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Barocco (1976)

6.3
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The story of Barocco is about a girl in love with a boxer. They plan to go abroad after making a lot of money by participating in an interview intended to discredit a politician at ... See full summary »

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Title: Barocco (1976)

Barocco (1976) on IMDb 6.3/10

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3 wins & 6 nominations. See more awards »
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Edit

Cast

Cast overview, first billed only:
...
Laure
...
Samson / Samson's Killer
...
Nelly
...
Walt
...
Gauthier
Hélène Surgère ...
Antoinette
Jean-François Stévenin ...
Jeune homme brun
Peter Bonke ...
Acolyte 1
Leny Suck ...
Acolyte 2
Elise Hoomans ...
Mère de Samson
Frans Vorstman ...
Secrétaire
Helmert Woudenberg ...
L'emtraineur
Adrian Brine ...
L'inspecteur
Truus Dekker ...
L'employée
Susan Senduk ...
Serveuse B
Edit

Storyline

The story of Barocco is about a girl in love with a boxer. They plan to go abroad after making a lot of money by participating in an interview intended to discredit a politician at elections time. But the boxer is killed before, and the killer, little by little, fall in love with the girl that accept him finally at the condition that he looks like the boxer he killed. Written by <mraffino@ens.ens-lyon.fr>

Plot Summary | Add Synopsis

Plot Keywords:

identity | boxing | See All (2) »


Certificate:

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Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 December 1976 (France)  »

Also Known As:

Barocco - Mord um Macht  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Connections

References North by Northwest (1959) See more »

Soundtracks

On se voit se voir
Music by Philippe Sarde
Lyrics by André Téchiné and Jacques Chaumelle
Performed by Marie-France (as Marie France)
See more »

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User Reviews

An ambiguous, confused and relentlessly gloomy thriller
16 June 2000 | by See all my reviews

Whilst this film does occasionally impress in a few scenes, it is overwhelmingly a major disappointment. The plot is faintly ridiculous, although it might just have been possible, given the right mood and the right actors, to convince the audience that a woman can fall for the murderer of her boyfriend. The trouble is that the film does not seem to have either the right mood or the right actors, and the end result is rather like an unconvincing melee of film noire out-takes.

The acting is noticeably below par throughout, particularly from the lead characters Adjani and Depardieu - all the more surprising that both are now recognised as actors of no mean standing in France. The chemistry between the two lead characters just doesn't feel right, and it looks as if Téchiné made a great error of judgement to cast Depardieu in the role of both Samson and his killer. Certainly, Depardieu makes little effort to differentiate the two characters except by wearing a wig and, as a result, the underlying premise of the plot is lost completely.

However, it is the general mood of the film that is the most irritating aspect of this film. It is just so relentlessly grim and dark that it seems to stifle the plot and imbue the moments of great tension with an air of third-rate melodrama.

It is difficult to believe that, with such a wealth of talent on both sides of the camera, such a film could have failed so badly to hit its mark.


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