Carrie White is shy and outcast 17-year old girl who is sheltered by her domineering, religious mother, and unleashes her telekinetic powers after being humiliated by her classmates for the last time at her senior prom.
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
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Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her classmates and her domineering, religious mother.
Carrie White is a shy young girl who doesn't make friends easily. After her classmates teased her about her horrified reaction to her unexpected first period, one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile, another girl who has been banned from the prom for her continued aggressive behavior is not as forgiving and plans a prank to embarrass Carrie in front of the whole school. What she doesn't realise is that Carrie is... gifted with deadly powers, and you really don't want to make her angry. Written by
Mark Thompson <firstname.lastname@example.org>
Sissy Spacek wasn't considered for the role of Carrie until her husband, art director Jack Fisk, convinced director Brian De Palma to allow her to audition. Until that, De Palma was wedded to the idea of Amy Irving playing Carrie; when Spacek got the part instead, De Palma gave Irving the smaller role of Sue. See more »
[points to a humiliated Carrie after the pig's blood is spilled on her; his voice is blocked out but viewers can clearly read his lips and tell that he is upset and shouting]
WHAT THE HELL!
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Youthful energy. That's what this is -- and what it is about.
Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.
The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.
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