| Photos (See all 11 | slideshow) |
| Doug McClure | ... | David Innes | |
| Peter Cushing | ... | Dr. Abner Perry | |
| Caroline Munro | ... | Dia | |
| Cy Grant | ... | Ra | |
| Godfrey James | ... | Ghak | |
| Sean Lynch | ... | Hoojah | |
| Keith Barron | ... | Dowsett | |
| Helen Gill | ... | Maisie | |
| Anthony Verner | ... | Gadsby | |
| Robert Gillespie | ... | Photographer | |
| Michael Crane | ... | Jubal | |
| Bobby Parr | ... | Sagoth Chief | |
| Andee Cromarty | ... | Girl Slave |
Directed by | |||
| Kevin Connor | |||
Writing credits | ||
| Edgar Rice Burroughs | (novel) | |
| Milton Subotsky | (screenplay) | |
Produced by | |||
| Harry N. Blum | .... | executive producer | |
| John Dark | .... | producer | |
| Max Rosenberg | .... | producer (as Max J. Rosenberg) | |
| Milton Subotsky | .... | producer | |
Original Music by | |||
| Michael Vickers | (as Mike Vickers) | ||
Cinematography by | |||
| Alan Hume | (director of photography) | ||
Film Editing by | |||
| John Ireland | |||
| Barry Peters | |||
Production Design by | |||
| Maurice Carter | |||
Art Direction by | |||
| Bert Davey | |||
Makeup Department | |||
| Joan Carpenter | .... | hairdresser | |
| Robin Grantham | .... | makeup artist | |
| Neville Smallwood | .... | makeup artist | |
Production Management | |||
| Graham Easton | .... | production manager | |
| Robert M. Hodes | .... | executive in charge of production: Edgar Rice Burroughs Inc. | |
Second Unit Director or Assistant Director | |||
| Jack Causey | .... | first assistant director | |
| Andy Armstrong | .... | third assistant director (uncredited) | |
| Guy Travers | .... | assistant director (uncredited) | |
Art Department | |||
| Vic Simpson | .... | construction manager | |
| Michael White | .... | set dresser | |
| Bill Beavis | .... | scenic artist (uncredited) | |
| Frank Graves | .... | scenic artist (uncredited) | |
Sound Department | |||
| Jim Atkinson | .... | sound editor | |
| Gordon K. McCallum | .... | dubbing mixer | |
| George Stephenson | .... | sound mixer | |
| Ken Barker | .... | dubbing mixer (uncredited) | |
Special Effects by | |||
| Ian Wingrove | .... | special effects supervisor | |
Visual Effects by | |||
| Charles Staffell | .... | process photography | |
Stunts | |||
| Joe Powell | .... | stunt arranger (uncredited) | |
Camera and Electrical Department | |||
| Derek V. Browne | .... | camera operator (as Derek Browne) | |
| Mike Frift | .... | camera focus | |
| John Golding | .... | focus puller: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe supervisor | |
Editorial Department | |||
| Rita Burgess | .... | assistant editor | |
Music Department | |||
| Michael Vickers | .... | music player (as Mike Vickers) | |
Other crew | |||
| Arthur Cleaver | .... | production administrator | |
| Doreen Soan | .... | continuity | |
| David Sheldon | .... | production executive (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| loved the sets in this | beavertoof |
| Finest sci-fi movie ever. | mam13143 |
| One of my childhood faves! | Flywiththeowl |
| Exploding fire breathing frog | mandarin992000 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb UK section |
This film begins with a wonderful piece of music and an excellently tense and edge-of-seat sequence in which Victorian scientists (played by Doug McClure and Peter Cushing) drill into the depths of the earth in their 'Iron Mole'. You truly believe you're going to see a great film to rival 'The Land That Time Forgot'. But then the two companions arrive in the underground world and encounter their first monster, which is quite obviously a man in an outfit which looks like a dinosaur with a parrot's face. From here it's downhill all the way as the intrepid scientists encounter ovens with tentacles on strings, fire-breathing critters with clearly visible flame-thrower nozzles and pterodactyl-people who, when they fall down, explode for no apparent reason. It's a shame the special-effects are so awful, as the storyline is quite interesting with some good situations and the music is excellently atmospheric. But what we have here is a good script let down by poor execution. All I can say in this film's favor is it's watchably bad. But I'd have been a lot happier if it was watchably good.