An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! When he is informed that some American named "Prisney" (or something) has already done it, he decides to do his own version, using an orchestra comprising mostly old ladies and an animator he's kept locked in a dungeon. Several different classical pieces are animated, while the animator plots his escape. Written by
Andy Bogursky <firstname.lastname@example.org>
(don't let the name fool you)
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Did You Know?
During the live action scenes surrounding the animated musical sequences, Signor Rossi, the most famous figure created by Bruno Bozzetto
, has a cameo appearance. See more
Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next. See more
P:Ladies and gentlemen, you are about to see an unforgettable show, a film destined to become immortal, as immortal as the music which will follow, and which will be interpreted through animation. Beginning with his childhood fantasies, the greatest ambition that burns and swells in the soul of every creative animator is to illustrate music, to give visual form and color to its notes. With this film, we have finally succeeded in achieving this union of animation and classical ...
L'orchestra rappresentata nel film non ha alcuna connessione con le orchestre sinfoniche che hanno realmente eseguito i brani musicali. [The orchestra represented in the film has no connection with the symphony orchestras who actually performed the music.] See more
Written by Maurice Ravel See more