| Liv Ullmann | ... | Dr. Jenny Isaksson | |
| Erland Josephson | ... | Dr. Tomas Jacobi | |
| Aino Taube | ... | The Grandmother | |
| Gunnar Björnstrand | ... | The Grandfather | |
| Kristina Adolphson | ... | Nurse Veronica | |
| Marianne Aminoff | ... | Jenny's mother | |
| Gösta Ekman | ... | Mikael Strömberg | |
| Helene Friberg | ... | Anna | |
| Ulf Johansson | ... | Helmuth Wankel | |
| Sven Lindberg | ... | Jenny's husband | |
| Jan-Eric Lindquist | (as Jan-Erik Lindqvist) | ||
| Birger Malmsten | ... | Rapist | |
| Sif Ruud | ... | Elisabeth Wankel | |
| Göran Stangertz | ... | Rapist | |
| rest of cast listed alphabetically: | |||
| Lena Olin | ... | Shop assistant | |
| Rebecca Pawlo | ... | Shop assistant | |
| Gösta Prüzelius | ... | Jenny's father | |
| Tore Segelcke | ... | The woman | |
| Kari Sylwan | ... | Maria | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | ||
Produced by | |||
| Lars-Owe Carlberg | .... | producer | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Siv Lundgren | |||
Production Design by | |||
| Anne Hagegård | |||
| Peter Kropenin | |||
Makeup Department | |||
| Cecilia Drott | .... | makeup artist | |
Sound Department | |||
| Owe Svensson | .... | sound mixer | |
| Owe Svensson | .... | sound | |
Camera and Electrical Department | |||
| Arne Carlsson | .... | still photographer | |
| Bengt Franzen | .... | assistant camera | |
| Lars Karlsson | .... | assistant camera | |
Music Department | |||
| Käbi Laretei | .... | musician: piano | |
Other crew | |||
| Kerstin Eriksdotter | .... | script supervisor | |
| David E. Van Houten | .... | release publicist | |
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| Igby Goes Down | Day of the Wacko | Edvard Munch | Kings & Queen | L'ennui |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
The Greeks were the first to understand it: the best dramatic performances are given by women because they have a way of letting out every emotion with the most compelling force. Bergman also understood this and I think his best movies are those that star women in tense dramatic situations: Persona, Cries and Whispers, Passion of Annam Through a Glass Darkly and Face to Face. The long and fruitful collaboration between Bergman and Liv Ulman is one of the greatest director-actor in movie history comparable with Fellini-Massina, Scorsese-De Niro and Welles-himself. Unlike other collaborations Bergman used Ulman in a variety of roles, always changing something substantial, never letting the viewer down. I knew Bergman can reach high intensity but I never guessed that he can go so far as he goes here. The story of a psychiatrist that thinks she has everything sorted out in her life but finds out that she has it worse than her patients really left me speechless. Bergman explored madness before in Hour of the Wolf; in that movie as in this one the viewer is confronted with the decision of what is real and what is in the imagination of the character making the cinematic journey thrilling and surprising