The film is set in St. Petersburg, Russia after the Russian revolution of 1917. Based on the eponymous book by Boris Lavrenev. Maj. General Yevgeni Pavlovich Adamov (Popov) was a lawyer in ... See full summary »
A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a ... See full summary »
This film is based on the book about Vasili Ivanovich Chapaev (1887 - 1919) who was in real life the Commander of the 25th Division of the Red Army. Chapaev is an uneducated peasant and a ... See full summary »
In July 1942, in the Second World War, the rearguard of the Red army protects the bridgehead of the Don River against the German army while the retreating soviet troops cross the bridge. ... See full summary »
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
The hero of the film is an insurance agent who is also a car thief. He steals cars only from various crooks and never from the good people. Then he sells those stolen cars and gives all the... See full summary »
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war. Written by
possibly one of the best WWII-themed films I've ever seen
"Twenty Days without War" is one of the very few "cinema-verite" style films made on the topic of World War II, specifically the Soviet home front. Based on the life of famous war correspondent and poet Konstantin Simonov (who himself narrates off-screen at the opening and closing sequences), this remarkable film follows the venerable Yuri Nikulin, playing a Simonov-like character who is granted a 20-day leave to visit the Uzbek city of Tashkent (one of the major evacuation centers during the war, where the Soviet cinema studios were moved). Part of his journey's purpose is to advise the filming of a propagandistic screen version of one of his stories. Many of the sequences here are shot almost documentary-style, with such unpretentiousness and candor, as if the real war participants and victims were actually interviewed on screen. And yet, lyrical and even poetic moments are also glimpsed, albeit in amazingly unforced, unsentimental fashion. Most of the actors, including Nikulin himself, lived through or fought in the war, and their intention, as well as the director's must have been to deliver a hitherto-unknown, "you are there" immediacy to the audience. They splendidly succeed, as the film, like no other of its kind, brings to life the reminiscences of my grandparents, who experienced both the fighting and the evacuation. In fact, it remains my grandmother's all-time favorite war film because of the honesty of its emotions and the truthful spirit of the period it conveys.
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