Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to ...
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L'Alpagueur is a free-lance spy from the French secret agency. He's put on the investigation about L'epervier, a serial-killer who employs young boys to help him robbing banks before ... See full summary »
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a ... See full summary »
Industrial tycoon Stéphane Margelle is an incorrigible lady's man. Caught by his wife Sophie in company of a charming young lady, Julie, he rushes to introduce the young woman as his ... See full summary »
Dressed as a clown, the clever rascal Grimm holds up the most secure bank of Montreal and takes 30 hostages. While confusing and ridiculing the police with his strange behavior, he calmly ... See full summary »
Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to Gilberte's family. He needs friends. And friends are hard to come by in his town. Written by
I'm not talking about the kind of people who watch films like URBAN LEGEND or get their kicks out of seeing fast-paced Hollywood blockbusters. Whatever. This example of high-brow filmmaking should be on the viewing list of any film lecturer or theorist. Did you like PULP FICTION? Well, forget it. After seeing this film you will be inclined to call Tarantino's "masterpiece" a playful variation of what you CAN do on film.
Using the powerful technique of a frame narrative, director Verneuil goes on to tell the story of an ex-convict (Belmondo), who returns to his scene of "crime". He returns to the people he was involved with and ponders about the good and bad times he had. What really happened all these years ago? What is he going to do? Actually, the past is not catching up with him, he is catching up with the past.
A serious, intelligent (even intellectual) film, subtle to the nth degree, a must-see. And yet nobody (or hardly anybody) knows of its existence. Discover this masterpiece. It's worth it. No one (repeat: NO ONE) has linked the past and present better than Henri Verneuil. If you want to know what filmmaking can be about (and mostly isn't), check this out.
If you make it through this film and still think that it's about football, Hollywood has changed your perception for the worse. Tune your brain in to Henri Verneuil and this film and you will SEE.
Watch Le Corps de Mon Ennemi. Watch I... Comme Icare (Verneuil's follow-up) and you'll KNOW what you have missed all these years.
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