In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the ... See full summary »
George P. Cosmatos
During World War II, the prisoners of a German camp on a Greek island are trying to escape. They don't want only their freedom, but they also seek for an ineffable treasure hidden in a ... See full summary »
Bobby Bishop (Sheen) is a special assistant to the President of the United States. Accidentally, he meets his friend professor Pochenko on the street. Pochenko has time to tell Bishop about... See full summary »
George P. Cosmatos
A war vet finds out that a former prostitute had his baby. Doubting it's his, he gives it away, so she reports him. 20 years later, she still wants to find her son. She meets a young man and falls in love, but the vet's prison term ends.
Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics, the "Britannic", now in high sea with 1200 passengers. He is asking for a £500,000 ... See full summary »
In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York.
"Outbreak" meets "The Runaway Train" as a motley group of passengers are quarantined on a train destined to prevent the spread of the disease at the cost of their lives. Government intrigue, international smuggling, and the legend of the Cassandra Crossing add to the suspense. Written by
The film's storyline features the potential outbreak of a deadly pneumonic plague virus on a train from an germ infected passenger. As a child, director George P. Cosmatos experienced a cholera outbreak whilst living in Egypt. Cosmatos once said: "To me, an epidemic seems more destructive than an earthquake, a fire or even a bomb. And a man-made epidemic such as is shown in The Cassandra Crossing (1976) is the most despicable of all. We are our own worst enemies because we're killing ourselves with so-called progress". See more »
The train is meant to go from Geneva, past Basel to 'Nuremburg', then into Poland. This would be a convoluted and illogical itinerary even for a diverted train and would take quite a long time. See more »
I don't look too good, hunh?
Ah, liebschoen, even now you make me wish I was fifty again!
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The '70s cycle of disaster films provided widely acclaimed titles such as The Poseidon Adventure and The Towering Inferno, and universally panned titles like When Time Ran Out and Hurricane. It's tricky to decide which side to place The Cassandra Crossing. This 1976 entry in the genre divides critics and the public like no other disaster movie - on the one hand you have Maltin giving it his nod of approval, while on the other you have Halliwell dismissing it as a totally undistinguished potboiler. Personally, I feel The Cassandra Crossing has been rather hard done by. It's a good, well-made, sporadically exciting film with a first-rate cast.
A terrorist on the run boards a continental train, unaware that when he recently infiltrated a top secret laboratory he was infected with a highly contagious killer plague. Pretty soon, people aboard the train are coming down with the horrendous virus. In the corridors of power, Colonel Stephen Mackenzie (Burt Lancaster) plots to divert the train to an abandoned concentration camp where the passengers can be quarantined, ignoring the fact that the train will have to traverse the famously fragile Cassandra Crossing (a dangerously rickety, long unused bridge) to get there. Meanwhile, the passengers - including Dr. Jonathan Chamberlain (Richard Harris) - realize that they're not as safe as the authorities would have them believe, and they try to regain control of the express.
Admittedly, The Cassandra Crossing is derivative and clichéd - as, indeed, so many disaster films are. But it doesn't waste its marvelous all-star cast. Each character is well-written and well-performed by a stellar cast. George Pan Cosmatos (later to helm Cobra and Rambo: First Blood, Part II) directs with an assured touch and generates some very effective tension, particularly in the film's memorable climax. At 123 minutes, the film is just long enough - there's time to get involved in the story and the characters, but not quite enough time to get bored. The Cassandra Crossing is an above-par disaster flick, which has been unfairly under-rated for far too long.
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