A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
Carrie White is a lonely and painfully shy teen-age girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her class-mates and her religious, abusive mother.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Carrie White is a shy young girl who doesn't make friends easily. After her class mates taunt her about her horrified reaction to her totally unexpected first period one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile another girl who has been banned from the prom for her continued aggressive behaviour is not as forgiving and plans a trick to embarrass Carrie in front of the whole school. What she doesn't realise is that Carrie is ... gifted, and you really don't want to get her angry. Written by
Mark Thompson <firstname.lastname@example.org>
There are several signs posted about the time of the prom, all of which say from 9 - 1. (One says 9 - 1 pm, which, of course, is incorrect.) Sue Snell asks the time at the family dinner on the night of the prom and is told that it is 8 o'clock. Shots immediately before and after the dinner scene show the prom going full swing, even though it is not scheduled to start for another hour. Additionally, it would still be light outside on May 25th at 8 pm. See more »
Carrie? Carrie. Carrie, what's the matter? What happened?
Was it one of the girls? Did one of the girls do something to you?
What is it, then? You can trust me, you know that? Would you tell me?
I got invited to the prom.
That's great! That's fantastic! So what are you down here moping around for?
Tommy Ross asked me.
That's even better. He's really cute, huh?
I know who he goes around with. They're just trying to trick me again. I know.
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Though cluttered up with crass humor, De Palma's trashy flair and killer instincts make this a classic screamer...
When picked-on high schooler Carrie White discovers to her horror that she's been made the butt of a nasty prank, she unleashes her secret powers at the school prom and all hell literally comes loose. This sequence, filmed in split-screen, is a canny marvel of technical wizardry, twisted imagination and production design (check out that gorgeous blaze that erupts behind Sissy Spacek). The cinematographer lights everything up like fluorescent goodies in a candy-box (the continuity problems with Carrie's appearance here can be overlooked). But Carrie's anger is all encompassing--it's a high school holocaust--and some of her victims are innocents, like the gym teacher (played very sensitively by Betty Buckley). Carrie has become as bad as her enemies, and director Brian De Palma doesn't seem to understand the irony (he's also too interested in girl-peeping, although to his credit nobody comes off looking foolish). The picture is fun on the surface, but has a depressing undermining that is never quite resolved. Spacek's performance in the lead is flawless; Piper Laurie exceptional as her deranged mother (it was her comeback role, Oscar-nominated, yet it nearly typed her as a horror-movie actress); Nancy Allen, P.J. Soles, and William Katt are excellent as Carrie's classmates; Amy Irving is intriguing as schoolmate Sue who just wants to do the right thing (Pauline Kael of The New Yorker complained that Sue's role in the disaster wasn't made clear, but I disagree. I think she's conflicted and guilty and wants to help, wants to see Carrie bask in some of the glory which she helped create). Although an improvement over the Stephen King source novel, "Carrie" isn't perfect and is weighed down somewhat with dirty jokes and cheap laughs. Certainly it is a stylish picture, with beautiful (if repetitive) music by Pino Donaggio, and the final sequence is still being copied today. *** from ****
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