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IMDb > La donna della domenica (1975)

La donna della domenica (1975) More at IMDbPro »


Overview

User Rating:
6.5/10   131 votes
MOVIEmeter: ?
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Director:
Luigi Comencini
Writers:
Carlo Fruttero (novel)
Agenore Incrocci (writer)
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Contact:
View company contact information for The Sunday Woman on IMDbPro.
Release Date:
23 December 1975 (Italy) more
Genre:
Comedy | Crime | Drama more
Tagline:
The police have the victim, the weapon and the suspect. What they don't have is the Sunday Woman. more
Plot:
Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone... more | add synopsis
Plot Keywords:
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User Comments:
Review. more

Cast

  (Cast overview, first billed only)
Marcello Mastroianni ... Commissioner Salvatore Santamaria

Jacqueline Bisset ... Anna Carla Dosio
Jean-Louis Trintignant ... Massimo Campi
Aldo Reggiani ... Lello Riviera
Maria Teresa Albani ... Virginia Tabusso
Omero Antonutti ... Benito
Gigi Ballista ... Vollero
Fortunato Cecilia ... Nicosia (as Renato Cecilia)
Claudio Gora ... Garrone
Franco Nebbia ... Bonetto
Lina Volonghi ... Ines Tabusso
Pino Caruso ... De Palma
Mario Ferrero
Giuseppe Anatrelli ... Commissario
Antonio Orlando ... Salvatore
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Additional Details

Also Known As:
La femme du dimanche (France)
The Sunday Woman (USA)
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Runtime:
105 min
Country:
Italy | France
Language:
Italian
Color:
Color (Eastmancolor)
Sound Mix:
Mono
Filming Locations:
Turin, Piedmont, Italy
Company:
Dartmouth more

Fun Stuff

Movie Connections:
Followed by A che punto è la notte (1995) (TV) more
Soundtrack:
Centomila violoncelli more

FAQ

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2 out of 2 people found the following comment useful:-
Review., 30 July 2001
Author: Gerald A. DeLuca (italiangerry@gmail.com) from United States

"Sunday Woman" is a stylish and ribald whodunnit that has plenty of things to hold your attention when you're frankly not particularly interested in who did it or why. The murder victim is a lewd, leering, seedy old architect who makes obscene gestures at women, like a character out of Fellini's "Satyricon." His body is found bludgeoned to death by means of a large ceramic phallus. "Those who live by the sword shall die by the sword," a character in the film comments. The inspector on the case is a bemused but persistent Marcello Mastroianni. His investigations bring him in contact with some of Turin's high society: Jacqueline Bisset, the bored wife of an industrialist, and her platonic friend Jean-Louis Trintignant, a wealthy homosexual. Trintignant is himself in love with Aldo Reggiani, a records clerk who does his own investigation which leads to his own murder. The film has a nice rhythm, some well-written dialog, and makes use of fascinating Piedmontese locales in and around Turin. Mastroianni, as always, is very effective. The director, Luigi Comencini, gained a substantial reputation in the past with films like "Bread, Love and Dreams" and "Everybody Go Home!"

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