| Zalman King | ... | Jerry Zipkin | |
| Deborah Winters | ... | Alicia Sweeney | |
| Mark Goddard | ... | Edward Flemming | |
| Robert Walden | ... | David Blume | |
| Charles Siebert | ... | Detective Clay | |
| Ann Cooper | ... | Wendy Flemming | |
| Ray Young | ... | Wayne Mulligan | |
| Alice Ghostley | ... | O'Malley's Neighbor | |
| Stefan Gierasch | ... | Lt. Jennings | |
| Richard Crystal | ... | Frannie Scott | |
| Bill Adler | ... | Ralphie | |
| Barbara Quinn | ... | Stephanie | |
| Adriana Shaw | ... | Barbara O'Malley | |
| Bill Sorrells | ... | Ritchie Grazzo | |
| Jeffrey Druce | ... | Junkie (as Jeffry Druce) | |
| Meegan King | ... | Gun Salesman | |
| Argentina Brunetti | ... | Mrs. Rosella | |
| Laura Booker | ... | Samantha | |
| David Schwartz | ... | Jason | |
| Steve Tannes | ... | Joe (as Steve Tannen) | |
| Brion James | ... | Tony | |
| Jim Storm | ... | Tommy | |
| Sandy Robertson | ... | Margaret | |
| Mary Moon | ... | Francine | |
| De Ette Adams | ... | Tina (as Deette Adams) | |
| Bill Cameron | ... | John O'Malley | |
| Brandy Carson | ... | Campaign Worker | |
| Marcy Hanson | ... | Campaign Girl | |
| Phyllis Glick | ... | Hospital Receptionist | |
| Rock Riddle | ... | Bouncer | |
| Richmond Johnson | ... | Guard | |
| James Carroll | ... | Pete (as James Lough) | |
| rest of cast listed alphabetically: | |||
| Jeff Lieberman | ... | O'Malley's Parrot (voice) (uncredited) | |
Directed by | |||
| Jeff Lieberman | |||
Writing credits | ||
| Jeff Lieberman | (written by) | |
Produced by | |||
| Joseph Beruh | .... | executive producer | |
| Edgar Lansbury | .... | executive producer | |
| George Manasse | .... | producer | |
| Nan Pearlman | .... | associate producer | |
Original Music by | |||
| Charles Gross | |||
Cinematography by | |||
| Don Knight | |||
Film Editing by | |||
| Brian Smedley-Aston | |||
Casting by | |||
| Joan Barnett | |||
Art Direction by | |||
| Ray Storey | |||
Makeup Department | |||
| Norman Page | .... | makeup artist | |
Production Management | |||
| R.R. Thomas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stephen P. Dunn | .... | second assistant director (as Stephen Dunn) | |
| Richard T. Schor | .... | first assistant director (as Richard Schor) | |
Sound Department | |||
| William B. Kaplan | .... | sound mixer (as William Kaplan) | |
| Dan Sable | .... | sound editor | |
| Earl Sampson | .... | boom operator | |
| William S. Scharf | .... | sound | |
| William S. Scharf | .... | supervising sound editor (as Bill Scharf) | |
| Dick Vorisek | .... | sound re-recording mixer | |
Special Effects by | |||
| R. Bruce Steinheimer | .... | special effects (uncredited) | |
Stunts | |||
| Speed Stearns | .... | stunt coordinator | |
| David S. Cass Sr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dana Christiaansen | .... | first assistant camera | |
| Hank Grattan | .... | gaffer | |
| Ben Haller | .... | electrician | |
| Len Hekel | .... | still photographer | |
| Willy Horner | .... | grip (as William Horner) | |
| Douglas Olivares | .... | second assistant camera | |
| Alton Walpole | .... | key grip | |
Costume and Wardrobe Department | |||
| Pamela Sellman | .... | wardrobe | |
Editorial Department | |||
| Lois Freeman | .... | assistant editor | |
| Russ Kingston | .... | assistant editor (as Russell Kingston) | |
Other crew | |||
| Bill Bowden | .... | production assistant | |
| Brian Brosnan | .... | production assistant | |
| Darrell Jonas | .... | production office coordinator | |
| Sandy King | .... | script supervisor | |
| Gary Lieberman | .... | medical consultant | |
| Max Mendes | .... | location manager | |
| Bonnie Sher | .... | production coordinator | |
|
|
|
|
|
| The Hills Have Eyes | Fright Night Part 2 | Brick | The Limey | Night of the Demons |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Some films have a way of sticking out that is inexplicable. Explaining the plot of this movie (hippies took bad acid in the 60's and the delayed effect 10 years later is making them all homicidal bald lunatics who go berserk and kill, and only one guy can stop it all but he's on the run) is NOT the way to point out the joys of this film experience that keep one returning for more. This can only be done in one way, listing the movie's virtues:
**a memorable, creepy and weird theme song **a high level of tension even though there's no "mystery" to be solved **Zalman King's loony and inappropriate "method" acting **homicidal bald lunatics who go berserk and kill **puppets of Frank Sinatra and Barbra Streisand **a man going insane in a '70's disco **a cameo by one of the witches from "Bewitched" **camp humor.
There's something really satisfying about watching a woman in a robe with a bald cap on chasing around ugly, bad acting little kids with a knife. There's something wonderful about Zalman King screaming and pounding his arms against a door frame for no known reason, then walking around going "Huff! Huff! Huff!" forever after. I love how a good chunk of time is spent on a fetish-y moment when King buys a gun and is taught how to use it. If you've seen this you know what I mean. Like...hunhhh? Or why does King's girlfriend enunciate her sentences wrong, she says "I wanna GO with you!" instead of what she means, "I wanna go WITH you." She's a terrible actress, this Deborah Sweeny, but she's so spunky and has such an interesting face I can't look away. The same with King--his intensity was better suited to raping schoolgirls in "Trip With The Teacher" or being hostile in "Galaxy Of Terror," and who encouraged his "acting choice" of constantly stuffing his hands in his pockets every few seconds? There's also very little logic, conclusions are reached too quickly and what in HELL is with the junkie in the park? It all just comes out of nowhere and leaves just as quickly...
...and that's why I love this movie. Anyone can make a solid mystery, this flick is a quirk-fest. When I was young watching this on t.v. the tension of the last 20 minutes about gave me a heart attack, now it's sleep-inducing. Movies have changed a bit since then, obviously, and this probably doesn't "work" anymore. But I return to it again and again, I'm glad they gave it a good DVD re-master and included that weird and wonderful soundtrack. Oh, and did I mention the PUPPETS??