A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer. Written by
Jonathan Broxton <email@example.com>
Interesting, like all Altman films, but not his best.
This movie is certainly worth watching if you're an Altman fan, or a fan of revisionist Westerns. The performances are great (as per usual when Altman is at the helm) and the movie is entertaining enough on its own merits.
The two biggest flaws, though, are these: Compared to most of Altman's films, much of the dialogue in this movie is very "stagy" and theatrical. I suppose it's supposed to be that way because of the questions of "myth" and "legend" that the story concerns itself with, but my impression was that such theatrical-sounding dialogue didn't mesh well with Altman's typically naturalistic style of filming.
The other problem I had is that the whole subject matter -- myth vs. reality, history vs. reality, show business vs. reality, etc. -- isn't really explored with any depth or subtlety. We're constantly being reminded that Buffalo Bill is a man who created his own legend out of lies, and that that is the basis of modern show business to this day, but really, that just didn't strike me as being a particularly insightful observation. This is hardly the first movie to point out that lies are often more "real" (or more attractive) than the truth, and Altman doesn't seem to bring anything new to the table.
Still, it's Altman, which means it's well-made, entertaining and beautiful to look at. I don't think this will ever be considered one of his major works but it's certainly worth a look.
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