Allegro non troppo (1976) - News Poster


Re-Animate Me!


The 18th Annual Animation Show of Shows Sva Theater, NYC

I became an animation fan -- a true aficionado -- early in life. It had little or nothing to do with children's shows on television (Hanna-Barbera, Speed Racer, Gigantor, et al), though I watched and liked most of them. Rather, it was probably when I first saw Fantasia (likely mid-1960s), and then The Jungle Book (1967) and (of course!) The Beatles' Yellow Submarine (1968). By that time, I was actively looking for good (or great) animation. I was not a fan of Disney (though I have a sentimental fondness for The Aristocats (1970)), and anime feature films did not become widely known in the U.S. until the 1980s.

So when I heard about something called the Fantastic Animation Festival in 1977, I made sure to check it out. Comprised of a series of 18 animated short films, it was exactly what animation aficionados were looking for.
See full article at CultureCatch »

Wonder and Displacement: A Look at Contemporary Italian Animation

  • MUBI
I Via Curiel 8 (Magda Guidi & Mara Cerri, 2011)If someone asked me to make a list of the most interesting recent Italian productions made in the 2010s, there is no doubt that some of these titles would come from the field of independent animation. If I had to explain this choice, I would simply answer that there is nothing surprising in it. We may not have a new Bruno Bozzetto yet—a pioneer of the modern animation cinema in Italy, author of a milestone such as Allegro non troppo (1976)—but there is plenty of evidence to indicate not only a high overall level of aesthetic beauty but also a rigorous quality in most of these films. They also generally bypass the distinction between rearguard and avant-garde by demonstrating that tradition does not necessarily mean lack of innovation. These thoughts came to mind while I was at the latest edition of
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Italy Initiates Latin America Push at Guadalajara Fest

Berlin –Launching its biggest promo push in the last 15 years, the Italian film industry is driving into Latin America, kick-starting its surge with a multifaceted and mass presence at March’s 30th Guadalajara Film Festival. This will play out through sections, tributes and an important market presence.

Highlights at Guadalajara, which runs March 6-15, include the award of a its International Mayahuel Award to Bernardo Bertolucci, who will attend the festival. Honor recognizes Bertolucci’s contribution to world cinema and acknowledged influence on many of Latin America’s most important filmmakers.

Also on the agenda: a Bruno Bozzetto retrospective, a 34-pic recent Italian cinema panorama, and a major Guadalajara market attendance of producers, institutions and sales agents of Italian films. Among the latter are Rai Com, Rai Cinema, Adriana Chiesa Enterprises, Intramovies, The Match Factory, Domenico Procacci’s Fandango Distribuzione, Hengameh Panahi’s Celluloid Dreams, Doc & Film, The Open Reel,
See full article at Variety - Film News »

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