Carrie White, a shy and outcast 17 year-old girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

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Nominated for 2 Oscars. Another 3 wins & 5 nominations. See more awards »

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Cast

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Freddy
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Harry Gold ...
George
Noelle North ...
Frieda
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Storyline

It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A Brian DePalma film See more »

Genres:

Drama | Fantasy | Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

3 November 1976 (USA)  »

Also Known As:

Carrie - Lo sguardo di Satana  »

Box Office

Budget:

$1,800,000 (estimated)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film cast includes one Oscar winner: Sissy Spacek; and three Oscar nominees: John Travolta, Piper Laurie and Amy Irving. See more »

Goofs

When Ms. Collins is calling the role in the gym, she walks over to one of the girls and snaps "Katie!" But the character's name is Helen. See more »

Quotes

Margaret White: Witch. Got Satan's Power.
Carrie: It has nothing to do with Satan, Mama. It's me. Me. If I concentrate hard enough, I can move things.
See more »

Connections

Referenced in Friday the 13th (1980) See more »

Soundtracks

Education Blues
(uncredited)
Written by Glen Vance and Mike Towers (as Michael Towers)
Performed by Vance or Towers
Courtesy of A&M Records
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Frequently Asked Questions

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User Reviews

the first post-modern horror film
10 November 2001 | by (philadelphia, pa) – See all my reviews

At its heart, Carrie is not a 'horror film', but a film about horror.

The subject matter is physical and emotional abuse; time and time again DePalma returns to the theme of abuse to create a sense of anxiety and dread. And although our hapless heroine is the primary target of abuse (from her mother, her peers, and 'authority') abuse is also meted out liberally to others---violence against women (Travolta/Allen), and public humiliation by authority figures (Buckley/her gym class) also add to the discomfort level (the John Travolta-Nancy Allen relationship is defined solely by abuse---and they in turn are the initiators of Carrie's humiliation).

Except for Betty Buckley's gym teacher, all the characters are cartoonish archetypes---and almost all of these achetypes are brilliantly drawn. Sissy Spacek and Piper Laurie deservedly have been singled out for praise, but DePalma even managed to get the right performance out of decidedly untalented performers like Nancy Allen, William Katt (who is immeasurably aided by the kind of meticulous lighting that would have made Joan Crawford envious), and P.J. Soles.

Buckley deserves special mention, because she does amazing things with a completely underwritten role. By humanizing what could have been just one more cartoon (the lesbian gym teacher---lesbianism is never mentioned, but Buckley's subtle performance affirms what she has acknowledged in interviews--that she played her character as a lesbian) she provides a central point of reality that keeps the film from spinning completely out of control.

DePalma's intent was clearly not to scare the audience, but to make the audience watch the film from a distance, deliberately plagarizing two of the most notable sequences in film history---Hitchcock's shower sequence and Eisenstein's use of the three-perspective split screen. The shower scene takes place early in the film, cuing the audience into the fact that this is a film ABOUT film. And in the climactic prom sequence, DePalma distances himself, and the audience, from the bloodbath on the screen by reminding us through the 'theft' from Eisenstein that its just a movie at the most critical moment.

There are two significant flaws in the film. For some reason, DePalma interjected a 'fast forward' comedy sequence involving the purchase of tuxedos--the sequence serves no purpose in the film, other than to restate the obvious fact that this is 'just a movie'.

The second flaw is Amy Irving's performance. Its not horrible by any means, but it just doesn't work. Irving has grown as an actress since then (she was the only decent thing about the execrable sequel to Carrie) but the demands made of her in Carrie were beyond her skills at the time it was made. 'Chris' was supposed to be the conscience of the film, but winds up as wishy-washy.

Oh, and DON'T watch this film on commercial television--rent the video. DePalma engages in some sacriligeous imagery that is ALWAYS cut from the film when it is shown on television---imagery that justifies the penultimate sequence of the film itself, and brings closure to it.


57 of 82 people found this review helpful.  Was this review helpful to you?

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This movie shouldn't be considered as horror. edwintrinh09
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Why didn't Margaret home school Carrie? jaltenbu
For those who read the book first.. rndgurl-971-654277
This movie was only good in its time. jaemostoriginal
Who has CARRIE 1976 on LaserDisc ? AUDIO COMMENTARY cowboyboots_12
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