Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, ...
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In this war drama blurring the lines between documentary and fiction, the working class and the bourgeoisie of 19th century Paris are interviewed and covered on television, before and during a tragic workers' class revolt.
Eliane Annie Adalto,
"Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types ... See full summary »
Made with a cast of 192 non-professional actors, Evening Land continues to explore the form of fictional documentary intervening polemically into a period of intense debates about the media... See full summary »
Kai Schøning Andersen,
The War Game is a fictional, worst-case-scenario docu-drama about nuclear war and its aftermath in and around a typical English city. Although it won an Oscar for Best Documentary, it is ... See full summary »
Steven Shorter is the ultimate British music star. His music is listened to by everyone from pre-teens to grandparents. He has no trace of public bad habits or drug involvement. Everyone in... See full summary »
The Marquis de Villemaur reunite stranges visitors in his Castle, to meet a survivor of the 3rd Reich. There is an Italian fascist ; Heinrich, a German ; Matthias, a russian ; and Dromard, a blind French war hero, with a black monocle.
Yussuf and Aliosha are two shipwrecked sailors on an island in the Caspian Sea. They start working as sailor and mechanic for the fishing boats of the "Lights of the Communism" kolkhoz. ... See full summary »
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
Following a rough chronology from 1884 to 1894, when Norwegian artist Edvard Munch began expressionism and established himself as northern Europe's most maligned and controversial artist, the film also flashes back to the death from consumption of his mother, when he was five, his sister's death, and his near death at 13 from pulmonary disease. The film finds enduring significance in Munch's brief affair with "Mrs. Heiberg" and his participation in the café society of anarchist Hans Jaeger in Christiania and later in Berlin with Strindberg. Through it all comes Munch's melancholy and his desire to render on canvas, cardboard, paper, stone, and wood his innermost feelings. Written by
I felt as if there were invisible threads between us. I felt as if invisible threads from her hair still twisted themselves around me. And, when she completely disappeared there, over the ocean, then I felt still how it hurt, where my heart bled, because the threads could not be broken.
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Probably the most powerful biography of a painter on film with Tarkovski's "Andrei Rublev" and Pialat's "Van Gogh". The way Watkins handles the narration of his film and of Munch's life and art is simply amazing. A perfect example of life as art and art as life. The commentary is never redundant with what is seen on the screen and like the works of Munch, the shape of the movie is like a spiral, where scenes come back over and over, in a repetitive manner, like the paintings/carvings of Munch, who often drew the same subjects. It makes you want to see more of Munch's works as well as other movies by Watkins. Definitely worth being seen more than once.
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