A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
Carrie White is a lonely and painfully shy teen-age girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her class-mates and her religious, abusive mother.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Carrie White is a shy young girl who doesn't make friends easily. After her class mates taunt her about her horrified reaction to her totally unexpected first period one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile another girl who has been banned from the prom for her continued aggressive behaviour is not as forgiving and plans a trick to embarrass Carrie in front of the whole school. What she doesn't realise is that Carrie is ... gifted, and you really don't want to get her angry. Written by
Mark Thompson <email@example.com>
Not one of the actors or actresses who portrayed high school students in the film was in his or her teens. In fact, some were as old as 25 or 26 at the time of filming. See more »
In the final part of the film when Sue walks in slow motion towards the White's home you can see at least one red car going backwards at the junction in the background. See more »
[coming down from upstairs, Margaret has called her down after the phonecall she received]
Mama? Who was that, that called?
You're a woman now.
Why didn't you tell me mama?
[Margaret strikes her over the head with the "Woman's Bible and begins to read a verse]
And God made Eve from the rib of Adam. And Eve was weak and loosed the raven on the world. And the raven was called sin. Say it, the raven was called sin.
Why didn't you tell me, Mama?
[hits Carrie in the face]
The raven was...
[...] See more »
It is a classic offbeat horror-melodrama merging harmoniously the family Gothic extravaganza, supernatural power, and a woman's movie of a peculiar kind It remains the cinema's best adaptation of a Stephen King novel
The film initiated De Palma's inclination for surprise diverts between playful imagination and reality, as in the opening, which swifts from a soft-core porn fantasia of girls taking a shower in the locker room to the fact of Carrie's menstruation for the first timethe first sign of "otherness" that will reserve her as an horrifying monster from her small-minded colleagues
All the oppression that Carrie undergoes both at home (with a bible beating maniacal mother played by scary Piper Laurie who develops twisted bizarre ideas) and at school to suppress tension which takes the shape of super telekinetic power, the ability to move objects with the strength of her mind We observe with ambivalence as Carrie's insatiable revenge jumps the line into uncontrolled mass murders ever filmed
Sissy Spacek is amazing as the mocked, helpless girl pushed over the edge Her face and body twist like a living special effect to unleash her pent up rage, as well as her character's alarming progress from painfully shy high-school teenager to Angel of Vengeance
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