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IMDb > Comment ça va? (1978)

Comment ça va? (1978) More at IMDbPro »

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Overview

User Rating:
5.5/10   70 votes
MOVIEmeter: ?
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Writers:
Jean-Luc Godard (writer)
Anne-Marie Miéville (writer)
Contact:
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Release Date:
26 April 1978 (France) more
Genre:
Documentary
Plot:
A film about politics and the media, in which two workers in a newspaper plant attempt to make a film. | add synopsis
User Comments:
Structuralism 101 more

Cast

  (Credited cast)
Michel Marot ... Communist Newspaper Editor
Anne-Marie Miéville ... Odette
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Additional Details

Also Known As:
How Is It Going?
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Runtime:
USA:78 min | France:105 min
Country:
France
Language:
French
Color:
Color
Sound Mix:
Mono

FAQ

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4 out of 6 people found the following comment useful:-
Structuralism 101, 10 December 2003
6/10
Author: David (davidals@msn.com) from Chapel Hill, NC, USA

I don't think I've ever been so fascinated by a film that offered no fun whatsoever - this is kinda like sitting through a symposium on semiotics. As an exercise in deconstruction (or audience manipulation), COMMENT CA VA is hypnotic, offering a voice-over debate revolving around the effect of images upon a viewer, which is brought to life by contrasting (against the voice-over) white noise, long close-ups of a woman typing (not a man's fingers, as the woman is cast in a secretarial position even as a discourse questioning the kind of social structures that would include sexism or stereotypes plays out in the background, thus challenging the sexual politics of the intellectual milieu that such a debate would be the product of), and montages of static images of riot-and-strike scenes, which focus the discussion of how the expressions and gestures of the individuals in the captured images manipulate an audience that arrives with preconceptions and expectations that can be slotted into existing ways of viewing the world.

Intellectually and philosophically this is fascinating, and descendants of this interrogation of images and their power as signifiers can be found in the work more recent directors as diverse as Tsai Ming-liang, Apichatpong Weerasethakul, Spike Jones and Todd Haynes. But in this earlier presentation, Godard drops the fun factor to zero, creating a film that is provocative, and weirdly haunting, but very, very didactic. For die-hard fans (or theory geeks) only.

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