A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer. Written by
Jonathan Broxton <email@example.com>
In a style reminiscent of Wild West Show theater programs, in addition to the film's "Players" list, which also similarly had previously been published on the picture's pre-production publicity sheet, the film's opening credits declared: "The Deadwood Stage, hundreds of Brave Cowboys, fierce Indians, wild Buffalo, bucking Broncs, and Original Show Music by Richard Baskin played by Buffalo Bill's Cowboy Band, &c.!". See more »
Another flag with 48 stars is seen just prior to the Presidential scene. In the scene where Buffalo Bill plays for the President, the Presidential booth is adorned with 2 flags, each with 48 stars. The 48 star flag became the official flag in 1912. See more »
I bring up this dream business because, well, because things are beginning to take on an unreal shape. Now I was thinking about Sitting Bull. Just put yourself in that Injun's place. You sit in your tepee and dream. And then yu go to wherever the dream may take you... it might come true. And you wait for real life to catch up.
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Robert Altman's Absolutely Unique and Heroic Enterprise of Inimitable Lustrel See more »
My title quote is something that Paul Newman remarks as Buffalo Bill when he decides he's going to camp out one night and forgo the pleasures of bed and the ladies who clamored to inhabit his. William F. Cody certainly had his share of what we'd now consider groupies, but on that night he felt a need to get back to his roots.
The reason why Buffalo Bill sustained an enduring popularity was because he really did have a background that was colorful and exciting. He was a kid raised in Nebraska frontier territory who ran away to escape hard times and was one of the young riders for the short lived and legendary pony express. He had real exploits in that, as a buffalo hunter (hence the name)and an army scout. He won the Congressional Medal of Honor and did kill Cheyenne Chief Yellow Hand in single combat.
But a lot of people in those days could have shown similar resumes. What set Cody apart was his discovery by Ned Buntline who wrote those dime novels who created all the mythology around him. Buntline was in need of a new hero, his previous literary Parsifal Wild Bill Hickok had fallen out with him. Buntline later wrote about Wyatt Earp, Jesse James, Billy the Kid, just about every colorful character our old west produced. His dime novels for better or worse created the characters.
The greatest weakness in the film is Burt Lancaster's portrayal of Buntline. Not taking anything away from Lancaster because I'm sure he was taking direction and working within the parameters of the script and the original Broadway play Indians upon which Buffalo Bill and the Indians is based. But Lancaster plays it like the elderly Robert Stroud. The real Buntline was more like Elmer Gantry.
Paul Newman as Cody however gives one of the best interpretations of Buffalo Bill seen on film. He's a man trapped in his own legend, but he's smart enough to know what's real and what's phony in his world, including himself. He knows behind all the ballyhoo and hoopla of his Wild West Show, there's a man who did not always know ease and comfort.
The original play Indians ran for 96 performances on Broadway and starred Stacy Keach as Cody. It was far more involved and had Hickok, Billy the Kid, and Jesse James as characters. Author Arthur Koppit trimmed it down so it had more coherency for the screen.
As we know from Annie Get Your Gun, Sitting Bull was briefly part of Cody's Wild West Show. But here the attention is focused on Frank Kaquitts who in his one and only film plays an impassive Sitting Bull, who's doing Cody's show to gain food and supply from the government for his people. In fact Cody now the total show business creation is more impressed with Will Sampson who's well over six feet tall and is better typecast as the savage Indian. There's nothing terribly savage about either of them now.
Look for good performances from Geraldine Chaplin as Annie Oakley who in real life as well as in Annie Get Your Gun befriended Sitting Bull and from Joel Grey as Nate Salisbury, Cody's business partner and Kevin McCarthy as John Burke, the publicist for the Wild West Show. They continued what Buntline started in creating the Buffalo Bill mythology.
Buffalo Bill and the Indians is not the best film of Robert Altman or Paul Newman. It's certainly a lot better than the science fiction film Quintet that they did later. It's a good study of how in America our western mythology got its start.
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