| Photos (see all 6 | slideshow) |
| Klaus Kinski | ... | Dr. Dennis Orloff / Jack the Ripper | |
| Josephine Chaplin | ... | Cynthia | |
| Andreas Mannkopff | ... | Inspektor Selby | |
| Herbert Fux | ... | Charlie, the Fisherman | |
| Lina Romay | ... | Marika | |
| Nikola Weisse | ... | Frieda | |
| Ursula von Wiese | ... | Miss Higgins (as Ursula v. Wiese) | |
| Hans Gaugler | ... | Blind man | |
| Francine Custer | ... | First victim | |
| Olga Gebhard | ... | Ms. Baxter | |
| Angelika Arndts | |||
| Peter Nüsch | ... | Sergeant Ruppert (as Peter Nuesch) | |
| Regine Elsener | |||
| Esther Studer | ... | Prostitute Jeanny, second victim | |
| Lorli Bucher | |||
| Mike Lederer | ... | Coach Driver | |
| Otto Dornbierer | ... | Charlie's friend | |
| rest of cast listed alphabetically: | |||
| Friedrich Schoenfelder | ... | (uncredited) | |
Directed by | |||
| Jesus Franco | (as Jess Franco) | ||
Writing credits(in alphabetical order) | ||
| Jesus Franco | writer (as Jess Franco) | |
Produced by | |||
| Erwin C. Dietrich | .... | producer | |
| Max Dora | .... | executive producer | |
Original Music by | |||
| Walter Baumgartner | |||
Cinematography by | |||
| Peter Baumgartner | |||
| Peter Spoerri | |||
Film Editing by | |||
| Marie-Luise Buschke | |||
Production Design by | |||
| Rolf Engler | |||
Costume Design by | |||
| Sylvia De Stoutz | |||
Makeup Department | |||
| Rita Burkhart | .... | makeup artist | |
| Jakob Peier | .... | makeup artist | |
Production Management | |||
| Eduard Stoeckli | .... | production manager (as Eduard A. Stöckli) | |
Second Unit Director or Assistant Director | |||
| Mark M. Rissi | .... | assistant director (as Mark Rissi) | |
| Alfi Sinniger | .... | assistant director (as Alfons Sinniger) | |
Art Department | |||
| Rolf Krebs | .... | property master | |
| Bernhard Sauter | .... | property master | |
Sound Department | |||
| Klaus Hein | .... | sound | |
| Hans-Walter Kramski | .... | noises | |
| Karlheinz Reiber | .... | noises | |
| Hubertus Schmandtke | .... | sound | |
Camera and Electrical Department | |||
| Rudolf Kütell | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Ellen Salzmann | .... | wardrobe | |
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| Jack el destripador de Londres | Giallo a Venezia | From Hell | I corpi presentano tracce di violenza carnale | Lo squartatore di New York |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Switzerland section |
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In several respects, this movie seems to be a little untypical for a Franco movie. Since Franco proposed the subject himself, the film seems to be a rather personal project. Nevertheless, it is one of his most conventional movies. One could say that it is a rather tame slasher movie.
Sexual perversion is still a subject, but in "Jack the Ripper" it is confined to the madmen and is not the general background. There is also some gore which - at least on some occasions - would have better been left out.
What is equally untypical for a Franco movie are the production values. One can see that Franco worked on a higher budget. The film plays most of the time during the night, and the night photography is carried out in an excellent way. The scene when Lina Romay is killed in a foggy park is certainly one of the best Franco has ever filmed. A funny fact here is that apart from a few exteriors (like Big Ben), all the movie was shot in Zuerich Switzerland. It is much fun to see how Franco has transformed this into London (especially if you know the places in Zuerich Franco used). The interiors are also nice and colourful, and this is complemented by the costumes. Finally, the great plus of the movie is that is has Klaus Kinsky in it. Kinsky was one of the few actors who could create a certain ambiance by their mere presence. Of course, Kinsky's acting is also very subtle. Especially, his transformations from philanthrop into madman and back.
The only thing which spoiled my viewing of "Jack the Ripper" a bit where some stupid beginner's mistakes by Franco. The two most obvious ones are: 1) Klaus Kinsky standing at the wrong side of the car when he "meets" the inspector's girl friend; 2) When Lina Romay is killed, the puppet used for the (cheap looking) gore effect is lit in a completely false color (maybe this is the producer's fault who might have insisted on including some gore). One less obvious mistake occurs at the beginning: The first hooker which is killed walks (on her way home!) back half the way she came.
All in all, "Jack the Ripper" is an atmospheric, unpretentious, and well directed slasher movie with a formidable Klaus Kinsky as the madman.