Carrie White, a shy, friendless 17 year-old girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

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Nominated for 2 Oscars. Another 3 wins & 5 nominations. See more awards »

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Cast

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Freddy
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Harry Gold ...
George
Noelle North ...
Frieda
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Storyline

It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

If only they knew she had the power. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

3 November 1976 (USA)  »

Also Known As:

Carrie - Lo sguardo di Satana  »

Box Office

Budget:

$1,800,000 (estimated)
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1.85 : 1
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Did You Know?

Trivia

Quentin Tarantino has said this is one of his favorite movies ever. See more »

Goofs

When Miss Collins begins calling the roll, the first shot reveals a girl dressed in dark blue sitting among several girls higher on the bleachers. In the next shot, she's sitting in the front row next to Helen. But in the shot after that, she's in her original place. See more »

Quotes

Mr. Fromm: Any criticisms? Anybody?
Carrie: It's beautiful.
Mr. Fromm: Carrie White! Beautiful. Beautiful. BEAUTIFUL! Oh, beautiful for spacious skies for amber waves of grain. Is that the kind of beautiful you mean? Is it, Carrie? I'm afraid, Carrie, this is hardly a criticism.
Tommy Ross: [under his breath] You suck.
Mr. Fromm: Tommy? Did you say something, Tommy?
Tommy Ross: Who me?
Mr. Fromm: Yes.
Tommy Ross: I said, "Aw shucks."
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Connections

Featured in Superstar (1999) See more »

Soundtracks

Pre-Prom Disco
(uncredited)
Written by Mike Towers, Eugene Garfin, Stephen Bonnem, Joseph Walter Newton Jr.,
& Carmine Lauro
Performed by Vance or Towers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

the original and best
10 November 2002 | by (USA) – See all my reviews

Watching the TV remake of Carrie last week just made me miss the original version all the more. There were so many elements that made the 1976 movie a classic, but I will try to name just a few...

First of all, the original actresses could never be replaced. Sissy Spacek as Carrie White goes without saying. Sissy gave Carrie a child-like quality that no other actress can touch. You not only root for Spacek's Carrie, but you want to reach in and hug her. Equally irreplacable was Piper Laurie who brings a manic energy to her role as the religious-wacko Mrs. White. I loved how Piper and Sissy's southern accents enhanced their characters. I don't know if it was Stephen King's intention or not, but the way Carrie said "Momma" was just so southern. It was fun seeing Piper and Sissy reunited onscreen as southern sisters in the Grass Harp.

Two supporting actresses in the film who get little credit are Amy Irving and Betty Buckley. Irving brought an intelligent, thoughtful depth to the character of Sue Snell. Buckley as the caring gym teacher stole every scene she was in. One of the most touching moments was Miss Collins taking Carrie in front of the mirror and telling her that she is a pretty girl. Then the terrible realization on her face as she wonders if it is another cruel joke. And who didn't love it when Buckley slapped Nancy Allen's face?

Maybe the single most important element in Carrie is the suspense-building music. I can't express how perfectly the music framed every scene. It should have won an oscar for the soundtrack alone. The two beautiful themes still stick in my mind, "Born To Have It All" which was playing in the shower scene and "I Never Dreamed Someone Like You (Could Love Someone Like Me)" which Carrie and Tommy danced to at the prom. Even the cheesy band playing at the prom fit the mood just right with the lyrics, "The Devil's Got a Hold Of Your Soul".

Carrie is campy nostalgia. It really is a time capsule of that era in history. The polyester, the gym shorts and knee socks, the afros and farrah-hair just take you back to 1976. Where else can you see the stars of Welcome Back Kotter and Eight Is Enough in the same movie?


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Piper Laurie's career didn't break out after Carrie. jody_curvey
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