| Donald Sutherland | ... | Giacomo Casanova | |
| Tina Aumont | ... | Henriette | |
| Cicely Browne | ... | Madame D'Urfé | |
| Carmen Scarpitta | ... | Madame Charpillon | |
| Clara Algranti | ... | Marcolina | |
| Daniela Gatti | ... | Giselda | |
| Margareth Clémenti | ... | Sister Maddalena (as Margareth Clementi) | |
| Mario Cencelli | ... | Moebius | |
| Olimpia Carlisi | ... | Isabella | |
| Silvana Fusacchia | ... | Isabella's sister | |
| Leda Lojodice | ... | Rosalba the Mechanical doll (as Adele Angela Lojodice) | |
| Sandra Elaine Allen | ... | Angelina the Giantess | |
| Clarissa Mary Roll | ... | Anna Maria | |
| Alessandra Belloni | ... | Princess | |
| Dudley Sutton | ... | Duke of Wuertemberg | |
| Majorite Belle | ... | Countess of Waldenstein | |
| Daniel Emilfork | ... | Marquis Du Bois (as Daniel Emilfork Berenstein) | |
| Luigi Zerbinati | ... | Pope | |
| John Karlsen | ... | Lord Talou | |
| Reggie Nalder | ... | Faulkircher | |
| Hans van de Hoek | (as Hans Van Den Hoek) | ||
| rest of cast listed alphabetically: | |||
| Mariano Brancaccio | ... | Dancer | |
| Angelica Hansen | ... | Hunchbacked Lady | |
| Diane Kurys | ... | Madame Charpillon | |
| Norbert Losch | ... | Admiral at dinner table | |
| Mary Marquet | ... | Casanova's mother | |
| Chesty Morgan | ... | Barberina (scenes deleted) | |
| Marika Rivera | ... | Astrodi | |
| Dan van Husen | ... | Viderol | |
| Mario Gagliardo | ... | Righetto (uncredited) | |
| Donald Hodson | ... | Hungarian captain (uncredited) | |
| Elisa Mainardi | ... | Party guest (uncredited) | |
| Isabel Pisano | ... | (uncredited) | |
| Pietro Torrisi | ... | Brute Man (uncredited) | |
| Jean-Claude Vernè | ... | Party guest (uncredited) | |
| Renato Zero | ... | Opera Dancer (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Giacomo Casanova | (autobiography "Storia della mia vita") | |
| Federico Fellini | (screenplay) and | |
| Bernardino Zapponi | (screenplay) | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Casting by | |||
| Paola Roli | (as Paola Rolli) | ||
Art Direction by | |||
| Danilo Donati | |||
Costume Design by | |||
| Danilo Donati | (uncredited) | ||
| Federico Fellini | (uncredited) | ||
Makeup Department | |||
| Gabriella Borzelli | .... | hair stylist | |
| Rino Carboni | .... | head makeup artist | |
| Giannetto De Rossi | .... | makeup artist: Mr. Sutherland | |
| Fabrizio Sforza | .... | makeup artist: Mr. Sutherland | |
| Paolo Borselli | .... | assistant hair stylist (uncredited) | |
| Vincenzo Cardella | .... | assistant hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Liliane Betti | .... | second assistant director (as Liliana Betti) | |
| Maurizio Mein | .... | assistant director | |
Art Department | |||
| Giantito Burchiellaro | .... | set designer | |
| Emilio D'Andria | .... | props and furnishing | |
| Mario Fallani | .... | master painter: Frescoes | |
| Federico Fellini | .... | scenography | |
| Giuliano Geleng | .... | painter | |
| Massimo Antonello Geleng | .... | assistant art director (as Antonello Geleng) | |
| Rinaldo Geleng | .... | painter | |
| Gianni Gianese | .... | sculptor (as Giovanni Gianese) | |
| Giorgio Giovannini | .... | set designer | |
| Italo Tomassi | .... | building supervisor | |
| Roland Topor | .... | magic lantern designer | |
| Luigi Sergianni | .... | construction manager (uncredited) | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| David Hawkins | .... | dialogue editor | |
| Franco De Arcangelis | .... | sound assistant (uncredited) | |
| Massimo De Arcangelis | .... | assistant sound (uncredited) | |
| Oscar De Arcangelis | .... | sound (uncredited) | |
Special Effects by | |||
| Adriano Pischiutta | .... | special effects | |
Camera and Electrical Department | |||
| Pierluigi Praturlon | .... | still photographer | |
| Eraldo Barbona | .... | grip (uncredited) | |
| Massimo Di Venanzo | .... | camera operator (uncredited) | |
| Romolo Eucalitto | .... | first assistant camera (uncredited) | |
| Bruno Garbuglia | .... | assistant camera (uncredited) | |
| Piero Servo | .... | camera operator (uncredited) | |
| Wolfango Soldati | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Raimonda Gaetani | .... | wardrobe assistant | |
| Rita Giacchero | .... | wardrobe assistant | |
| Gloria Musetta | .... | wardrobe assistant (as Gloria Mussetta) | |
Editorial Department | |||
| Ugo De Rossi | .... | assistant editor | |
| Enzo Ocone | .... | post-production | |
| Adriana Olasio | .... | assistant editor | |
| Marcello Olasio | .... | assistant editor | |
| Daniele Cipriani | .... | final colorist (uncredited) | |
Music Department | |||
| Bruno Hoffman | .... | musician: glass harp (as M. Bruno Hoffmann) | |
| Carlo Savina | .... | conductor | |
Other crew | |||
| Antonio Amurri | .... | poet: "La Mantide religiosa" | |
| Tilde Corsi | .... | assistant publicist | |
| Christopher Cruise | .... | dialogue coach | |
| Mario Di Biase | .... | assistant to producer | |
| Frank Dunlop | .... | dialogue director: English | |
| Norma Giacchero | .... | continuity | |
| Tonino Guerra | .... | poet: "La Grande Mouna" | |
| Gino Landi | .... | choreographer | |
| Gerald Morin | .... | assistant to director | |
| Nico Naldini | .... | publicist | |
| Gigi Proietti | .... | voice dubbing: Donald Sutherland (as Luigi Proietti) | |
| Anita Sanders | .... | assistant to director | |
| Alessandro von Norman | .... | assistant to producer (as Alessandro Von Normann) | |
| Karl A. Walken | .... | poet: "Il cacciatore di Wuttemberg" (as Carl A. Walken) | |
| Andrea Zanzotto | .... | poems: in Venetian dialect | |
| Mirella Agujaro | .... | assistant choreographer (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Sandra Elaine Allen (uncredited) | |
| Oreste Lionello | .... | voice dubbing: Daniel Emilfork (uncredited) | |
| Paula Mitchell | .... | researcher (uncredited) | |
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| Nine | My Own Private Idaho | 8½ | Fellini Satyricon | The Children of the Century |
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I think this movie has been misunderstood. I have only seen it once and that was in 1978 or so. I had to write a paper about it for an art class so I paid very good attention. I think the theme had to do with loss. He lost every woman he loved starting with the statue that sank in the river. The odd circus woman, and the circus, vanished. The film was most unusual but beautiful - each scene a painting. The scenes and even the story line linger still in my mind. I have not been able to see the film again but would love to to get more insight into the many and various subtleties. The metronome for one was interesting. To me one gage of a good film is one that lingers on in your mind for years. This one qualifies.