| Geraldine Chaplin | ... | Maria - The Mother / Ana - The Daughter as an Adult | |
| Mónica Randall | ... | Paulina - The Aunt | |
| Florinda Chico | ... | Rosa | |
| Ana Torrent | ... | Ana | |
| Héctor Alterio | ... | Anselmo | |
| Germán Cobos | ... | Nicolás Garontes | |
| Mirta Miller | ... | Amelia Garontes | |
| Josefina Díaz | ... | Abuela - The Grandmother | |
| Conchita Pérez | ... | Irene | |
| Mayte Sanchez | ... | Maite (as Maite Sánchez) | |
| rest of cast listed alphabetically: | |||
| Juan Sánchez Almendros | |||
Directed by | |||
| Carlos Saura | |||
Writing credits | ||
| Carlos Saura | (story and screenplay) | |
Produced by | |||
| Pedro El Samu | .... | assistant producer | |
| Elías Querejeta | .... | producer | |
Original Music by | |||
| Federico Mompou | |||
| José Luis Perales | |||
Cinematography by | |||
| Teo Escamilla | |||
Film Editing by | |||
| Pablo G. del Amo | (as Pablo G. Del Amo) | ||
Production Design by | |||
| Rafael Palmero | |||
Costume Design by | |||
| Maiki Marín | |||
Makeup Department | |||
| Tomasa Benito | .... | assistant makeup artist | |
| Concepción Cano | .... | hair stylist (as Conchita Cano) | |
| Romana González | .... | makeup artist | |
Production Management | |||
| Gregorio Hebrero | .... | production supervisor | |
| Fernando Hermoso | .... | unit manager | |
| Primitivo Álvaro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roberto Parra | .... | third assistant director | |
| Pedro Pérez | .... | second assistant director | |
| Francisco J. Querejeta | .... | first assistant director | |
Art Department | |||
| M. Del Marin Carmin | .... | set designer | |
| Jesús Mateos | .... | furniture maker (as J. Mateos) | |
| Jesús Mateos | .... | props (as J. Mateos) | |
Sound Department | |||
| Antonio Illán | .... | sound re-recordist (as Antonío Illán) | |
| Bernardo Menz | .... | sound (as Bernardo Mens) | |
| Miguel Ángel Polo | .... | boom operator (as Miguel Polo) | |
| Miguel Ángel Polo | .... | sound (as Miguel Polo) | |
Camera and Electrical Department | |||
| José M. de Nicolás | .... | assistant camera (as José MaNicolás) | |
| Javier A. López Martinez | .... | still photographer | |
| Domingo Solano | .... | second camera operator | |
| Santiago Zuazo | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Angelines Castro | .... | wardrobe | |
Editorial Department | |||
| David Raposo | .... | assistant editor | |
| Juan Ignacio San Mateo | .... | assistant editor (as Juan San Mateo) | |
Other crew | |||
| Pedro Esteban | .... | production assistant (as Pedro Esteban Samu) | |
| M. Grange | .... | french adaptation: original version with subtitles | |
| Gregorio Hebrero | .... | production assistant | |
| Paco Lucio | .... | script supervisor (as Francisco J. Lucio) | |
| Roberto Parra | .... | production assistant | |
| Jean-Pierre Vincent | .... | press attache: France | |
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| The Spirit of the Beehive | Little Sparrows | Mad Love | Die, Mommie, Die! | Australia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
In Madrid, the orphan sisters Irene (Conchota Pérez), Ana (Ana Torrent) and Maite (Maite Sánchez) are raised by their austere aunt Paulina (Mônica Randall) together with their mute and crippled grandmother after the death of their mother (Geraldine Chaplin) and their military father Anselmo (Héctor Alterio). Ana is a melancholic girl, fascinated by death, after seeing her mother having a painful death and her father dead in bed.
"Cria Cuervos" is a beautiful and sad movie of Carlos Saura that can be watched in two levels: in the first plane, it is a film that recalls the style of the family dramas of Ingmar Bergman. However, in a deeper level, the story is actually a metaphor of the recent Spanish political history, and each character represents a segment of their society: Ana's father represents the military dictatorship of Franco; her dying mother, the republic; her grandmother, those who miss the republic; Ana is probably the youth with a sad childhood surrounded by deaths. The conclusion is a message of hope for the people. I believe that those familiarized with the Spanish history would find many other elements, but in both levels this movie is wonderful. The title is a reference to the Spanish proverb "Cría cuervos y te sacaran los ojos" which means "Raise the ravens, and they will remove your eyes". Ana Torrent shows her amazing talent in the beginning of her successful career. My vote is eight.
Title (Brazil): "Cría Cuervos " ("Raise Ravens ")