A gangster movie where all the gangsters are played by children. Instead of real bullets they use "splurge guns" that cover the victim in cream. The story tells of the rise of "Bugsy Malone" and the battle for power between "Fat Sam" and "Dandy Dan". Written by
Steve Crook <email@example.com>
Although Alan Parker noted that American actors were cast for many of the speaking roles to insure the use of American accents, he pointed out a Cockney accented "Me, too!" as Bugsy rallies the soup line boys during the "Down and Out" chorus. See more »
Someone once said, "If it was raining brains, Roxy Robinson wouldn't even get wet." Roxy had spent his whole life making two and two into five, but he could smell trouble like other people could smell gas. But believe you's me, he should've never taken that blind alley by the side of Parido's Bakery. Whatever game it was everybody was playing, sure as eggs is eggs, Roxy the Weasel had been scrambled.
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The greatest kiddie-gangster-musical flick ever to land on the Silver Screen!
Bugsy Malone, a childhood favorite of mine, is perhaps the only musical spoof of gangster films and film noir where all the roles of the gangsters, flappers, bartenders and hitmen are played by children (collective age: 12). In place of the universal racketeer firearms are "splat guns" that cover victims in whipped-cream. Likewise, the cars are pedal-driven like bikes. The story tells of the rise of the womanizing, ex-boxer Bugsy Malone (Scott Baio) who finds himself enlisted in the mob of speakeasy-owner Fat Sam (John Cassisi), who's in the middle of a fierce territorial battle with the suave Dandy Dan (Martin Lev). Dan has come up with a new weapon, the splat gun, leaving Fat Sam to rely on the antiquated manually-thrown pies for his heists. Sam's gang is sweetly gunned-down bit by bit, and Bugsy is ultimately recruited to get a hold of this new weapon and rebuild the gang (which he does with the homeless Down-And-Outs and boxer Leroy Smith, played by Paul Murphy). Baio is remarkable (if you can believe that), and most of the performances are amazing! Jodi Foster excels as vampy nite-club singer Tallulah, and Florrie Dugger (as Blousey Brown -- in her only role to date) is wonderful as Bugsy's piquant love interest. I just don't understand why more of these child-actors didn't go on to bigger and better things like Jodi Foster! And whoever played "Babyface" is remarkable, showing three-times the amount of charisma of Macaulay Culkin. The film was nominated for a series of Oscars and Golden Globe awards and it's apparent as to why. Paul Williams' score is amazing - so many of these songs should be remade! If telling you to seek this one out for sure!
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