A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
Carrie White is a lonely and painfully shy teen-age girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her class-mates and her religious, abusive mother.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Carrie White is a shy young girl who doesn't make friends easily. After her class mates taunt her about her horrified reaction to her totally unexpected first period one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile another girl who has been banned from the prom for her continued aggressive behaviour is not as forgiving and plans a trick to embarrass Carrie in front of the whole school. What she doesn't realise is that Carrie is ... gifted, and you really don't want to get her angry. Written by
Mark Thompson <firstname.lastname@example.org>
High school misfit Carrie (Sissy Spacek) unleashes her telekinetic fury on her tormentors. This was a huge hit in 1976 and scared me silly. It doesn't scare me now (except for the closing sequence), but I still think it's a good solid horror film beautifully handled by Brian De Palma. It moves quickly, has some beautiful imagery (everything is shot soft focus with muted color) and has almost uniformally good performances. The only bad one is by John Travolta way out of his depth playing a hood.
Amy Irving (as a student who befriends Carrie), William Katt (with a very 70s afro), Nancy Allen (playing a real bitch), Betty Buckley (so young and full of energy) and P.J. Soles (silly but bearable) are all perfect. But Spacek is superb matched by Piper Laurie who is very scary and marvelous as her deranged, religious mother.
Also the film is (by today's standards) very restrained in terms of blood and gore. And the final sequence will make you jump (also notice the cars in the background during that--they're moving backwards!)
Only complaints--De Palma REALLY hates some of the high school kids--you feel like like he's working out some personal issues here. And did we really need the slow-mo shower sequence at the beginning? That aside--this is a great film. See it letter boxed.
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