| Cast overview, first billed only: | |||
| Neville Brand | ... |
Judd
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| Mel Ferrer | ... |
Harvey Wood
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| Carolyn Jones | ... |
Miss Hattie
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| Marilyn Burns | ... |
Faye
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| William Finley | ... |
Roy
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| Stuart Whitman | ... |
Sheriff Martin
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Roberta Collins | ... |
Clara
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| Kyle Richards | ... |
Angie
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| Robert Englund | ... |
Buck
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Crystin Sinclaire | ... |
Libby Wood
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| Janus Blythe | ... |
Lynette
(as Janus Blyth)
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Betty Cole | ... |
Ruby
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Sig Sakowicz | ... |
Deputy Girth
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Ronald W. Davis | ... |
Country Boy
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Christine Schneider | ... |
Waitress
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Judd runs the Starlight Hotel out in some sort of swampy place and is unfortunately a few slices short of a loaf. He has a crocodile conveniently placed on the other side of the hotel's front porch railing. The croc will eat just about anything, as the hapless guests of the hotel find out soon enough. A reformed hooker, an unlucky family, and the father and sister of the hooker all suffer various rates of attrition as Judd tries to implement damage control. Written by Ed Sutton <esutton@mindspring.com>
Well, if you saw The Texas Chainsaw Massacre and were impressed with director Tobe Hooper, your next move might be to view his second film Eaten Alive. I searched all over for a print and finally was lucky enough to find one and see this somewhat forgotten picture. One reason for its seemingly firm place in the ranks of oblivion is its numerous title changes. Notwithstanding all this I found the film and watched it. The film is interesting, bizarre, unbelievable, and disturbing. The setting is just a trifle too unimaginative to be taken for real as is the central character of Judd (for the most part deftly played by Neville Brand). The plot too seems to be making its viewers accept too much for granted without really giving any knowledge of why Judd is the way he is, etc... Despite these shortcomings, the film has some of the truly most horrific scenes filmed. The scene in which Judd tries in vain to goad a young girl from under his hotel out is sheer terror. Other scenes in which he dispatches some of the hotel guests are equally effective. The film has a lot more going for it than its oblivious nature would suggest. It has fine performances, an eerier setting and score, and the taught, tuned terror Tobe Hooper realized in his first great film.