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Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)

 -  Comedy | Western  -  24 June 1976 (USA)
6.1
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Ratings: 6.1/10 from 2,544 users  
Reviews: 33 user | 23 critic

A cynical Buffalo Bill hires Sitting Bull to exploit him and add his credibility to the distorted view of history presented in his Wild West Show.

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Title: Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)

Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) on IMDb 6.1/10

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Cast

Cast overview, first billed only:
...
...
The Producer (Nate Salisbury)
...
The Publicist (Maj. John Burke)
...
The Relative (Ed Goodman)
Allan F. Nicholls ...
The Journalist (Prentiss Ingraham) (as Allan Nicholls)
...
...
The Sure Shot's Manager (Frank Butler)
...
The Wrangler (Oswald Dart) (as Robert Doqui)
Mike Kaplan ...
The Treasurer (Jules Keen)
...
The Bartender (Crutch)
Bonnie Leaders ...
The Mezzo-Contralto (Margaret)
Noelle Rogers ...
The Lyric-Coloratura (Lucille DuCharme)
...
The Lyric-Soprano (Nina Cavallini)
...
The Indian Agent (McLaughlin)
Frank Kaquitts ...
The Indian (Sitting Bull)
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Storyline

Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer. Written by Jonathan Broxton <j.w.broxton@sheffield.ac.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Western

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

24 June 1976 (USA)  »

Also Known As:

Buffalo Bill and the Indians  »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1979) | (video release)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film was made and released about seven years after its source play "Indians" by Arthur Kopit had been first performed in 1969. The play's "Indians" title was incorporated into the movie's short title with the name of the central character, "Buffalo Bill", thereby producing the movie title of "Buffalo Bill and the Indians". See more »

Goofs

Sitting Bull joined Cody's show in 1885. The performing arena shows several Wyoming state flags, but Wyoming wasn't granted statehood until 1890, and that flag wasn't adopted until 1917. See more »

Quotes

[to Sitting Bull's ghost]
William F. 'Buffalo Bill' Cody: My God, look at ya! Look at ya! You want to stay the same! Well, that's going backwards!
See more »

Crazy Credits

Robert Altman's Absolutely Unique and Heroic Enterprise of Inimitable Lustrel See more »

Connections

References Nashville (1975) See more »

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User Reviews

 
"I Was Not Always A Man Of Comfort"
23 February 2008 | by (Buffalo, New York) – See all my reviews

My title quote is something that Paul Newman remarks as Buffalo Bill when he decides he's going to camp out one night and forgo the pleasures of bed and the ladies who clamored to inhabit his. William F. Cody certainly had his share of what we'd now consider groupies, but on that night he felt a need to get back to his roots.

The reason why Buffalo Bill sustained an enduring popularity was because he really did have a background that was colorful and exciting. He was a kid raised in Nebraska frontier territory who ran away to escape hard times and was one of the young riders for the short lived and legendary pony express. He had real exploits in that, as a buffalo hunter (hence the name)and an army scout. He won the Congressional Medal of Honor and did kill Cheyenne Chief Yellow Hand in single combat.

But a lot of people in those days could have shown similar resumes. What set Cody apart was his discovery by Ned Buntline who wrote those dime novels who created all the mythology around him. Buntline was in need of a new hero, his previous literary Parsifal Wild Bill Hickok had fallen out with him. Buntline later wrote about Wyatt Earp, Jesse James, Billy the Kid, just about every colorful character our old west produced. His dime novels for better or worse created the characters.

The greatest weakness in the film is Burt Lancaster's portrayal of Buntline. Not taking anything away from Lancaster because I'm sure he was taking direction and working within the parameters of the script and the original Broadway play Indians upon which Buffalo Bill and the Indians is based. But Lancaster plays it like the elderly Robert Stroud. The real Buntline was more like Elmer Gantry.

Paul Newman as Cody however gives one of the best interpretations of Buffalo Bill seen on film. He's a man trapped in his own legend, but he's smart enough to know what's real and what's phony in his world, including himself. He knows behind all the ballyhoo and hoopla of his Wild West Show, there's a man who did not always know ease and comfort.

The original play Indians ran for 96 performances on Broadway and starred Stacy Keach as Cody. It was far more involved and had Hickok, Billy the Kid, and Jesse James as characters. Author Arthur Koppit trimmed it down so it had more coherency for the screen.

As we know from Annie Get Your Gun, Sitting Bull was briefly part of Cody's Wild West Show. But here the attention is focused on Frank Kaquitts who in his one and only film plays an impassive Sitting Bull, who's doing Cody's show to gain food and supply from the government for his people. In fact Cody now the total show business creation is more impressed with Will Sampson who's well over six feet tall and is better typecast as the savage Indian. There's nothing terribly savage about either of them now.

Look for good performances from Geraldine Chaplin as Annie Oakley who in real life as well as in Annie Get Your Gun befriended Sitting Bull and from Joel Grey as Nate Salisbury, Cody's business partner and Kevin McCarthy as John Burke, the publicist for the Wild West Show. They continued what Buntline started in creating the Buffalo Bill mythology.

Buffalo Bill and the Indians is not the best film of Robert Altman or Paul Newman. It's certainly a lot better than the science fiction film Quintet that they did later. It's a good study of how in America our western mythology got its start.


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