The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses... See full summary »
Set in 1969, a twelve-year-old grows up in Key West with his mother, who is paying the bills by stripping at the local topless bar. The boy finds out about her activities and tries to ... See full summary »
When a professional couple who have lived & worked together for many years finally decide to marry, their sudden betrothal causes many unexpectedly funny and awkward difficulties. They soon... See full summary »
It's 1882 on the Barbary Coast. Charlie Malloy aka the Dirtwater Fox, makes his living cheating at cards. His latest venture however is stealing $40,000 from a bunch of outlaws. Bluebird, a saloon performer and prostitute, wants an easy life. When a Mormon, Josiah Widdicombe, comes to town, Bluebird has the idea that being the seventh wife of a Mormon would be a good life - she only has to work once every seven days. She steals Malloy's bag with the money, unaware of the amount inside. She only wants enough to buy a dress to masquerade as a duchess for Widdicombe. The ruse works. On Bluebird's way to Salt Lake City, Malloy catches up with her. Although Bluebird still has every intention of becoming a Mormon wife, the two decide to partner on the scheme of Mormon riches. All the while, the outlaws are on their tail after their $40,000. Written by
The principal photography production period on this picture ran for about two months. See more »
The film's raunchy language may have been toned down in post-production to prevent an R rating. After the stagecoach crashes, Goldie Hawn has two lines ("I had to look like a *blue-nosed* duchess" and "It's still there in the *lousy* bottom") neither of which match up with her lip movements. See more »
A half-decade after "Laugh-In" and a half-decade before "Private Benjamin," Goldie Hawn reveals that she not only has beautiful thighs (which the director takes very opportunity to remind us) but that she can act. Hawn herself takes every opportunity to develop a well-rounded character given a script that doesn't invite it - she exhibits a wide range of responses that the director doesn't really ask of any other actor.
Otherwise, the film is a confused mess. Beautiful location photography, and not much else. The story-line is a real jumble. If I cared about the characters I might have invested more in following it, but there's no reason to care about these lowlives, they have no direction and no motivation beyond greed.
At one point George Segal squeezes Hawn's breasts publicly and exclaims 'honk honk!" First, this is anachronistic (it references automobile horns not yet in use in the movie's culture), second, it is degrading, and third - most importantly - it is not funny. It needs a "topper," some remark that would give it comedic relevance. Director Frank's attempt at a topper is for Segal to repeat the line twice. I am not amused.
A botched job, only interesting for Hawn fans.
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