The cream of New York new wave/punk filmed live at CBGB's when the scene was just beginning. Includes performances by Patti Smith, Blondie, Television, the Ramones, Talking Heads, the ...
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Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and... See full summary »
This is the story of Rico, a man who lives in New York in 1976 but who lives his own life in Paris during the time of the 'New Wave'. He is a photographer who thinks he's a gangster, a ... See full summary »
European secret agent Max Menace arrives in New York City, waiting for his contact to tell him his assignment. He becomes entangled with an assortment of odd characters and situations, but never learns why he's there.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes In Toyland, The ... See full summary »
The cream of New York new wave/punk filmed live at CBGB's when the scene was just beginning. Includes performances by Patti Smith, Blondie, Television, the Ramones, Talking Heads, the Heartbreakers, the Shirts, Wayne County, the Marbles, the Dolls, Miamis, Harry Toledo, and the Tuff Darts (w/Robert Gordon). Written by
I have an old VHS copy of this, but now I'm definitely going to snatch it up on DVD. "The Blank Generation" (attention, previous reviewer: the title of the film comes from the Heartbreakers/Richard Hell song of the same name, which is played TWICE at the end; maybe you didn't enjoy this film much because you didn't know anything about the bands or the music they played) is loaded with atmosphere. It's a perfect snapshot of the CBGBs scene of the mid-to-late '70s. Yes, you could complain about the herky-jerky camera-work (I think they were going for an Andy Warhol sort of feel) or the fact that image and sound are out of sync with one another...but why would you? This is the only document of its kind, the only visual testament to the early genius of the Ramones, Television, Patti Smith, and Talking Heads. Even the obscurities (like the Harry Toledo song, 'Knots') are great! Amos Poe and Ivan Kral couldn't have captured the spirit of the New York "punk" era any more accurately; I always thought the vibe of the film was enhanced by its poor technical quality. Oh, one thing more: the bands *are* identified at the end of the film.
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