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Drum (1976)

R  |   |  Action, Drama  |  27 August 1976 (West Germany)
5.2
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Ratings: 5.2/10 from 528 users  
Reviews: 32 user | 17 critic

A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society. In HD.

Directors:

, (uncredited)

Writers:

(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
...
Marianna
...
Drum
...
Regine (as Pamela Grier)
...
Blaise
...
Bernard DeMarigny
Fiona Lewis ...
Augusta Chauvet
...
Rachel
...
Zeke Montgomery
Lillian Hayman ...
Cheryl Smith ...
Sophie Maxwell (as Rainbeaux Smith)
Alain Patrick ...
Lazare
Brenda Sykes ...
Calinda
Clay Tanner ...
Mr. Holcomb
Lila Finn ...
Mrs. Holcomb
Edit

Storyline

A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society. In HD.

Plot Summary | Add Synopsis

Taglines:

MANDINGO lit the fuse... DRUM is the explosion! See more »

Genres:

Action | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 August 1976 (West Germany)  »

Also Known As:

Det sorte helvede  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)
See  »
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Did You Know?

Trivia

Ken Norton plays Drum, a different character than he portrayed in Mandingo (1975), where he played Mede (aka Ganymede). Similarly, so does actress Brenda Sykes, who plays Ellen in the first film and Calinda in Drum (1976). Actress Lillian Hayman though did portray the same character, Lucrezia Borgia, in both films. See more »

Goofs

The film opens 20 years before the 1860 presidential election, 1840, and states that the slave trade was, "perfectly legal." Trading in slaves from Africa was outlawed in the United States in 1808. See more »

Quotes

Regine: And titties! You likes big titties, don't ya?
Hammond Maxwell: Oh, you know I loves big titties.
See more »

Connections

Featured in Century of Black Cinema (2003) See more »

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User Reviews

Entertaining exploitation trash almost single handedly redeemed by a terrific Warren Oates performance.
12 January 2003 | by (Perth, Australia) – See all my reviews

'Drum' is the kinda sorta sequel to 'Mandingo', a movie that tried to walk a fine line between being a "serious" drama and a silly but fun exploitation movie. The director this time around is Steve Carver who made the trash classics 'Big Bad Mama' and 'The Arena', and he doesn't even attempt to disguise the Drive-In feel of this one. Ken Norton once again stars but plays a different character than in 'Mandingo'. Warren Oates plays Hammond Maxwell who Perry King played in the first movie. The idea that they are the same man is totally ridiculous and unbelievable, but once you can get over that hurdle you are in for a good time. Oates is outrageously amusing but without resorting to the hamminess that James Mason brought to 'Mandingo'. He is simply a joy to watch, as an uncouth but charming slave owner, and is the number one reason to hunt down this movie. Oates terrific performance more than makes up for Norton's dull turn. Also very good is Yaphet Kotto ('Blue Collar') as Drum's friend turned enemy Blaise, also one of Oates' slaves. Kotto is excellent (as usual) and it's a pity he wasn't the star instead of Norton. Fiona King ('The Fury') plays Oates' wife to be and is entertaining, as is Rainbeaux Smith ('Caged Heat') as Oates slutty daughter (a similar role to Susan George's in 'Mandingo' but much more enjoyable). Also noteworthy is John Colicos ('The Postman Always Rings Twice') as a very evil and camp slave owner who vows to kill Drum who spurns his salacious advances. The impressive cast also includes blaxploitation legend Pam Grier ('Black Mama, White Mama') who sadly doesn't have all that much screen time, and Oates 'Bring Me The Head Of Alfredo Garcia' co-star Isela Vega, who doesn't have much more. 'Drum' is pure exploitative trash and proud of it. If you take it in that spirit and not as a serious study of racism in 19th century America you'll enjoy it immensely. Especially when watching Warren Oates in one of his most enjoyable and underrated performances. This movie is essential viewing for all Oates fans.


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