|Index||9 reviews in total|
This offbeat little film tells the story of a team at the tail-end of the Negro Leagues and their struggle to fight the corrupt ownership of the league. It is similar in tone to "A League of Their Own" but came earlier and is less glossy and, in my opinion, more fun. There are some good points made in it about racism and the athlete as commodity, but the film doesn't take itself too seriously and is never preachy or heavy-handed. It's an easy-going film which is great fun to watch. The cast is fantastic--Billy Dee Williams was never smoother or more charming, James Earl Jones appears to be having the time of his life, and the supporting cast is full of young versions of actors who went on on to bigger things. If you are used to seeing Jones only as a grand elder statesman of acting, check out this film where he plays his role with a lot of humor and energy and a sexy twinkle in his eye.
They just don't make `em like this anymore. James Earl Jones, Billy Dewilliams, Richard Prior and Stan Shaw play their parts to perfection. The music is excellent, capturing the flavor of the times. There are some huge belly-laughs and the plot keeps one interested throughout. Great sports movie.
in response to 'blaploitation', motown's magnate produces a great 'hilariblax'film. great chance to see the godfathers of black comedy (r.pryor), black leading men (b.d.williams) and high black drama (j.e. jones). as an educator it's good to find films that can speak on the life and times of America's pastime in a darker light.As important as k.burns baseball series, could have even been used to more vividly illustrate the 2nd part of his work 'shadowball'. A film the whole family can enjoy--as well as my whole class.Every semester I show this excellent film to my students. it never fails to prompt kids to ask more questions about the '20's & 3o's in America and also questions about race relations. mr.ford calls it my favorite baseball movie of all times.
*** This review may contain spoilers ***
One of the best baseball comedies mainly because of its very real and believable dramatic points. It also deals with a subject that has rarely been touched on in film: the Negro Leagues. The cast is absolutely incredible. Top to bottom a list of legends field this magnificent flick! James Earl Jones fits his aging sluggers role superbly and who better to serve up a ripping hot fastball than Billy Dee Williams! Richard Pryor gets high marks for his "faux-latino" Charlie Snow whose only reason for being on the team is because he has a nice car. Pryor also has a racey scene with a white prostitute and two paid hit men. Special mention of Carl Gordon who has a small role here. I loved him as the Dad on the great but all too short lived sitcom "Roc." Who gonna hit my invite pitch? Nobody. Not no one. Never. Bingo Long is the stuff of modern folklore. Invite pitch! Invite pitch! Invite pitch! A LOST BASEBALL CLASSIC. A great double feature would be "A League Of Their Own."
Highly entertaining film about a renegade black baseball team that breaks through barriers in 1939, when black ball players where shunned out of white controlled leagues. Williams stands out as their razzle-dazzle leader. The almost black cast that also features Jones, Pryor and Tony Burton are superb.
This film got great reviews when it came out, but I had to go to a
African-American neighborhood theater to see it. That was only where it
was being shown. It was not marketed for a general (prodominently
white) audience. I believe that it has been overlooked since for the
same reason: it is believed to be a movie about African-Americans which
can be appreciated only by African-Americans.
This is far from the case. It is a movie about individuals trying to do the work they love while being frustrated by irrational human attitudes and biases. It is a movie about adapting to the perception that your world is changing and the change will be good for others, but not be good for you. It is as good a movie ever made about finding your goals and persisting in reaching them, even as the value of the goal recedes before you.
And it is hilarious. It is done with sly humor as well as laugh-out-loud wild humor.
I love this movie! Bet I've seen it 15 times and its always fun and a
chance to see some great stars in unusual roles. Billie Dee Wiliams as
Bingo Long is a great inspiration for "sticktuitiveness"; James Earl
Jones appears here in a totally new light - who knew he could be a
comedian as well as one of our best serious actors. What to say about
Richard Pryor in all his multiple guises here? Just terrific! The
supporting cast is strong - no weak links!
I grew up in a segregated South so I really get what this movie is all about. Its replicates a piece of history not covered in the social studies books. The costuming and musical score is worth it even if you decide you don't like to movie.
Sorry, Charlie, but comparing "Bad News Bears" with "Bingo Long Traveling Allstars and Motor Kings" is like comparing "Hogans Heroes" and "Stalag 17"!! One is STRICTLY a bit of fun, and the other, while there are some laughs, explores a much more serious matter, albeit with the tongue planted firmly in cheek. Sure, you probably had a "Bad News Bears" lunch box, and Walter Matthau, Jodie Foster, and Jackie Earle Haley were just great in BNB, and there were some funny bits, but Bingo Long had much of its basis in fact, and it was one of the first films to explore a much too ignored historical fact, namely the Negro Leagues. James Earl Jones, as usual, is wonderful, and Richard Pryor didn't have to totally play his role for laughs as much as he was required to at this time in his career. Billy Dee Williams, who I feel didn't get nearly as many good roles as he deserved, was just great as Bingo Long. He was much better than in the terminally overrated "Lady Sings The Blues", also with Richard Pryor, but unfortunately up against Diana Ross' massive ego. I especially enjoyed spotting DeWayne Jessie(aka "Otis Day" of Animal House) as Rainbow. "Bingo Long" made me want to learn more about the Negro Leagues and barnstorming teams of the '30's like the House Of David.
The hilarious Richard Pryor doesn't generate very many laughs in this very slow story about a group of black baseball players who have defected from their own national league and go around challenging white baseball teams (the setting is 1939). Released around the same time as another baseball comedy, "The Bad News Bears" but nowhere near as good as that one.
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