O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer. Written by
Jonathan Broxton <email@example.com>
As the film came out in 1976, film critics and others felt that this scathing indictment of Americana was made as a countermeasure to the celebratory atmosphere of the American bicentennial, but Robert Altman claimed in interviews that he did not intend for this to be a commentary on the bicentennial at all. See more »
Another flag with 48 stars is seen just prior to the Presidential scene. In the scene where Buffalo Bill plays for the President, the Presidential booth is adorned with 2 flags, each with 48 stars. The 48 star flag became the official flag in 1912. See more »
William F. 'Buffalo Bill' Cody:
The difference between a white man and an injun in all situations is that an injun is red. And an injun is red for a very good reason. So we can tell us apart.
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Robert Altman's Absolutely Unique and Heroic Enterprise of Inimitable Lustrel See more »
Don't see this film if you don't like sarcasm! It's not as much about the history behind Buffalo Bill and his Wild West show as it is about making fun of the racist attitudes present in many Western films. There are also some good laughs available when Annie Oakley shoots and her "target" flinches with anxiety.
The satire also explores the way Bill runs his show, or the way any CEO might run a company, and whether truth or entertainment is more important to the crowd. The truth Sitting Bull wishes to bring to the people is much less important to Bill than are his ticket sales. The juxtaposition of Sitting Bull's meekness and the way Bill portrays him in the show as a murderous, ruthless warrior is really brilliant.
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