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Carrie (1976)

 -  Horror  -  3 November 1976 (USA)
7.4
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Ratings: 7.4/10 from 106,129 users  
Reviews: 468 user | 190 critic

A young, abused and timid 17-year-old girl discovers she has telekinesis, and gets pushed to the limit on the night of her school's prom by a humiliating prank.

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Title: Carrie (1976)

Carrie (1976) on IMDb 7.4/10

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Nominated for 2 Oscars. Another 4 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Freddy
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Harry Gold ...
George
Noelle North ...
Frieda
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Storyline

Carrie White is a shy young girl who doesn't make friends easily. After her class mates taunt her about her horrified reaction to her totally unexpected first period one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile another girl who has been banned from the prom for her continued aggressive behaviour is not as forgiving and plans a trick to embarrass Carrie in front of the whole school. What she doesn't realise is that Carrie is ... gifted, and you really don't want to get her angry. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

If THE EXORCIST made you shudder, CARRIE will make you scream. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

3 November 1976 (USA)  »

Also Known As:

Carrie - Des Satans jüngste Tochter  »

Box Office

Budget:

$1,800,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to the audio commentary on the DVD, Carrie is a composite of two girls Stephen King knew, though only one of them was a classmate of his. Prior to the publication of Carrie, his first published novel, King had been an English teacher. The second girl who inspired Carrie was one of his students. See more »

Goofs

When Miss Collins is questioning Sue and Tommy in her office, Tommy is initially sitting some distance from Sue on the bench. In subsequent shots he is closer to her, although he never moves. See more »

Quotes

Margaret White: I should've killed myself when he put it in me. After the first time, before we were married, Ralph promised never again. He promised, and I believed him. But sin never dies. Sin never dies. At first, it was all right. We lived sinlessly. We slept in the same bed, but we never did it. And then, that night, I saw him looking down at me that way. We got down on our knees to pray for strength. I smelled the whiskey on his breath. Then he took me. He took me, with the stink of filthy roadhouse ...
[...]
See more »

Connections

Spoofed in Scary Movie 2 (2001) See more »

Soundtracks

Education Blues
(uncredited)
Written by Glen Vance and Mike Towers (as Michael Towers)
Performed by Vance or Towers
Courtesy of A&M Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
MELDING OF TWO GREAT ARTISTS
18 July 2001 | by (Queens, New York) – See all my reviews

"Carrie" is a melding of two great artists, in this case, Stephen King, who wrote the novel and Brian DePalma, who directed the film. This is a tense, exciting thriller that is also a sturdy character study. It's hard to make a film that can accomplish both, but DePalma does it.

King's novel mostly dealt with a telekinetic girl who is cruelly treated by her classmates. DePalma and screenwriter Lawrence Cohen follow the novel fairly closely, with the exception of the ending, which is a great deal more sensationalistic and better, in my opinion. (King himself liked the finale and the film, as stated in his exceptional study of the horror genre "Danse Macabre")

As is the case in most DePalma films, the technical credits are superb. The cinematography (by Mario Tosi)is extremely effective; colors and shadows have never been shot more effectively in a DePalma film since. The film score is by Pino Donaggio, and it marks the first collaboration between Donaggio and DePalma. (Bernard Herrmann died shortly after "Obsession" was completed) Donaggio is among the most underrated and overlooked composers of his time. His scores for "Dressed to Kill", "Blow Out" and "Body Double" are all exceptional and all deserved Oscars. "Carrie" is no less brilliant, as it accomplishes what all great scores are supposed to do: enhance the film without giving anything away. Paul Hirsch's editing is also extremely effective as it was in "Sisters", "Obsession", "Blow Out" and "Raising Cain".

But it is the performances that make "Carrie" stand out. Carrie is played by Sissy Spacek in a performance of such power and strength that she received an Oscar nomination for Best Actress (the first actress ever to be nominated for a horror film; the second would be Sigourney Weaver for "Aliens")She manages to hit all the right notes. A lesser actress would have veered toward melodrama. Spacek plays the role more realistically and the film is much more effective that way. (Just in case you didn't know, Spacek was a DePalma regular, but off-screen; she was the art director for several of his early pictures). Also, "Carrie" marked the return of Piper Laurie to films after a too-long hiatus (her last credit was "The Hustler") Here, she plays Carrie's mother. Again, a lesser actress would have veered toward melodrama, but Laurie resists the temptation. Her performance is a real knockout and also garned an Oscar nomination (she should have won, but typical Academy genius set in and gave the prize to Beatrice Straight who was in "Network" for a whopping 10 minutes and really didn't do much.)Also, as a side note, this film also is a start for some future DePalma regulars such as John Travolta (his first major studio film) and Nancy Allen (her first major role)

What I really liked about "Carrie" is the absolutely perfect ending. I had commented before that "Sisters" had an absolutely perfect ending. The one thing about Brian DePalma is that he knows how to end a picture. "Dressed to Kill" had a really good one, although some people hated it as well as "Blow Out". "The Fury" has the greatest ending of all the DePalma thrillers.

A small note to finish: In 1999, "Carrie 2" was made by profiteers at MGM. Despite a rich premise, the film was an artistic failure. DePalma had nothing to worry about. The sequel (retread might be a better word) lacks everything that makes DePalma's original so good. Rent or buy the original, on tape (in pan-and-scan or widescreen)and DVD (widescreen)and forget the sequel, even if they give it away.

**** out of 4 stars


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The ending ashadowskull
Sue & Tommy's Plan CraigsGirl
That crucified jesus statue was terrifying and truly scared me johnstewartthekiller
One of the Eeriest Scenes Cultfilmfeverforever
This movie was only good in its time. jaemostoriginal
Question for book readers re: Sue rikajessie
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