Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, ...
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In this war drama blurring the lines between documentary and fiction, the working class and the bourgeoisie of 19th century Paris are interviewed and covered on television, before and during a tragic workers' class revolt.
Eliane Annie Adalto,
"Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types ... See full summary »
Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.
Steven Shorter is the ultimate British music star. His music is listened to by everyone from pre-teens to grandparents. He has no trace of public bad habits or drug involvement. Everyone in... See full summary »
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Kai Schøning Andersen,
a 274-minute documentary portrait of the life of playwright August Strindberg. The topic of the movie is inextricable from its method of production: for two years, beginning in 1992, Watkins created the film in a communal collaboration.
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Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, the film also flashes back to the death from consumption of his mother, when he was five, his sister's death, and his near death at 13 from pulmonary disease. The film finds enduring significance in Munch's brief affair with "Mrs. Heiberg" and his participation in the café society of anarchist Hans Jaeger in Christiania and later in Berlin with Strindberg. Through it all comes Munch's melancholy and his desire to render on canvas, cardboard, paper, stone, and wood his innermost feelings. Written by
I felt as if there were invisible threads between us. I felt as if invisible threads from her hair still twisted themselves around me. And, when she completely disappeared there, over the ocean, then I felt still how it hurt, where my heart bled, because the threads could not be broken.
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Peter Watkins' Edvard Munch is the best film "biography" of an artist I have ever seen. Like Peter Greenaway's THE FALLS (another favorite of mine) it uses non-professionals to great advantage... I'm not quite sure I can say how (other than that I tend to find professional actors distancing, with a few notable exceptions). It also strangely but tantalizingly mixes re-creation with pseudo-interview, creating an emotional tapestry of this lonely man's life which I have never quite been able to
UPDATE: ... Not sure why my comment cut off like that!
I am re-viewing this great film and find it just as astonishing as I did the first time through. The great _layering_ of image and sound (so that we see an oddly-cut sequence of a couple making love mixed with images of bloody sickbeds, all the while hearing Munch's palette knife scraping away or his distraught sobs) is employed to devastating effect, while the performances seem so naturalistic that it all feels less _acted_ than simply _filmed_ ... as if Watkins somehow managed to transport himself and camera back to 19th century Christiania. Absolutely spellbinding.
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