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One can go into this film from several different angles, and be rewarded at every turn. You like history? Bound For Glory's depiction of Depression Era life is both accurate and eye-opening. You like music? The perspective gained on one of our nation's greatest songwriters is delightful in a way every man can appreciate. You like against-the-odds stories of rugged individualism? Hope you're hungry. The pace may be criticized as slow, but works in emphasizing the dreariness and despair needed to understand the motivations and emotions that lead to Woody Guthrie's greatness. The deliberate storytelling also reminds one of the manner in which Kurosawa might weave a fable. Which reminds me, David Carradine's performance is inspired. Great film any way you look at it.
Found the movie to be "real". Did a great job of showing how things were at the time. Carradine & Cox did an outstanding job. Really enjoyed the music. Feel that this movie has certainly been overlooked during the years. A real QUALITY film.
An unusual film, it starts by depicting the harsh life that many had to live during the Depression era, but then about halfway through it takes a sharp turn to become a biography of a musician. This change is rather jarring, as it comes unexpected. It manages to paint the glumness and the poverty of the Depression era so well that the sudden change in story direction just about violates what has gone before. In fairness, it does give us an idea of what the protagonist went through and what motivated his career, but is there not too much time spent on it? There is relatively little in the way of story until the music side enters in. It is quite meandering, and full of characters that have no importance later on, there is cause to wonder whether it could have been compressed down. For the adventure genre that the film best fits into, it is also relatively unexciting. The film is rather awkwardly put together, and it could do with a few events removed, but there are still a lot of good points to it. The cinematography won the film an Academy Award, as did the adapted music soundtrack, and both these elements are good. Haskell Wexler has chosen some interesting angles to shoot the film from, and the songs are fitted into the material quite well. Overall it is a good film, but a difficult one too. It takes patience to get through, but there are some good things in the end.
*** This review may contain spoilers ***
This movie will give the open-minded viewer a look at what life in
America was like in the 1930's. I fear younger viewers who expect to
have cars blowing up and a hero who can defeat a half dozen opponents
at once will be disappointed. David Carradine turns in his best
performance of all that I have seen. As others have mentioned the
cinematography is fantastic. This movie is for those viewers who can
appreciate that many have struggled and suffered to bring this country
to the point where some can be bored by a movie of this caliber. To
appreciate what we now have one must sit through the "boring" parts to
see how badly people lived during this time in the USA. The movie does
move slowly at times but that is how slowly the lives of people moved
in that time period. They had little or no work, didn't always know
where their next meal would come from.
VERY MINOR SPOILER The movie portrays Woody in his struggle to bring respect and equity to those who toiled and were abused. There are still those who do not believe that conditions like this once existed in this country. I doubt they would believe it if they watched the movie. I rate this movie 8 of 10 for the harsh portrayal of a time many are not aware of, the convincing acting of Carradine, and the cinematography.
In one of his many masterpieces throughout the '70s, Hal Ashby tells
the story of Woody Guthrie (David Carradine) during the folk singer's
Depression-era travels, and how he got politicized. We see the plight
of working families moving to California, and everything such. One of
the best scenes is when a rich family picks up Woody. While they talk
about their wealth and stuff, Woody says something that I'm probably
not allowed to write here.
All in all, this is a magnificent look into one man's life, and into history in general. If only one thing's for certain, it's that Woody Guthrie will remain an important part of Americana. A great movie. Also starring Ronny Cox and Melinda Dillon.
*** This review may contain spoilers ***
"I've seen lots of funny men in this world. Some will rob you with a
six-gun and some will rob you with a fountain pen" Woody Guthrie
Set during the Great Depression, Hal Ashby's "Bound for Glory" follows folk singer Woody Guthrie as he evolves from a lowly sign painter in Texas to a popular radio singer in California. Guthrie's cross-country journey was itself commonplace during the Dust Bowl years. This decades long period saw dust storms and droughts ravaging the American panhandle, conditions which led to an exodus of farmers, most of whom lost their land and travelled West, eventually settling in California, where they were ruthlessly exploited by land barons who pitted worker against worker.
Like most of Ashby's lead characters, Woody's thus a non-conformist with a strong sense of moral outrage. Ashby paints him as a wandering artist, hopping from town to town, riding trains, hitching rides, meeting folk and developing his conscience. It's not long before his songs become weapons; a means to rally men against social injustice.
And so as the film progresses, Woody begins to inspire people to unionise and organise (against farm barons and landlords) and morphs into a kind of romantic anarchist-socialist figure who lives to fight and loves to sing.
Like John Ford's "Grapes of Wrath", "Bound for Glory's" view of the Great Depression mixes inappropriately cosy postcard images with gut wrenching hardship. Families struggle to make ends meet, food is scarce and jobs are few. But where Ashby and Ford differ most is in the latter's sense of optimism; things will be better, if only we keep singing. If only we keep chanting, our guitars in hand. Ashy, you sense, is a bit more pessimistic. Understandable, considering the era in which he was active.
The title of Ashby's 1979 film, "Being There", was perhaps inspired by German philosopher Martin Heidegger's magnum opus "Being and Time". In his book, Heidegger coined the term "Dasein" or "Being there", which referred to existence in the most minimal sense. By using the expression "Being There", Heidegger called attention to the fact that a human being cannot be taken into account except as a being existing in the middle of a larger "fabric". To be human is to be fixed, embedded and immersed in the physical, literal, tangible day to day. But Heidegger believed that certain people could escape this fabric, or perhaps be more attuned to it via a heightened self reflexivity, thought most were too preoccupied to do so.
In "Being There", Ashby had actor Peter Sellers essentially play a brain damaged child called Chance. Depending upon one's reading of the film, Chance's innocence either represented a kind of perceptual freedom which allowed him to unknowingly see beyond the delusive forms that mask everyday reality, or the exact opposite, Chance a figure of "chance", of lawless, nonsensical irrationality. Regardless, "Bound for Glory's" Guthrie is obviously intended to be juxtaposed with Chance. Gutherie's a simple man with few possessions and few ties. But while others are on their hands and knees, working and toiling in the dirt, Woody stands upright and sees the world both as it is, and in terms of possibilities instead of limitations. Whever someone tries to force their frameworks upon him, Woody rejects them (marriage, family, job, class, money etc) and goes in search of better paths. These path may not be visible, or indeed even exist, but what matters most is that Woody inspires others to join him on his search.
8.5/10 - Though Ashby fails to delve deeply into Guthrie's life, preferring to reduce him to an archetypal "wandering artist" character, this is nevertheless a fine, era defining film, and features some stunning cinematography by the legendary Haskell Wexler. Worth two viewings.
Enjoyed this film from beginning to the very end because it was so down to earth and told a great story about Woody Guthrie played by David Carradine. Woody Guthrie left his Texas home and headed for California and along the way he experienced riding the railroad in a box car and even on top of them from town to town and was beaten up by the railroad workers. Woody meets up with some very poor people who were trying to make a living by picking crops in the fields for penny's a day and children deprived of food and shelter. Ronny Cox,(Ozark Bule) meets up the Woody and they play music for a radio station and at the same time try to get a union established for the working people on the farms. David Carradine did a great job of acting and this is a very outstanding picture to view more than once. Enjoy
"Bound For Glory" is a great deal more than the story of Woody Guthrie.
It is a virtual experience of living through the Great Depression.
This is the ultimate historical-based re-creation of life in America in the 1930s. From the unemployment to the box car hopping, dust storms, soup kitchens, migrant workers and their union organizing, the film takes you into the eye of the Great Depression hurricane that devastated life in America.
It provides a first-person perspective as the story builds upon the life of folk music legend Woody Guthrie.
Teachers from 5th grade through college can use this as a valuable instructional tool, and not even have to worry about any bad language or erotic scenes.
Where "Grapes of Wrath" was once used as Hollywood's contribution to showing the Great Depression, "Bound For Glory" surpasses it with a compelling storyline that keeps you riveted, production design and sets that are as stimulating as they are accurate, and superb acting and cinematography.
If you somehow missed this film because most of the attention that year was going to "Rocky," "Network," "All the President's Men" and "Taxi Driver," find out for yourself why this was the "other" film nominated for Best Picture.
This was one of the first biographies of a music star. Woody Guthrie
was also the most famous communist in American history. This made just
doing the movie an act of extreme courage on the part of everybody
The movie is as much about the depression in the 1930's as it is about Guthrie. Evoking the atmosphere of the 1930's Midwestern United States is what the movie does best. "Bonnie and Clyde" is really the only other movie that succeeds as well as this one.
When I saw it thirty-two years ago, I thought it was beautiful, but politically tepid, downplaying much of the politics of Guthrie and the period. It seemed to also show Guthrie as inarticulate, rash, self-destructive, egocentric and foolish.
Looking at it now, the cinematography is not great, some of it is quite grainy. It is fine, but not brilliant.
More importantly, I appreciate now that it does not romanticize Guthrie. No doubt in the coming century, he will become an icon like Che Guevara. One gets a vision of a real flawed and down-to-earth person and not a white-washed myth in Carradine's brooding portrayal. It hurts the drama, but that is something I think Guthrie would have appreciated.
Some have noted that David Carradine never did anything better. This is true. Still, he has worked steadily as an actor, now with over 200 movie and television roles. He is in no less than ten movies this year. If you include over 120 episodes of his two Kung Fu television series, he has been in as many productions as his legendary father, John Carradine (339). It is ironic that his father was best known for his role in "Grapes of Wrath" and he will be best known for his role in "Bound for Glory,"
Altogether this is a beautiful, laid-back, easy-going version of the Woody Guthrie story. One expects that soon, in the future, a much more passionate version will appear.
Woody is hitchhiking to the do-re-mi state of California when he is
picked up by a middle-aged couple in a camper trailer automobile. The
driver, M. Emmet Walsh, babbles incessantly about all the sites he and
his wife have visited across the nation. Woody, in the backseat, is
finally given an opportunity to speak. He blurts out, "The more you
eat, the more you s**t." Immediately, Woody is hitchhiking once more.
This one scene epitomizes Woody's attitude and character. He is the
common man writ large, no pretense, no fabrication, just plain talk.
This movie is based on Woody's book, "Bound for Glory," the title coming from the old spiritual, "This Train is Bound for Glory, This Train." A popular song of the day was "Born to Lose" by the western swing band, Ted Daffan's Texans, much later a big hit for Ray Charles. Woody hated the words to the song, with its pessimistic, fatalistic outlook on life and love. Partly in response to this song, Wood wrote his "Bound for Glory." The book like the movie is a look inside Woody's mind. It's about his philosophy and how it relates to his music and songwriting. It is thereby not much of a biography, dealing with a few episodes in Woody's odyssey across American and his rather brief career as a professional musician.
All Woody's best songs are showcased in "Bound for Glory." "I Ain't Got No Home," "Talking Dust Bowl Blues," "So Long It's Been Good To Know Ya," "They Laid Jesus Christ in His Grave," "Howdjadoo," "Deportees," "Hard Travelin'," "Pastures of Plenty," and his most recorded ditty, "This Land Is Your Land." About the only ones missing are "Pretty Boy Floyd,""Vigilante Man," and "Take Me For a Ride In Your Car-Car (Riding In My Car)."
When one imagines an actor portraying Woody, Preacher Casey (John Carradine) from "The Grapes of Wrath" comes to mind. In 1976, John Carradine would have been too old to fit the part. Why not his lookalike son, David? A good choice. David Carradine not only acts the role, much like George C. Scott in "Patton," he becomes Woody. Added to the believability is David's ability to play the guitar and harmonica and to sing in Woody's style. Modern ears have difficulty listening to the rough, often grating, primitive singing and playing of Woody. Woody wanted it that way. He desired to sound like the common man, not like some radio crooner. The movie highlights this when a cocktail lounge singer is auditioning with "I'm In The Mood For Love." Guthrie follows with a "hillybilly" rendition of "Pastures of Plenty," much more sophisticated than it appears to be. Caradine captures the sound perfectly, without over playing it.
Maverick director, Hal Ashby, and his cinematographer, Haskell Wexler, by studying Dorothea Lange's famous photos of the Great Depression and by utilizing inspiration gained from watching John Ford's "The Grapes of Wrath," are able to capture on film the essence of hopelessness, frustration, and misery of those caught in the maelstrom of starvation and unemployment. One telling scene has a horde of migrant workers slowly walking toward the camera, their heads bent in quiet desperation, having been rejected from fruit-picking work because only thirty hands were needed. In the midst of this swirl of despondency, Woody walks tall against the flow, his head in the air, as much a maverick as Ashby. Only two other Hollywood films equal "Bound for Glory" in their depiction of the Great Depression on the big screen, "The Grapes of Wrath," and Arthur Penn's "Bonnie and Clyde."
Even Woody's ambivalent attitude toward women is not glossed over. Woody was at heart a drifter, unable to stay in one place too long, always breaking free from the ties that bind. Keeping with this accurate presentation of the bard, The film shows Woody's concept of labor unions as being for fair treatment of workers with a decent wage, not the compromising fanaticism of Ozark Bule (Ronny Cox), demanding all or nothing until the chips are down; then backing up on his principles. A similar outlook causes Woody problems with being a professional musician. When agents, managers, and producers--all in it for the money--try to groom Woody for the big time, he throws his guitar over his shoulder and heads for New York Town where he would find, "People going' down to the ground, Buildings going' up to the sky," as Dylan would later sing, in homage to his mentor.
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