The story of a man (Andrey Sokolov) whose life was ruthlessly crippled by World War II. His wife and daughters were killed during the bombing of his village, he spent some time as a ... See full summary »
This melodrama revolves around the post-war meeting reunion an intelligent front-line officer, now happily married, and a woman street vendor. This encounter reawakens in them submerged ... See full summary »
It is August 1941. With the battle line far away in the east, three soldiers who have managed to escape from captivity find it difficult to hide: the territory is occupied by the enemy. The... See full summary »
Based on the eponymous book by Boris Vasilyev, the film is set in Karelia (North-West of Russia, near Finland) in 1941 during WWII. In a beautiful and quiet wilderness far from the ... See full summary »
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war. Written by
A veteran Soviet Army major, on a three-week furlough from the 1943 winter offensive, discovers how even the false peace of a remote civilian village can be disturbed by the silent echoes of distant battle. His home in Tashkent is a long way from the smoke and gunfire of the Western Front, but during his leave Major Lopatin sees another, no less emotional war being waged there. He finds it in the bereaved cries of a new widow and in the lies he tells another, urging her to wait for a message that will never arrive; he encounters it in the comically inaccurate film being staged from his published memoirs of the Stalingrad siege; and he tries to escape it for a few, all too brief moments with an attractive seamstress and single mother, abandoned by her wayward husband. Displaying remarkable empathy for his characters and setting, director Alexei Gherman has made a quietly stunning film about an uncommon aspect of modern warfare, intimate in mood and detail despite the expansive clarity of its wide-screen black and white imagery.
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