A psychotic redneck who owns a dilapidated hotel in rural East Texas kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the ... See full summary »
A former astronaut helps a government agent and a police detective track the source of mysterious alien pod spores, filled with lethal flesh-dissolving acid, to a South American coffee plantation controlled by alien pod clones.
Judd runs the Starlight Hotel out in some sort of swampy place and is unfortunately a few slices short of a loaf. He has a crocodile conveniently placed on the other side of the hotel's front porch railing. The croc will eat just about anything, as the hapless guests of the hotel find out soon enough. A reformed hooker, an unlucky family, and the father and sister of the hooker all suffer various rates of attrition as Judd tries to implement damage control. Written by
Ed Sutton <firstname.lastname@example.org>
Loosely based on the story of Joe Ball (also known as the Bluebeard from South Texas or the Alligator Man) from Elmendorf, Texas, sometime after Prohibition ended. He owned a bar with an alligator pit serving as an entertainment attraction. Several murders of women ensued that Joe Ball was suspected of, but it was never proven that the flesh found in the pit was human. However, Joe Ball committed suicide at his bar on September 24, 1938 when he was about to be arrested by the police in connection with the murders. See more »
Right at the end of the film when the crocodile pulls Judd under the water head first, look to the left of the screen to see a scuba diver under the water who turns is clearly moving. He is obviously a safety stuntman of some sort. You can clearly see his hand and is dressed in black. See more »
Well, if you saw The Texas Chainsaw Massacre and were impressed with director Tobe Hooper, your next move might be to view his second film Eaten Alive. I searched all over for a print and finally was lucky enough to find one and see this somewhat forgotten picture. One reason for its seemingly firm place in the ranks of oblivion is its numerous title changes. Notwithstanding all this I found the film and watched it. The film is interesting, bizarre, unbelievable, and disturbing. The setting is just a trifle too unimaginative to be taken for real as is the central character of Judd (for the most part deftly played by Neville Brand). The plot too seems to be making its viewers accept too much for granted without really giving any knowledge of why Judd is the way he is, etc... Despite these shortcomings, the film has some of the truly most horrific scenes filmed. The scene in which Judd tries in vain to goad a young girl from under his hotel out is sheer terror. Other scenes in which he dispatches some of the hotel guests are equally effective. The film has a lot more going for it than its oblivious nature would suggest. It has fine performances, an eerier setting and score, and the taught, tuned terror Tobe Hooper realized in his first great film.
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