) | |
Directed by | |||
| Joe D'Amato | |||
Writing credits(in alphabetical order) | ||
| Ottavio Alessi | story | |
| Maria Pia Fusco | screenplay | |
| Maria Pia Fusco | story | |
| Piero Vivarelli | story | |
Original Music by | |||
| Nico Fidenco | |||
Cinematography by | |||
| Joe D'Amato | (as Aristide Massaccesi) | ||
Film Editing by | |||
| Vincenzo Tomassi | |||
Art Direction by | |||
| Franco Gaudenzi | |||
Set Decoration by | |||
| Mario Paladini | |||
Costume Design by | |||
| Bruna Laurini | |||
Makeup Department | |||
| Maria Grazia Nardi | .... | makeup artist | |
Production Management | |||
| Giuseppe Auriemma | .... | unit manager | |
| Silvio Colecchia | .... | unit manager | |
| Oscar Santaniello | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Donatella Donati | .... | assistant director | |
Sound Department | |||
| Nick Alexander | .... | dubbing supervisor | |
| Massimo Loffredi | .... | sound recordist | |
| Tullio Petricca | .... | boom operator | |
| Roberto Petrozzi | .... | sound recordist | |
| Guglielmo Smeraldi | .... | boom operator | |
Camera and Electrical Department | |||
| Vittorio Biffani | .... | still photographer | |
| Luigi Conversi | .... | camera operator | |
| Luciano Dionisi | .... | assistant camera | |
Editorial Department | |||
| Sergio Altigieri | .... | second assistant editor | |
| Carlo Della Corte | .... | third assistant editor | |
| Bruno Micheli | .... | first assistant editor | |
Music Department | |||
| Giacomo Dell'Orso | .... | conductor (as G. Dell'Orso) | |
Other crew | |||
| Ulderico Arditi | .... | production coordinator | |
| Gioia Donati | .... | script supervisor (as Gioia Maria Donati) | |
| Recent Posts (updated daily) | User |
|---|---|
| one girl in emmanuelle | dcorraljr |
| Versione Integrale? | richithekiller |
| Coming to DVD March 27th, 2007 | david-847 |
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| Fly Me the French Way | The Voyeur | Emmanuelle Exposed | Emmanuelle | Trasgredire |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
Notorious film director D' Amato's first entry in the "Black Emanuelle" series is somewhat better than its predecessor but, the version I watched on Italian TV is so sloppily trimmed that several sexy scenes end abruptly, thus making them quite senseless! Here Emanuelle attracts the attentions of a Thai Prince (Ivan Rassimov, of all people), her on-off archaeologist boyfriend (real-life husband Gabriele Tinti), a world-renowned historian and a shy Thai bell-boy, as well as 4(!) females - an Oriental masseuse, a repressed American tourist (played by the lovely Ely Galleani from A LIZARD IN A WOMAN'S SKIN [1971] and BABA YAGA [1973]), Tinti's "official" schoolmarmy girlfriend and, most intriguingly, an American Consul's (possibly manic-depressive) daughter!
I say intriguingly because Emanuelle is shown really losing her head for the young, inexperienced girl (almost up to the point that she starts considering forsaking her hedonistic lifestyle) but, before you can say, "Copout!", she gets a call from her newspaper sending her off to Paris for another assignment!! By the way, towards the middle of the film, Emanuelle's Bangkok apartment gets broken into and she loses her passport and all her valuable rolls of film (apparently because she was getting too close to Prince Rassimov who has a coup d'etat on his mind) and, for good measure, there's some local color (opium smoking and sensuous dancing) and even animal cruelty (in the form of a bloody mongoose vs. cobra duel). What the f***!