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Shatter (1974)

 -  Action | Drama  -  March 1975 (USA)
5.2
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Ratings: 5.2/10 from 228 users  
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Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him ... See full summary »

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Cast

Complete credited cast:
...
Shatter
Lung Ti ...
Tai Pah (as Ti Lung)
Lily Li ...
Mai-Mee
...
Paul Rattwood
Anton Diffring ...
Hans Leber
Yemi Ajibade ...
Ansabi M'Goya / Dabula M'Goya
Chia Yung Liu ...
1st Bodyguard (as Lia Ka Yong)
Pei Chi Huang ...
2nd Bodyguard (as Huang Pei Chi)
Ya Ying Liu ...
Leber's Girl (as Liu Ya Ying)
Wai Lo ...
Howe (as Lo Wei)
James Ma ...
Thai Boxer
Han Chiang ...
Korean Boxer (as Chiang Han)
Hsiung Kao ...
Japanese Boxer (as Kao Hsiung)
Rest of cast listed alphabetically:
Kwok Kuen Chan
Ming-Wai Chan
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Storyline

Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue. Written by Patrick Knightly <pjknight@polsci.umass.edu>

Plot Summary | Add Synopsis

Taglines:

MR. Shatter isn't crushproof, but cross him and he'll put you in a box!

Genres:

Action | Drama

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

March 1975 (USA)  »

Also Known As:

Call Him Mr. Shatter  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Trivia

The movie ran well behind schedule due to the ill health of star Stuart Whitman. See more »

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User Reviews

passable Hammer action flick with strange sense of morality
12 May 2001 | by (Brooklyn, NY) – See all my reviews

Hammer helped define the gothic vampire genre, for which we should be thankful, but they also found need to dabble in other fields with mixed results. Shatter did not have the most inspired mixture and doesn't stand the test of time very well. Perpetually grouchy killer for hire Stuart Whitman fails goes to Hong Kong where he fails to collect from disreputable banker Anton Diffring. Corrupt government official Peter Cushing has his men beat the pulp out of Whitman, who stumbles off to a massage parlor where kung fu master Lung Ti treats him to a freebie from adorable Li-Li Li (whose name sounds like the refrain to a doo-wop song). Whitman finds his apartment blown up so he takes refuge at his new friends' dojo. He slips underground for a while but gets attacked at a martial arts invitational won by understated Ti. Without questioning the moral validity of his instincts, they help him in his quest to extort a mil from Diffring. International affairs gets somewhat sticky from here, and the bullets fly freely until the predictable climax. Carreras tries his best to present Whitman as a then-prevalent philosopher killer, but the weak introspective sequences that show Whitman roaming around his apartment fail to do the trick. The apparently sensitive regret he feels for his victims comes off as a brooding doom with little real emotion backing it up. Shatter's intolerance for international culture makes a few unexpected peeps from its veneer of acceptance. Snooty references to eating snakes evidence a discomfort with the behavior of a foreign country. The background story sets this attitude in stone: Whitman's being tracked down for getting involved with political affairs in Badawi, a corrupt puppet country in Africa in which brothers contentedly murder brothers for money and power. Such situations may perhaps at time truly occur, but the same can be found in Shakespeare with less disapproval asked of the audience. The degree of acceptance present can be seen as a sense of tragedy, completely disconnected with the random slaying of evil black or Asian characters. I don't mean to push the point, but I found it odd that both major black characters were played no-name Yemi Ajibade in an otherwise internationally well-known cast. Cult director Monte Hellman apparently assisted Carreras, far more experienced as a producer, but did not receive credit. Writer Don Houghton produced the other Shaw/Hammer co-production, The Legend of the 7 Golden Vampires and also takes credit for the awful but amusing Dracula AD 1972. Scenes allegedly shot in Badawi, a country that does not exist, were probably done in Hong Kong.


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