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Cria Cuervos (1976)

Cría cuervos (original title)
PG | | Drama | 18 May 1977 (USA)
In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their ... See full summary »

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Nominated for 1 Golden Globe. Another 8 wins & 3 nominations. See more awards »

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Cast

Credited cast:
...
María / Ana
Mónica Randall ...
Paulina - The Aunt
...
Rosa
...
Ana
...
Anselmo
Germán Cobos ...
Nicolás Garontes
Mirta Miller ...
Amelia Garontes
Josefina Díaz ...
Abuela - The Grandmother
Conchita Pérez ...
Irene
Mayte Sanchez ...
Maite (as Maite Sánchez)
Rest of cast listed alphabetically:
Juan Sánchez Almendros
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Storyline

In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after seeing her mother having a painful death and her father dead in bed. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 May 1977 (USA)  »

Also Known As:

Cria Cuervos  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The title in Spanish stems from the phrase "Raise ravens and they'll pluck out your eyes". The equivalent phrase in English would be "you reap what you sow". See more »

Quotes

Maite: My mother died before I was born.
See more »

Connections

Featured in Zomergasten: Episode #7.4 (1994) See more »

Soundtracks

Canción y Danzas N.6
Composed by Federico Mompou
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User Reviews

 
A composed meditation on the passing of Franco's Spain
10 June 2011 | by (London, UK) – See all my reviews

A quietly brilliant film, Cría cuervos is a touching and funny but profoundly serious meditation on the end of the Franco era. Clearly there is a wealth of material in the basic metaphor of children growing up around dysfunctional and disingenuous parents. Carlos Saura goes out of his way to make a more ambivalent film though. The children are not on the cup of adolescence but buried in the depth of childhood - the only conventional passage is that of the denouement which shows the girls on the way back to school. Within the film there is all manner of quietly teased-out misdirection and surrealism: the constant overlay of Ana the child and woman, and the same with her mother, dead and alive; a child's plain-faced obsession with death, which, simultaneously, she fails to really understand; a plate of chicken's claws, ominously preserved in a fridge.

So there's the meditative oddity of Jodorowsky but also the child's eye perspective of Bergman (Fanny and Alexander was yet to be made though). I think the most affecting thing may be the mono-pace of the camera and editing, which never rushes to artificially stimulate the drama. That's left to the story as seen and told by Ana. Ana Torrent, in this role, is fairly miraculous, composed but engaged in almost every frame, usually in close-up. Geraldine Chaplin is also wonderful as the mother/older Ana, maintaining the opaque gaze of a Spanish woman at the heart of the injustices of Franco's warped society. An economical, uncomplicated, poetic film of lasting power. 8/10


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