The Sunday Woman
(1975)
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The Sunday Woman
(1975)
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| Cast overview, first billed only: | |||
| Marcello Mastroianni | ... | ||
| Jacqueline Bisset | ... |
Anna Carla Dosio
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| Jean-Louis Trintignant | ... |
Massimo Campi
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Aldo Reggiani | ... |
Lello Riviera
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Maria Teresa Albani | ... |
Virginia Tabusso
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Omero Antonutti | ... |
Benito
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Gigi Ballista | ... |
Vollero
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Fortunato Cecilia | ... |
Nicosia
(as Renato Cecilia)
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Claudio Gora | ... |
Garrone
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Franco Nebbia | ... |
Bonetto
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Lina Volonghi | ... |
Ines Tabusso
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Pino Caruso | ... |
Police Commissioner De Palma
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Mario Ferrero | ... |
Vittorio Dosio
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Giuseppe Anatrelli | ... |
The Chief of Police
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Antonio Orlando | ... |
The Barber
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Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens... Written by 1felco
"La donna della domenica" is an outstanding film, but one that is unlikely to be fully appreciated by non-Italians, most of whom might see it as a whodunnit of sorts. Its strength lies, instead, not just with its excellent cast, but also with the caustic way in which it describes Turin's high society: full of characters that, behind their apparent stylishness and elegance, betray a penchant for hypocrisy and an inability to look further than the conventional way in which they live.
It looks more like a comedy, and a well-written, witty one at that.