Carrie White is shy and outcast 17-year old girl who is sheltered by her domineering, religious mother, and unleashes her telekinetic powers after being humiliated by her classmates for the last time at her senior prom.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ... Written by
The dizzying camera shot during the prom scene was achieved by placing William Katt and Sissy Spacek on a platform that was spinning in one direction, while the camera was being dollied in the opposite direction. See more »
Billy Nolan's car is seen briefly from behind, before Carrie rolls it, and the taillights are clearly those of a '67 Pontiac Firebird. However, when the car is overturned, it becomes a '67 Chevrolet Chevelle. See more »
Carrie? Carrie. Carrie, what's the matter? What happened?
Was it one of the girls? Did one of the girls do something to you?
What is it, then? You can trust me, you know that? Would you tell me?
I got invited to the prom.
That's great! That's fantastic! So what are you down here moping around for?
Tommy Ross asked me.
That's even better. He's really cute, huh?
I know who he goes around with. They're just trying to trick me again. I know.
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High school misfit Carrie (Sissy Spacek) unleashes her telekinetic fury on her tormentors. This was a huge hit in 1976 and scared me silly. It doesn't scare me now (except for the closing sequence), but I still think it's a good solid horror film beautifully handled by Brian De Palma. It moves quickly, has some beautiful imagery (everything is shot soft focus with muted color) and has almost uniformally good performances. The only bad one is by John Travolta way out of his depth playing a hood.
Amy Irving (as a student who befriends Carrie), William Katt (with a very 70s afro), Nancy Allen (playing a real bitch), Betty Buckley (so young and full of energy) and P.J. Soles (silly but bearable) are all perfect. But Spacek is superb matched by Piper Laurie who is very scary and marvelous as her deranged, religious mother.
Also the film is (by today's standards) very restrained in terms of blood and gore. And the final sequence will make you jump (also notice the cars in the background during that--they're moving backwards!)
Only complaints--De Palma REALLY hates some of the high school kids--you feel like like he's working out some personal issues here. And did we really need the slow-mo shower sequence at the beginning? That aside--this is a great film. See it letter boxed.
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